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This early work by E. T. A. Hoffmann was originally published in 1814. Born in Königsberg, East Prussia in 1776, Hoffmann's family were all jurists, and during his youth he was initially encouraged to pursue a career in law. However, in his late teens Hoffman became increasingly interested in literature and philosophy, and spent much of his time reading German classicists and attending lectures by, amongst others, Immanuel Kant. Hoffman went on to produce a great range of both literary and musical works. Probably Hoffman's most well-known story, produced in 1816, is 'The Nutcracker and the Mouse King', due to the fact that - some seventy-six years later - it inspired Tchaikovsky's ballet The Nutcracker. In the same vein, his story 'The Sandman' provided both the inspiration for Léo Delibes's ballet Coppélia, and the basis for a highly influential essay by Sigmund Freud, called 'The Uncanny'. (Indeed, Freud referred to Hoffman as the "unrivalled master of the uncanny in literature.") Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.
E. T. A. Hoffmann is seen as a pioneer of both Romanticism and fantasy literature, and his novella, Mademoiselle de Scudéri: A Tale from the Times of Louis XIV is often cited as the first ever detective story. Hoffman's story 'The Sandman' provided both the inspiration for Léo Delibes's ballet Coppélia, and the basis for a highly influential essay by Sigmund Freud, called 'The Uncanny'. Indeed, Freud referred to Hoffman as the "unrivalled master of the uncanny in literature." Many of the demonic and thriller stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
This early work by E. T. A. Hoffmann was originally published in the 19th century. Born in Königsberg, East Prussia in 1776, Hoffmann's family were all jurists, and during his youth he was initially encouraged to pursue a career in law. However, in his late teens Hoffman became increasingly interested in literature and philosophy, and spent much of his time reading German classicists and attending lectures by, amongst others, Immanuel Kant. Hoffman went on to produce a great range of both literary and musical works. Probably Hoffman's most well-known story, produced in 1816, is 'The Nutcracker and the Mouse King', due to the fact that - some seventy-six years later - it inspired Tchaikovsky's ballet The Nutcracker. In the same vein, his story 'The Sandman' provided both the inspiration for Léo Delibes's ballet Coppélia, and the basis for a highly influential essay by Sigmund Freud, called 'The Uncanny'. (Indeed, Freud referred to Hoffman as the "unrivalled master of the uncanny in literature.") Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.
Ellen Glasgow was an influential female writer, and an important chronicler of the old South. 'The Shadowy Third', first published in 1923, represents an excellent early example of the 'Southern Gothic' genre. Many of the earliest ghost stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
A FINALIST FOR THE 2020 WORLD FANTASY AWARD Unearth the enchanting origins of fantasy fiction with a collection of tales as vast as the tallest tower and as mysterious as the dark depths of the forest. Fantasy stories have always been with us. They illuminate the odd and the uncanny, the wondrous and the fantastic: all the things we know are lurking just out of sight—on the other side of the looking-glass, beyond the music of the impossibly haunting violin, through the twisted trees of the ancient woods. Other worlds, talking animals, fairies, goblins, demons, tricksters, and mystics: these are the elements that populate a rich literary tradition that spans the globe. A work composed both of careful scholarship and fantastic fun, The Big Book of Classic Fantasy is essential reading for anyone who’s never forgotten the stories that first inspired feelings of astonishment and wonder. INCLUDING: *Stories by pillars of the genre like the Brothers Grimm, Hans Christian Andersen, Mary Shelley, Christina Rossetti, L. Frank Baum, Robert E. Howard, and J. R. R. Tolkien *Fantastical offerings from literary giants including Edith Wharton, Leo Tolstoy, Willa Cather, Zora Neale Hurston, Vladimir Nabokov, Hermann Hesse, and W.E.B. Du Bois *Rare treasures from Asian, Eastern European, Scandinavian, and Native American traditions *New translations, including fourteen stories never before in English PLUS: *Beautifully Bizarre Creatures! *Strange New Worlds Just Beyond the Garden Path! *Fairy Folk and Their Dark Mischief! *Seriously Be Careful—Do Not Trust Those Fairies!
“Herbert West–Reanimator" is a horror short story by American writer H. P. Lovecraft. An unnamed narrator recounts his experiences with Herbert West, a brilliant but narcissistic young man who believes that the dead can be brought back to life and endeavours to prove himself right, whatever it takes. Among the first depictions of zombies as we know them today, “Herbert West–Reanimator" is a classic of horror fiction not to be missed by lovers of chilling supernatural tales. Howard Phillips Lovecraft (1890–1937) was an American writer of supernatural horror fiction. Though his works remained largely unknown and did not furnish him with a decent living, Lovecraft is today considered to be among the most significant writers of supernatural horror fiction of the twentieth century. Other notable works by this author include: “At The Mountains of Madness”, “The Rats in the Walls”, and “The Shadow Over Innsmouth”. Read & Co. is publishing this classic horror short story now as part of our “Fantasy and Horror Classics” imprint in a new edition with a dedication by George Henry Weiss.
'This new edition of An Emporium of Automata delivers a thesis of the theatrically strange placing in the hands of all seekers after the beautiful and weird a grand collection which, for so long, has been privy to the locked bookcases of collectors and connoisseurs of the macabre and fantastique. Story after uncanny story unfolds before the reader; a maze of carnival mirrors that we fear we might never escape from. Here are missing tales from some lost, darkly romantic Germanic madman's attic. The rotting, wooden fissures that manifest fill in a gaping and pockmarked wooden maw somewhere between E.T.A. Hoffmann, Nabokov and Ligotti. To name these vaguely reminiscent stylists is far too simple. Watt dips first and foremost into his own, personal experience. A literary answer to the modern neon sewer, these pages embrace the worship of decay, the altars of the desolate and all things archaic or fundamentally grotesque. The violently attractive, dangerously jagged islands of the mind which Mr. Watt guides us to are his own half-charted territories. I must also note that the book is structured in a manner, and so dense, that one is really getting three books of first-rate outre literature for the price of one. Puppets rejoice! Read herein these baroque fables in which the drifting souls, toys and ticking things of men revert to fulfill far more ancient impulses. You have nothing to lose but the strings of your mind.' -Charles Schneider, author of The Mauve Embellishments
Scottish author James Hogg was one of the most popular authors of his day, and has recently undergone on a widespread critical revival. 'The Brownie of the Black Haggs' is one of his best-remembered short stories, featuring a domineering Countess and a mysterious servant. Many of the finest stories of magic and fantasy, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Science fiction, fantasy and horror movies have spawned more sequels and remakes than any other film genre. Following Volume I, which covered 400 films made 1931-1995, Volume II analyzes 334 releases from 1996 through 2016. The traditional cinematic monsters are represented--Dracula, Frankenstein, the Wolf Man, a new Mummy. A new wave of popular series inspired by comics and video games, as well as The Lord of the Rings trilogy, could never have been credibly produced without the advances in special effects technology. Audiences follow the exploits of superheroes like Captain America, Iron Man, Spider-Man and Thor, and such heroines as the vampire Selene, zombie killer Alice, dystopian rebels Katniss Everdeen and Imperator Furiosa, and Soviet spy turned American agent Black Widow. The continuing depredations of Jason Voorhees, Freddy Krueger and Michael Myers are described. Pre-1996 movies that have since been remade are included. Entries features cast and credits, detailed synopsis, critics' reviews, and original analysis.
We all know Jeeves and Wooster, but which is the best Jeeves story? We all know Blandings, but which is the funniest tale about Lord Emsworth and his adored prize-winning pig? And would the best of Ukridge, or the yarns of the Oldest Member, or Wodehouse's Hollywood stories outdo them? This bumper anthology allows you to choose, bringing you the cream of the crop of stories by the twentieth century's greatest humorous writer. There are favourites aplenty in this selection, which has been compiled with enthusiastic support from P.G. Wodehouse societies around the world. With additional material including novel extracts, working drafts, articles, letters and poems, this anthology provides the best overall celebration of side-splitting humour and sheer good nature available in the pages of any book.