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Thomas Shepard (1605-1649) was a New England Puritan minister. Forbidden to preach in England, he emigrated to Massachusetts in 1635. The most eloquent measure of his classic The Parable of the Ten Virgins is that there is a scarcely a page in The Religious Affections where Jonathan Edwards does not reference Shepard's work.
The Reluctant Exhibitionist is the autobiography of an unconventional psychiatrist.
The definitive biography of Alan Shepard, America’s first man in space, with a new Foreword by Chris Kraft “One of the finest books ever written about the space program.”—Homer Hickan, author of Rocket Boys “A wonderful and gripping biography . . . meticulously reported in the best tradition of David Halberstam.”—Buzz Bissinger, New York Times bestselling author of Friday Night Lights Alan Shepard was the brashest, cockiest, and most flamboyant of America’s original Mercury Seven, but he was also regarded as the best. Intense, colorful, and dramatic, he was among the most private of America’s public figures and, until his death in 1998, he guarded the story of his life zealously. Light This Candle, based on Neal Thompson’s exclusive access to private papers and interviews with Shepard’s family and closest friends—including John Glenn, Wally Schirra, and Gordon Cooper—offers a riveting, action-packed account of Shepard’s life.
In this revised edition, Shepard's autobiography is reprinted in full along with a portion of his journal. Supplementing these texts are confessions of religious experience given by applicants for membership in the Cambridge congregation. These lay narratives, recorded by Shepard, bring to life the religious experiences of a broad spectrum of people. At the same time, they explore the dynamic interaction between clergy and laity that formed the crux of Puritan passion and power.
Five Autobiographies and a Fiction, the long-awaited new collection from master storyteller Lucius Shepard, is a significant publishing event, a volume equal in every way to such earlier Shepard classics as The Jaguar Hunter and The Dragon Griaule. Its six long stories offer narrative pleasures as diverse and profound as anything to be found in modern imaginative fiction. "Ditch Witch," set in rural Oregon, concerns a young man on the run in a stolen car, a hitchhiker who may or may not have witch-like powers, and the bizarre inhabitants of the seemingly innocuous Elfland Motel. "The Flock" is a tale of high school football and small town malaise set against an impossible intrusion from the natural world. A washed-up actor and a Malaysian "woman of power" stand at the center of "Vacancy," the account of a man forced to confront the very real demons of his past. "Dog-eared Paperback of My Life" follows a writer (Thomas Cradle) on his erotically charged journey down the Mekong River, a
From one of our most admired writers: a collection of stories set mainly in the fertile imaginative landscape of the American West, written with the terse lyricism, cinematic detail, and wry humor that have become Sam Shepard’s trademarks. A man traveling down Highway 90 West gets trapped alone overnight inside a Cracker Barrel restaurant, where he is tormented by an endless loop of Shania Twain songs on the overhead sound system. A wandering actor returns to his hometown against his better instincts and runs into an old friend, who recounts their teenage days of stealing cars, scoring Benzedrine, and sleeping with whores in Tijuana. A Minnesota family travels south for a winter vacation but, caught up in the ordinary tyrannies of family life, remains oblivious to the beauty of the Yucatán Peninsula. A solitary horse rancher muses on Sitting Bull and Beckett amid the jumble of stuff in his big country kitchen—from rusted spurs and Lakota dream-catchers to yellowing pictures of hawks and galloping horses to “snapshots of different sons in different shirts doing different things like fishing, riding mules and tractors; leaning up against their different mothers at radical angles.” Made up of short narratives, lyrics, and dialogues, Day out of Days sets conversation against tale, song against memory, in a cubistic counterpoint that finally links each piece together. The result is a stunning work of vision and clarity imbued with the vivid reverberations of myth—Shepard at his flinty-eyed, unwavering best.
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