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This Is A New Release Of The Original 1920 Edition.
The Autobiography of a Winnebago Indian by Paul Radin is a captivating memoir that provides a firsthand account of the experiences, culture, and traditions of the Winnebago people. In this book, Radin, an esteemed anthropologist, documents the life story of an individual from the Winnebago tribe, offering valuable insights into their history and way of life. Key Aspects of The Book “The Autobiography of a Winnebago Indian”: Personal Narrative: The book presents the authentic and personal narrative of an individual from the Winnebago tribe. It delves into their childhood, family life, rites of passage, and the challenges and triumphs they encountered throughout their journey. Through this individual's story, readers gain a deeper understanding of the Winnebago culture and worldview. Preservation of Indigenous Culture: Radin's work aims to preserve and showcase the rich cultural heritage of the Winnebago people. The book explores various aspects of their traditional beliefs, ceremonies, social structures, and spiritual practices, shedding light on their unique customs and values. Historical Context: The Autobiography of a Winnebago Indian provides historical context by examining the impact of colonization, assimilation efforts, and the changing dynamics of Native American life. It highlights the resilience of the Winnebago community in preserving their cultural identity amidst external pressures. Through this autobiography, readers are immersed in the lived experiences of the Winnebago people, gaining a deeper appreciation for their heritage, challenges, and contributions. Radin's work serves as an important document in the preservation of Indigenous narratives and offers valuable insights into the complexities of Native American history and culture. Paul Radin: Paul Radin, an American anthropologist and writer, made significant contributions to the field of Native American studies. Born in 1883, Radin conducted extensive research on Native American cultures and traditions, documenting their myths, rituals, and oral histories. His works, such as The Trickster: A Study in American Indian Mythology, shed light on the complex belief systems and cultural practices of Indigenous peoples. Radin's scholarship deepened the understanding of Native American cultures and their contributions to human civilization, fostering greater respect and appreciation for their heritage.
American Indian Autobiography is a kind of cultural kaleidoscope whose narratives come to us from a wide range of American Indians: warriors, farmers, Christian converts, rebels and assimilationists, peyotists, shamans, hunters, Sun Dancers, artists and Hollywood Indians, spiritualists, visionaries, mothers, fathers, and English professors. Many of these narratives are as-told-to autobiographies, and those who labored to set them down in writing are nearly as diverse as their subjects. Black Elk had a poet for his amanuensis; Maxidiwiac, a Hidatsa farmer who worked her fields with a bone-blade hoe, had an anthropologist. Two Leggings, the man who led the last Crow war party, speaks to us through a merchant from Bismarck, North Dakota. White Horse Eagle, an aged Osage, told his story to a Nazi historian. ø By discussing these remarkable narratives from a historical perspective, H. David Brumble III reveals how the various editors? assumptions and methods influenced the autobiographies as well as the autobiographers. Brumble also?and perhaps most importantly?describes the various oral autobiographical traditions of the Indians themselves, including those of N. Scott Momaday and Leslie Marmon Silko. American Indian Autobiography includes an extensive bibliography; this Bison Books edition features a new introduction by the author.
A truly fascinating ethnobiography of an Indian man from the Winnebago tribe. Split into two parts and heavily footnoted. Part One deals with the life of the man as he is growing up in his tribe. He recalls the trouble he got into, his experiences with peyote, his conversion, his time in prison and much more. Part Two contain the teachings of his father and include advice on things like medicine, fasting, marriage and relatives. Originally published in 1920, this is an extraordinarily interesting and honest read.
Publisher description: Native American Autobiography is the first collection to bring together the major autobiographical narratives by Native American people from the earliest documents that exist to the present._ The thirty narratives included here cover a range of tribes and cultural areas, over a span of more than 200 years. From the earliest known written memoir--a 1768 narrative by the Reverend Samson Occom, a Mohegan, reproduced as a chapter here--to recent reminiscences by such prominent writers as N. Scott Momaday and Gerald Vizenor, the book covers a broad range of Native American experience. Editor Arnold Krupat provides a general introduction, a historical introduction to each of the seven sections, extensive headnotes for each selection, and suggestions for further reading, making this an ideal resource for courses in American literature, history, anthropology, and Native American studies. General readers, too, will find a wealth of fascinating material in the life stories of these Native American men and women.
The Handbook of Native American Literature is a unique, comprehensive, and authoritative guide to the oral and written literatures of Native Americans. It lays the perfect foundation for understanding the works of Native American writers. Divided into three major sections, Native American Oral Literatures, The Historical Emergence of Native American Writing, and A Native American Renaissance: 1967 to the Present, it includes 22 lengthy essays, written by scholars of the Association for the Study of American Indian Literatures. The book features reports on the oral traditions of various tribes and topics such as the relation of the Bible, dreams, oratory, humor, autobiography, and federal land policies to Native American literature. Eight additional essays cover teaching Native American literature, new fiction, new theater, and other important topics, and there are bio-critical essays on more than 40 writers ranging from William Apes (who in the early 19th century denounced white society's treatment of his people) to contemporary poet Ray Young Bear. Packed with information that was once scattered and scarce, the Handbook of Native American Literature -a valuable one-volume resource-is sure to appeal to everyone interested in Native American history, culture, and literature. Previously published in cloth as The Dictionary of Native American Literature
Lincoln presents the writing of today's most gifted Native American authors, against an ethnographic background which should enable a growing number of readers to share his enthusiasm. Lincoln has lived with American Indians, knows them, and is respected by them; all this enhances his book.