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Excerpt from The Aztec God, and Other Dramas The scene of this drama is laid in Mexico near the opening of the Fifteenth Century, just when the Aztecs were beginning to overrun the country, and when, therefore, the peculiar forms of their religion may reasonably be supposed to have been comparatively unknown to the Tezcucans who, as will be shown presently, adhered, in the main, to the more mild religious observances of the ancient Toltecs. The facts with reference to the Aztec human sacrifices, the selection for these of a captive without blemish, the allotment to him of certain maidens as wives, and the general luxury and adoration with which he was surrounded up to the time when, surrendering the flowers that crowned his head and the lyre that he carried, he ascended the pyramid to have his heart torn out of him while still alive, - all these facts are sufficiently well known to substantiate the delineations of the drama. The exact religious conception which underlay these Aztec rites is not known. In the circumstances, it has been thought justifiable to surround them with a certain atmosphere of spiritual truth - though only in twilight - similar to that which is known to have formed the setting of the pagan worship of ancient Egypt and Greece. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The date is 4 Jaguar 1 Monkey 1 House; November 25th 2012, by the old reckoning. The Aztec Empire rules the world, in the name of Quetzalcoatl – the Feathered Serpent – and his brother gods. The Aztec reign is one of cruel and ruthless oppression, fuelled by regular human sacrifice. In the jungle-infested city of London, one man defies them: the masked vigilante known as the Conquistador. Then the Conquistador is recruited to spearhead an uprising, and discovers the terrible truth about the Aztecs and their gods. The clock is ticking. Apocalypse looms, unless the Conquistador can help assassinate the mysterious, immortal Aztec emperor, the Great Speaker. But his mission is complicated by Mal Vaughn, a police detective who is on his trail, determined to bring him to justice.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.