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The award winning slapstick gorefest is back! After being thrown out of Hollywood, Nathan T. Rex secures new (possibly Nazi) independent financing for his next exploitation masterpiece, SISTER BAMBI! The whole crew is back and off to a secret island in the South Pacific populated by bloodthirsty savages and monstrous monkeys! But soon SISTER BAMBI is slipping through Rex’s fingers as Ilsa exerts her dominance as executive producer. The she wolf demands Rex give her the titular role he promised to Coconut. With love on the rocks, and the script in flames, the living dead might be the only thing that can save this cinematic charade! Only the survivors will know for sure! Don’t miss the most insane comic of 2015 finally collected into one terrifyingly funny trade.
The award winning slapstick gorefest is back! After being thrown out of Hollywood, Nathan T. Rex secures new (possibly Nazi) independent financing for his next exploitation masterpiece, SISTER BAMBI! The whole crew is back and off to a secret island in the South Pacific populated by bloodthirsty savages and monstrous monkeys! But soon SISTER BAMBI is slipping through Rex’s fingers as Ilsa exerts her dominance as executive producer. The she wolf demands Rex give her the titular role he promised to Coconut. With love on the rocks, and the script in flames, the living dead might be the only thing that can save this cinematic charade! Only the survivors will know for sure! Don’t miss the most insane comic of 2015 finally collected into one terrifyingly funny trade.
Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals
This collection of essays explores the link between comedy and animation in studio-era cartoons, from filmdom’s earliest days through the twentieth century. Written by a who’s who of animation authorities, Funny Pictures offers a stimulating range of views on why animation became associated with comedy so early and so indelibly, and illustrates how animation and humor came together at a pivotal stage in the development of the motion picture industry. To examine some of the central assumptions about comedy and cartoons and to explore the key factors that promoted their fusion, the book analyzes many of the key filmic texts from the studio years that exemplify animated comedy. Funny Pictures also looks ahead to show how this vital American entertainment tradition still thrives today in works ranging from The Simpsons to the output of Pixar.
Vampire Queen Betsy Taylor continues her rule in Hell in the scorchingly funny finale to the Undead series from New York Times bestselling author MaryJanice Davidson. It had been a well-kept secret for centuries, but now the existence of vampires is all over the news, thanks to Betsy Taylor’s half sister (and the frustrated former Antichrist), Laura. Life for the undead will never be the same, and it’s up to Betsy to do some damage control. But her interview on the local news doesn’t exactly put out the fire. It more or less pours kerosene on it. With all the added attention on supernatural beings, the werewolves are more than a little agitated (never a good thing) and demand that Betsy gets her interview skills, and her family, in order. And while things go from bad to worse in the world, Hell continues to be hell—especially when Betsy’s new parole program becomes about as complicated as you’d expect. With a PR team launching a vampire-friendly campaign, the devil at large and out to make trouble, and mermaids on hand to see who falls—and how hard—the end isn’t just near. It’s here. And if anyone knows how to go out with a bang, it’s the queen of Hell.
One of The Telegraph's Best Music Books 2011 We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of culturalecological catastrophe where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point, and that although earlier eras had their own obsessions with antiquity—the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism—never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?
Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.