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An account of the story of the New Testament's arch-villain and his history over the past 2000 years in which Gubar links Christian anti-Semitism with Christianity's attempt to grapple with transcendent evil.
"A passionate quest for the historical James refigures Christian origins, … can be enjoyed as a thrilling essay in historical detection." —The Guardian James was a vegetarian, wore only linen clothing, bathed daily at dawn in cold water, and was a life-long Nazirite. In this profound and provocative work of scholarly detection, eminent biblical scholar Robert Eisenman introduces a startling theory about the identity of James—the brother of Jesus, who was almost entirely marginalized in the New Testament.Drawing on long-overlooked early Church texts and the Dead Sea Scrolls, Eisenman reveals in this groundbreaking exploration that James, not Peter, was the real successor to the movement we now call "Christianity." In an argument with enormous implications, Eisenman identifies Paul as deeply compromised by Roman contacts. James is presented as not simply the leader of Christianity of his day, but the popular Jewish leader of his time, whose death triggered the Uprising against Rome—a fact that creative rewriting of early Church documents has obscured. Eisenman reveals that characters such as "Judas Iscariot" and "the Apostle James" did not exist as such. In delineating the deliberate falsifications in New Testament dcouments, Eisenman shows how—as James was written out—anti-Semitism was written in. By rescuing James from the oblivion into which he was cast, the final conclusion of James the Brother of Jesus is, in the words of The Jerusalem Post, "apocalyptic" —who and whatever James was, so was Jesus.
In this fascinating historical and cultural biography, writer and broadcaster Peter Stanford deconstructs that most vilified of Bible characters: Judas Iscariot, who famously betrayed Jesus with a kiss. Beginning with the gospel accounts, Peter explores two thousand years of cultural and theological history to investigate how the very name Judas came to be synonymous with betrayal and, ultimately, human evil. But as Peter points out, there has long been a counter-current of thought that suggests that Judas might in fact have been victim of a terrible injustice: central to Jesus' mission was his death and resurrection, and for there to have been a death, there had to be a betrayal. This thankless role fell to Judas; should we in fact be grateful to him for his role in the divine drama of salvation? 'You'll have to decide, ' as Bob Dylan sang in the sixties, 'Whether Judas Iscariot had God on his side'. An essential but doomed character in the Passion narrative, and thus the entire story of Christianity, Judas and the betrayal he symbolises continue to play out in much larger cultural histories, speaking as he does to our deepest fears about friendship, betrayal and the problem of evil. Judas: the ultimate traitor, or the ultimate scapegoat? This is a compelling portrait of Christianity's most troubling and mysterious character.
Set in a time-bending, seriocomically imagined world between Heaven and Hell, The Last Days of Judas Iscariot is a philosophical meditation on the conflict between divine mercy and human free will that takes a close look at the eternal damnation of the Bible's most notorious sinner.--[book cover].
In Jesus, Judas believes he has found the One-- the promised Messiah and future king of the Jews, destined to overthrow Roman rule. Galvanized, he joins the Nazarene's followers, ready to enact the change he has waited for all his life. But soon Judas's vision of a nation free from Rome is crushed by the inexplicable actions of the Nazarene himself, who will not bow to social or religious convention. Judas must confront the fact that the master he loves is not the liberator he hoped for, but a man bent on a drastically different agenda.
The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.
The Book of Rachael is the story of a fiercely intelligent child consigned by her sex to a life of ignorance and drudgery. But Rachael fights her destiny, secretly learning the forbidden skills of literacy from her father Yosef and her brother. And when she falls in love with Joshua's closest friend, Judah of Iscariot, it even seems that Rachael will find happiness in her constrained world.
Matthew, Mark, Luke, and Paul takes you on a journey through the Synoptic Gospels and the Epistles providing a new solution to a literary puzzle that has vexed biblical scholars for over two-hundred years--The Synoptic Problem. When the Synoptic evangelists, Matthew, Mark, and Luke sat down to write their gospels did they have copies of some of the epistles? This book examines the Synoptic Gospels, Hebrews, and Paul's Epistles finding many intriguing similarities, suggesting that the Synoptic evangelists used extensive parts of the epistles to weave into their stories of the ministry of Jesus of Nazareth. David Oliver Smith then compares these epistle-based passages to the theoretical lost gospel Q and finds that a large portion of what many New Testament scholars consider to be contained in Q may have its inspiration in the Epistles.