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Megan is a nurse, wife and a mother who learns that her lifelong heightened sensory perception puts her among an ancient elite group known as Auratorsthose who can read peoples auras. She meets Max, who mentors her, as she is swiftly thrust into membership within a secret historical medical society originating back to ancient Greece, and her world quickly wobbles between reality and the supernatural driving her to the brink of insanity. In discovering her powerful bloodline, she also learns the prophecy marking her to protect the world from the Caduceus, an equally ancient society intent on world destruction. Conflicted between her professional oath to do no harm, and her prophesied calling to protect the innocent, Megan cannot deny an inherent and swiftly growing urge to do the unimaginable. Barely juggling her new Aurator life, work and family, Megan tries to confide in her rock solid husband, only to discover that he too has secrets of his own---leaving Megan to question if her marriage and family will ever be the same. This fast paced drama will leave readers begging the question--what next?
Prologue: Quintilian and John of Salisbury in the Ciceronian tradition -- Rhetoric, emotional manipulation, and morality: the contemporary relevance of Cicero vis-a-vis Aristotle -- Political morality, conventional morality, and decorum in Cicero -- Rhetoric as a balancing of ends: Cicero and Machiavelli -- Justus Lipsius, morally acceptable deceit, and prudence in the Ciceronian tradition -- The classical orator as political representative: Cicero and the modern concept of representation -- Deliberative democracy and rhetoric: Cicero, oratory, and conversation
In the most comprehensive account available of the texts of Demosthenes, Douglas M. MacDowell describes and assesses all of the great orator's speeches, including those for the lawcourts as well as the addresses to the Ekklesia. Besides the genuine speeches, MacDowell also covers those which have probably wrongly been ascribed to Demosthenes, such as the ones written for delivery by Apollodorus; and he considers too the Epistles, the Prooemia, and the puzzling Erotic Speech.
A twelve-volume textbook on the theory and practice of rhetoric
This multiauthored volume, as well as bringing into clearer focus the notion of drama and oratory as important media of public inquiry and critique, aims to generate significant attention to the unified intentions of the dramatist and the orator to establish favourable conditions of internal stability in democratic Athens. We hope that readers both enjoy and find valuable their engagement with these ideas and beliefs regarding the indissoluble bond between oratorical expertise and dramatic artistry. This exciting collection of studies by worldwide acclaimed classicists and acute younger Hellenists is envisaged as part of the general effort, almost unanimously acknowledged as valid and productive, to explore the impact of formalized speech in particular and craftsmanship rhetoric in general upon Attic drama as a moral and educational force in the Athenian city-state. Both poet and orator seek to deepen the central tensions of their work and to enlarge the main themes of their texts to even broader terms by investing in the art of rhetoric, whilst at the same time, through a skillful handling of events, evaluating the past and establishing standards or ideology.
Provides new insights into Cicero's political manoeuvring and the subtleties of his Latin prose.
Chekhov’s short story "The Orator" tells of a rather embarrassing situation when a famous orator stands in front of a crowd at a funeral ceremony. Filled with satire towards and critique of the hypocritical and petty-minded people, Chekhov masterfully presents the world as a reflection in the eyes of a dead man. Connoisseur of the human psyche and a chronicler of Russian daily grind, the author’s irony and sarcasm permeate every level of life, earning his short stories a place among the best in the field. A prolific writer of seven plays, a novel and hundreds of short stories, Anton Chekhov is considered one of the best practitioners of the short story genre in literature. True to life and painfully morbid with his miserable and realistic depictions of Russian everyday life, Chekhov’s characters drift between humour, melancholy, artistic ambition, and death. Some of his best-known works include the plays "Uncle Vanya", "The Seagull", and "The Cherry Orchard", where Chekhov dramatizes and explores social and existential problems. His short stories unearth the mysterious beneath the ordinary situations, the failure and horror present in everyday life.
Taken together, Chinua Achebe's five novels--Things Fall Apart (1958), No Longer at Ease (1960), A Man of the People (1966), Arrow of God (1967), and Anthills of the Savannah (1988)--encompass the entire social, historical, and political experiences of Nigeria, from precolonial times to the close of the 20th century. Central to these experiences is the clash of Igbo culture with the ways of the West. The novels show a society that has been fragmented and a people who are striving to reconstruct a world that they lost during their encounter with colonialism. Achebe has stated that his main purpose for writing is to reveal the truth about his people and their culture. This book examines his use of rhetoric to accomplish that objective. Achebe's writings are fraught with rhetorical devices, and he has harnessed the power of oratory to show how his society has responded to the African colonial encounter and its aftermath. He uses oratory and rhetoric to both educate and persuade his readers and to delineate his characters. Because of the central role of language in his novels, his writings illustrate the nature of discourse among the Igbo as well as the larger Nigerian community. This volume presents a broad overview of rhetoric throughout Achebe's works and demonstrates how he uses the novel genre for persuasive purposes.