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In Babylonian studies 'Wisdom' is used to cover a group of texts similar in scope to the Biblical Wisdom books: discussions on the problem of suffering, teaching on the good life, fables or contest literature, and proverbs.
The Babylonian Theodicy is a lengthy dialogue between two learned men, the "Sufferer" and the "Friend," taking the form of an acrostic poem divided into 27 stanzas. Each stanza is exactly 11 lines long and represents a speech by one of the two speakers mainly on social injustice and piety, those of the Sufferer alternating with counterarguments of the Friend. The text unquestionably is a literary masterpiece and, as one of the most important pieces of Mesopotamian wisdom literature, a must for every aspiring Assyriologist. Because of its many affinities with the biblical book of Job, it also is of obvious interest to biblical scholars, theologians, and students of Ancient Near Eastern religions. This volume, based on nine different manuscripts (two of them new) and numerous new joins, offers the most complete edition of the text available so far. It is now possible to fully or partially recover 272 of the original 297 lines of the composition. The cuneiform text, sign list and glossary attached to the edition make it possible for the first time to read the entire composition in class. The volume also contains an up-to-date introduction to the text, a bibliography of previous studies, and a detailed philological commentary.
Takayoshi Oshima analyses the two most important Babylonian wisdom texts: Ludlul Bel Nemeqi (also known as the Babylonian Job or the Babylonian Righteous Sufferer) and the so-called Babylonian Theodicy. On the basis of the hitherto published as well as newly available, unpublished cuneiform manuscripts, the author establishes a new critical text for each poem and gives an English translation. He offers detailed philological and critical notes to the texts, discussing both the textual and the interpretive issues evoked by individual words and passages. In addition, however, each poem is preceded by a lengthy discussion of its origins, intention, and plot, as well as by more general considerations of its cultural and historical background, including short but important observations on the relationship to Old Testament wisdom literature.
Where was God in the sixth-century destruction of Jerusalem? The Hebrew Bible compositions written during and around the sixth century BCE provide an illuminating glimpse into how ancient Judeans reconciled the major qualities of God—as Lord, fierce warrior, and often harsh rather than compassionate judge—with the suffering they were experiencing at the hands of the Neo-Babylonian empire, which had brutally destroyed Judah and deported its people. Voices from the Ruins examines the biblical texts “explicitly and directly contextualized by those catastrophic events”—Kings, Jeremiah, Ezekiel, Lamentations, and selected Psalms—to trace the rich, diverse, and often-polemicized discourse over theodicy unfolding therein. Dalit Rom-Shiloni shows how the “voices from the ruins” in these texts variously justified God in the face of the rampant destruction, expressed doubt, and protested God’s action (and inaction). Rather than trying to paper over the stark theological differences between the writings of these sixth-century historiographers, prophets, and poets, Rom-Shiloni emphasizes the dynamic of theological pluralism as a genuine characteristic of the Hebrew Bible. Through these avenues, and with her careful, discerning textual analysis, she provides readers with insight into how the sufferers of an ancient national catastrophe wrestled with the difficult question that has accompanied tragedies throughout history: Where was God?
This book initiates the reader into the study of Akkadian literature from ancient Babylonia and Assyria. With this one relatively short volume, the novice reader will develop the literary competence necessary to read and interpret Akkadian texts in translation and will gain a broad familiarity with the major genres and compositions in the language. The first part of the book presents introductory discussions of major critical issues, organized under four key rubrics: tablets, scribes, compositions, and audiences. Here, the reader will find descriptions of the tablets used as writing material; the training scribes received and the institutional contexts in which they worked; the general characteristics of Akkadian compositions, with an emphasis on poetic and literary features; and the various audiences or users of Akkadian texts. The second part surveys the corpus of Akkadian literature defined inclusively, canvasing a wide spectrum of compositions. Legal codes, historical inscriptions, divinatory compendia, and religious texts have a place in the survey alongside narrative poems, such as the Epic of Gilgamesh, Enuma elish, and Babylonian Theodicy. Extensive footnotes and a generous bibliography guide readers who wish to continue their study. Essential for students of Assyriology, An Introduction to Akkadian Literature will also prove useful to biblical scholars, classicists, Egyptologists, ancient historians, and literary comparativists.
SAACT 7 presents a new edition of Ludlul Bel Nemeqi, "the Babylonian poem of the righteous sufferer." This edition, based on all known tablets of the poem, offers the most complete text of Ludlul to date. Building on a half century of research and discovery, the editors incorporate previously unknown lines of the poem and establish the proper ordering of the material in Tablet IV. The edition includes an extensive introduction, the reconstructed text in cuneiform and transliteration, a translation, and a glossary and sign list. Assyriologists and biblical scholars alike will welcome this long overdue edition of "the Babylonian Job."
Jeffrey L. Rubenstein continues his grand exploration of the ancient rabbinic tradition of the Talmudic sages, offering deep and complex analysis of eight stories from the Babylonian Talmud to reconstruct the cultural and religious world of the Babylonian rabbinic academy. Rubenstein combines a close textual and literary examination of each story with a careful comparison to earlier versions from other rabbinic compilations. This unique approach provides insight not only into the meaning and content of the current forms of the stories but also into how redactors reworked those earlier versions to address contemporary moral and religious issues. Rubenstein's analysis uncovers the literary methods used to compose the Talmud and sheds light on the cultural and theological perspectives of the Stammaim—the anonymous editor-redactors of the Babylonian Talmud. Rubenstein also uses these stories as a window into understanding more broadly the culture of the late Babylonian rabbinic academy, a hierarchically organized and competitive institution where sages studied the Torah. Several of the stories Rubenstein studies here describe the dynamics of life in the academy: master-disciple relationships, collegiality and rivalry, and the struggle for leadership positions. Others elucidate the worldview of the Stammaim, including their perspectives on astrology, theodicy, and revelation. The third installment of Rubenstein’s trilogy of works on the subject, Stories of the Babylonian Talmud is essential reading for all students of the Talmud and rabbinic Judaism.
True theodicy is partly a theoretical corrective to evangelistic impatience: discounting the distortions arising from over-eager salesmanship. And partly it is a work of poetic intensification, dedicated to faith’s necessary struggle against resentment. This book contains a systematic survey of the classic theoretical-corrective theodicy tradition initiated, in the early Seventeenth Century, by Jakob Böhme. Two centuries later, Böhme’s lyrical thought is translated into rigorous philosophical terms by Schelling; and is, then, further, set in context by Hegel’s doctrine of providence at work in world history. The old ‘God’ of mere evangelistic impatience is, as Hegel sees things, ‘dead’. And so theodicy is liberated, to play its proper role: illustrated here with particular reference to the book of Job, the post-Holocaust poetry of Nelly Sachs, and the thought of Simone Weil. A boldly polemical study, this book is a bid to re-ignite debate on the whole topic of theodicy. As such, it will be of great interest to scholars in religious studies, theology and philosophy.
Gregory Boyd seeks to defend his scripturally grounded trinitarian warfare theod-icy with rigorous philosophical reflection and insights from human experience and scientific discovery.
Here is a complete translation of all the published cuneiform tablets of the various Babylonian creation stories, of both the Semitic Babylonian and the Sumerian material. Each creation account is preceded by a brief introduction dealing with the age and provenance of the tablets, the aim and purpose of the story, etc. Also included is a translation and discussion of two Babylonian creation versions written in Greek. The final chapter presents a detailed examination of the Babylonian creation accounts in their relation to our Old Testament literature.