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The award winning slapstick gorefest is back! After being thrown out of Hollywood, Nathan T. Rex secures new (possibly Nazi) independent financing for his next exploitation masterpiece, SISTER BAMBI! The whole crew is back and off to a secret island in the South Pacific populated by bloodthirsty savages and monstrous monkeys! But soon SISTER BAMBI is slipping through Rex’s fingers as Ilsa exerts her dominance as executive producer. The she wolf demands Rex give her the titular role he promised to Coconut. With love on the rocks, and the script in flames, the living dead might be the only thing that can save this cinematic charade! Only the survivors will know for sure! Don’t miss the most insane comic of 2015 finally collected into one terrifyingly funny trade.
Enemies without...and an enemy within.After escaping the impostor's trap, the newly assembled Braves of the Six Flowers set off to fight the Evil God--only to find yet another person bearing the Crest! With the clock ticking down on the time until their fearsome enemy awakens, the seven have no choice but to journey through the Howling Vilelands with a false hero among them. To make matters worse, a seemingly invincible fiend commander with connections to several Braves attacks the divided group. They must work together to have even a hope of defeating such an adversary...but how can they, when anyone could be the traitor?
After a routine job, Ashaf and Guideau have a run-in with a berserk “undead”—a deceased human being restored to life through the art of necromancy. Though the city strictly regulates the practice, these aberrant cases have only been growing in number. In his stead, Ashaf recommends his colleague Phanora and her assistant Johan, though the pair is as much a mystery as the one they intend to solve…
This second volume of Alfred Hitchcock’s reflections on his life and work and the art of cinema contains material long out of print, not easily accessible, and in some cases forgotten or unknown. Edited by Sidney Gottlieb, this new collection of interviews, articles with the great director's byline, and “as-told-to” pieces provides an enlivening perspective on a career that spanned seven decades and transformed the history of cinema. In writings and interviews imbued with the same exuberance and originality that he brought to his films, Hitchcock ranges from accounts of his own life and experiences to provocative comments on filmmaking techniques and cinema in general. Wry, thoughtful, witty, and humorous—as well as brilliantly informative and insightful—this volume contains much valuable material that adds to our understanding and appreciation of a titan who decades after his death remains one of the most renowned and influential of all filmmakers. François Truffaut once said that Hitchcock “had given more thought to the potential of his art than any of his colleagues.” This profound contemplation of his art is superbly captured in the pieces from all periods of Hitchcock’s career gathered in this volume, which reveal fascinating details about how he envisioned and attempted to create a “pure cinema” that was entertaining, commercially successful, and artistically ambitious and innovative in an environment that did not always support this lofty goal.
"The following work is the substance of various speculations, that occasionally amused the author, and enlivened his leisure-hours. It is not intended for the learned; they are above it: nor for the vulgar; they are below it. It is intended for men, who, equally removed from the corruption of opulence, and from the depression of bodily labour, are bent on useful knowledge; who, even in the delirium of youth, feel the dawn of patriotism, and who in riper years enjoy its meridian warmth. To such men this work is dedicated; and that they may profit by it, is the author's ardent wish, and probably will be while any spirit remains in him to form a wish"--Preface. (PsycINFO Database Record (c) 2008 APA, all rights reserved).
This volume, the second of three, offers an anthology of Western descriptions of Islamic religious buildings in Syria, Egypt and North Africa, mostly from the seventeenth to early twentieth centuries, taken from travel books and ambassadorial reports. (The third volume will deal with Islamic palaces around the Mediterranean.) As travel became easier and cheaper, thanks to better roads, steamships, hotels and railways, tourist numbers increased, museums accumulated eastern treasures, illustrated journals proliferated, and photography provided accurate data. All three deal with the impact of Western trade, taste and imports on the East, and examine the encroachment of westernised modernism.
COLE TURNER has spent most of his life suppressing false memories of Satanic ritual abuse at his preschool. Now, he's the newest recruit of the Department of Truth and he just found out those false memories might be truer than he thinks. JAMES TYNION IV (Batman, Something is Killing the Children) and MARTIN SIMMONDS (Dying is Easy) continue their breakout conspiracy thriller!
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Books in Motion addresses the hybrid, interstitial field of film adaptation. The introductory essay integrates a retrospective survey of the development of adaptation studies with a forceful argument about their centrality to any history of culture--any discussion, that is, of the transformation and transmission of texts and meanings in and across cultures. The thirteen especially composed essays that follow, organised into four sections headed 'Paradoxes of Fidelity', 'Authors, Auteurs, Adaptation', 'Contexts, Intertexts, Adaptation' and 'Beyond Adaptation', variously illustrate that claim by problematising the notion of fidelity, highlighting the role played by adaptation in relation to changing concepts of authorship and auteurism, exploring the extent to which the intelligibility of film adaptations is dependent on contextual and intertextual factors, and making a claim for the need to transcend any narrowly-defined concept of adaptation in the study of adaptation. Discussion ranges from adaptations of established classics like A Tale of Two Cities, Frankenstein, Henry V, Le temps retrouvé, Mansfield Park, Pride and Prejudice, 'The Dead' or Wuthering Heights, to contemporary (popular) texts/films like Bridget Jones's Diary, Fools, The Governess, High Fidelity, The Hours, The Orchid Thief/Adaptation, the work of Doris Dörrie, the first Harry Potter novel/film, or the adaptations made by Alfred Hitchcock, Stanley Kubrick and Walt Disney. This book will appeal to both a specialised readership and to those accessing the dynamic field of adaptation studies for the first time.