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From the earliest records of exploration and encounter to the globalized, multicultural present, this compilation features New Zealand's major writing, from Polynesian mythology to the Yates' Garden Guide, from Allen Curnow to Alice Tawhai, and from Wiremu Te Rangikaheke's letters to Katherine Mansfield's notebooks. Including fiction, nonfiction, letters, speeches, novels, stories, comics, and songs, this imaginative selection provides new paths into New Zealand writing and culture.
A landmark anthology of creative work - poetry, fiction and essays - by emerging Asian New Zealand writers.This landmark collection of poetry, fiction and essays by emerging writers is the first-ever anthology of Asian New Zealand creative writing.A Clear Dawn presents an extraordinary new wave of creative talent. With roots stretching from Indonesia to Japan, from China to the Philippines to the Indian subcontinent, the authors in this anthology range from high school students to retirees, from recent immigrants to writers whose families have lived in New Zealand for generations.Some of the writers - including Gregory Kan, Sharon Lam, Rose Lu and Chris Tse - have published books; some, like Mustaq Missouri, Aiwa Pooamorn and Gemishka Chetty, are better known for their work in theatre and performance. For many, A Clear Dawn is their first-ever print publication.The 75 writers explore the full range of human experience: from the rituals of food and family to sexual politics; from issues around displacement and identity to teen suicide and revenge attacks; from political chicanery?to?social activism to?childhood misadventures. Funerals, affairs, accidents, friendships, crimes, jealousy, small victories, devastating losses, transcendent moments: all are here. With its diverse voices, styles and points of view, A Clear Dawn maps a new literature of Aotearoa New Zealand.
A remarkable anthology of queer New Zealand voices. We became teenagers in the nineties when New Zealand felt a lot less cool about queerness and gender felt much more rigid. We knew instinctively that hiding was the safest strategy. But how to find your community if you're hidden? Aotearoa is a land of extraordinary queer writers, many of whom have contributed to our rich literary history. But you wouldn't know it. Decades of erasure and homophobia have rendered some of our most powerful writing invisible. Out Here will change that. This landmark book brings together and celebrates queer New Zealand writers from across the gender and LGBTQIA+ spectrum with a generous selection of poetry, fiction, creative nonfiction, and much, much more. From established names to electrifying newcomers, the cacophony of voices brought together in Out Here sing out loud and proud, ensuring that future generations of queers are afforded the space to tell their stories and be themselves without fear of retribution or harm.
A History of New Zealand Literature traces the genealogy of New Zealand literature from its first imaginings by Europeans in the eighteenth century. Beginning with a comprehensive introduction that charts the growth of, and challenges to, a nationalist literary tradition, the essays in this History illuminate the cultural and political intricacies of New Zealand literature, surveying the multilayered verse, fiction and drama of such diverse writers as Katherine Mansfield, Allen Curnow, Frank Sargeson, Janet Frame, Keri Hulme, Witi Ihimaera and Patricia Grace. Written by a host of leading scholars, this History devotes special attention to the lasting significance of colonialism, biculturalism and multiculturalism in New Zealand literature. A History of New Zealand Literature is of pivotal importance to the development of New Zealand writing and will serve as an invaluable reference for specialists and students alike.
From revered established writers as well as exciting new voices, the poems in Puna Wai Korero offer a broad picture of Maori poetry in English. The voices are many and diverse: confident, angry, traditional, respectful, experimental, despairing and full of hope, expressing a range of poetic techniques and the full scope of what it is to be Maori.
This critical examination of Maoriland literature argues against the former glib dismissals of the period and focuses instead on the era’s importance in the birth of a distinct New Zealand style of writing. By connecting the literature and other cultural forms of Maoriland to the larger realms of empire and contemporary criticism, this study explores the roots of the country’s modern feminism, progressive social legislation, and bicultural relations.
The Historical Dictionary of New Zealand, Fourth Edition provides a broad introduction to New Zealand, as well as rich detail about the people, events, laws, concepts, and institutions that have shaped New Zealand history. This is done through a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 800 cross-referenced entries on important personalities as well as aspects of the country’s politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about New Zealand.
Highly regarded poet and anthologist Paula Green is the author of this novel and much overdue survey of New Zealand's women poets. At 568 pages, illustrated throughout by Sarah Laing and featuring the work of 195 poets (all of whom have biographies and full bibliographies), this book is a landmark volume and an incredible achievement. Its timing is perfect given the current re-examination of the role of the male gatekeepers of our literature in the 1940s and 1950s, who decided that women's poetry was weak and excluded it from the volumes of poetry that were to become the canon. How things have changed -- at present the most exciting poetry is coming from high-profile young women poets who almost have cult status -- Hera Lindsay Bird and Tayi Tibble. Charmingly and unique, the book's chapters follow the structure of a house, with different poets being discussed and assessed in each of the house's rooms. The selection is enormously generous, the tone is at times gentle and accessible, and Green's reach is wide. She brings the pioneers of women's poetry -- Jessie Mackay, Blanche Baughan and Eileen Duggan -- back from the shadows and she also draws our attention to the remarkable stories of forgotten women poets such as Lola Ridge.
This is the second edition of English Literature in Context, a popular textbook which provides an essential resource and reference tool for all English literature students. Designed to accompany students throughout their degree course, it offers a detailed narrative survey of the diverse historical and cultural contexts that have shaped the development of English literature, from the Anglo-Saxon period to the present day. Carefully structured for undergraduate use, the eight chronological chapters are written by a team of expert contributors who are also highly experienced teachers. Each chapter includes a detailed chronology, contextual readings of selected literary texts, annotated suggestions for further reading, a rich range of illustrations and textboxes, and thorough historical and literary overviews. This second edition has been comprehensively revised, with a new chapter on postcolonial literature, a substantially expanded chapter on contemporary literature, and the addition of over two hundred new critical references. Online resources include textboxes, chapter samples, study questions, and chronologies.
This landmark collection of poetry, fiction, and essays by emerging writers is the first-ever anthology of Asian New Zealand creative writing. A Clear Dawn presents an extraordinary new wave of creative talent. With roots stretching from Indonesia to Japan, from China to the Philippines to the Indian subcontinent, the authors in this anthology range from high school students to retirees, from recent immigrants to writers whose families have lived in New Zealand for generations. Some of the writers—including Gregory Kan, Sharon Lam, Rose Lu, and Chris Tse—have published books; some, like Mustaq Missouri, Aiwa Pooamorn, and Gemishka Chetty, are better known for their work in theatre and performance. For many, A Clear Dawn is their first-ever print publication. The 75 writers explore the full range of human experience: from the rituals of food and family to sexual politics; from issues around displacement and identity to teen suicide and revenge attacks; from political chicanery to social activism to childhood misadventures. Funerals, affairs, accidents, friendships, crimes, jealousy, small victories, devastating losses, transcendent moments: all are here.