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A powerful visual presentation of the extermination process at Auschwitz is viewed through candid photographs of its victims.
Presents restored photographs originally taken in June, 1944 by two SS men of one day in the lives of Hungarian Jews as they leave the freight cars at the Auschwitz-Birkenau platform to the collection and sorting of their belongings.
Set near the concentration camps of Auschwitz, an accaimed historical thriller of the end of World War II that has been called “A masterpiece of empathetic imagination and storytelling flair” (BBC History Magazine, “Historical Novel of the Year”) 1944. Paul Brandt, a soldier in the German army, returns wounded and ashamed from the bloody chaos of the Eastern Front to find his village changed and in the dark shadow of an SS rest hut—a luxurious retreat for officers recuperating from their injuries and for those who manage the nearby concentration camps of Auschwitz. The hut is run with the help of a small group of female prisoners from the camps who, against all odds, have survived the war so far. When, by chance, Brandt glimpses one of these prisoners, he realizes he must find a way to access the hut. For inside is the woman to whom his fate has been tied since their arrest five years earlier, and now he must do all he can to protect her. As the Russian offensive moves closer and partisans press from the surrounding woodlands, the days of this rest hut and its SS inhabitants are numbered. And while hope for Brandt and the female prisoners grows tantalizingly close, the danger is greater than ever. In a forest to the east, a young female Soviet tank driver awaits her orders to advance . . . The Constant Soldier has been hauled as “a masterpiece” and “a modern classic” and praised on its UK publication as “An extraordinary novel, with the intensity and pace of a thriller and a wisdom and subtlety all of its own. I was gripped to the very last page” (Antonia Hodgson).
Stirring, intimate photographs, these were the personal treasures of Jewish deportees to Auschwitz discovered at the camp in 1986 by the daughter of two Holocaust survivors. 400+ photos.
The "Sonderkommando of "Auschwitz-Birkenau consisted primarily of Jewish prisoners forced by the Germans to facilitate the mass extermination. Though never involved in the killing itself, they were compelled to be "members of staff" of the Nazi death-factory. This book, translated for the first time into English from its original Hebrew, consists of interviews with the very few surviving men who witnessed at first hand the unparalleled horror of the Auschwitz-Birkenau death camp. Some of these men had never spoken of their experiences before.
Reproduction of a photo album showing the arrival of a convoy of Jews from Beregszasz, Ruthenia to Auschwitz. The original album was found in May 1945 by Lili Jacob, and was donated to Yad Vashem in 1980.
A powerful chronicle of the women who used their sewing skills to survive the Holocaust, stitching beautiful clothes at an extraordinary fashion workshop created within one of the most notorious WWII death camps. At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp—mainly Jewish women and girls—were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers. This fashion workshop—called the Upper Tailoring Studio—was established by Hedwig Höss, the camp commandant’s wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin’s upper crust. Drawing on diverse sources—including interviews with the last surviving seamstress—The Dressmakers of Auschwitz follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers’ remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.
“[Makes] the very convincing case that, until and unless there is a full accounting for what happened with Donald Trump, 2020 is not over and never will be.” —The New Yorker “Riveting…we can never be reminded too often to never forget.” —The Wall Street Journal Journalist Géraldine Schwarz’s astonishing memoir of her German and French grandparents’ lives during World War II “also serves as a perceptive look at the current rise of far-right nationalism throughout Europe and the US” (Publishers Weekly). During World War II, Géraldine Schwarz’s German grandparents were neither heroes nor villains; they were merely Mitlaüfer—those who followed the current. Once the war ended, they wanted to bury the past under the wreckage of the Third Reich. Decades later, while delving through filing cabinets in the basement of their apartment building in Mannheim, Schwarz discovers that in 1938, her paternal grandfather Karl took advantage of Nazi policies to buy a business from a Jewish family for a low price. She finds letters from the only survivor of this family (all the others perished in Auschwitz), demanding reparations. But Karl Schwarz refused to acknowledge his responsibility. Géraldine starts to question the past: How guilty were her grandparents? What makes us complicit? On her mother’s side, she investigates the role of her French grandfather, a policeman in Vichy. Weaving together the threads of three generations of her family story with Europe’s process of post-war reckoning, Schwarz explores how millions were seduced by ideology, overcome by a fog of denial after the war, and, in Germany at least, eventually managed to transform collective guilt into democratic responsibility. She asks: How can nations learn from history? And she observes that countries that avoid confronting the past are especially vulnerable to extremism. Searing and unforgettable, Those Who Forget “deserves to be read and discussed widely...this is Schwarz’s invaluable warning” (The Washington Post Book Review).