Download Free The Atlantic Abomination Book in PDF and EPUB Free Download. You can read online The Atlantic Abomination and write the review.

An alien hidden in the ocean’s depths is awakened—and wreaks havoc on mankind—in this science fiction classic from the Hugo Award–winning author. In The Atlantic Abomination, an exploratory expedition to the bottom of the ocean discovers the remnants of a long-lost civilization, and then, the enormous body of an alien being preserved for unknown millennia. An attempt to raise the body unleashes a horror beyond imagining as the creature revives from a long sleep and begins to exert control over men’s minds throughout the world. This is a classic SF horror story in the mode of John W. Campbell’s The Thing, the source material for SF thriller movies in the 1950s and again, via John Carpenter, in the 1980s. For each generation, there is a writer meant to bend the rules of what we know. Hugo Award winner (Best Novel, Stand on Zanzibar) and British science fiction master John Brunner remains one of the most influential and respected authors of all time, and now many of his classic works are being reintroduced. For readers familiar with his vision, this is a chance to reexamine his thoughtful worlds and words, while for new readers, Brunner’s work proves itself the very definition of timeless.
AWAKEN, TERROR! When the first expedition descended to the bottom of the Atlantic in a perfected high-pressure diving bell, their speculation ran wild as to the wonders they would encounter in that unknown sea-bottom world. But their wildest dreams did not prepare them for uncovering first, the stones of an ancient civilization, and second, the monstrous body of an inhuman creature that had been sealed beneath the waters for countless eons. Then, at the height of their excitement, elation turned to horror. For they had brought back an abomination so old that the memory of it had been lost to man's remotest ancestors. Shops were disappearing, men and women were becoming enslaved by invisible whips of mental mastery, and it began to look as if it might be beyond the powers even of modern science to stop something that had so successfully defied time and space.
A powerful, disturbing thriller reissued in The Originals series of classic teenage fiction. Martha is twelve - and very different from other kids, because of her parents. Strict members of a religious group - the Brethren - their rules dominate Martha's life. And one rule is the most important of all: she must never ever invite anyone home. If she does, their shameful secret - Abomination - could be revealed. But as Martha makes her first real friend in Scott, a new boy at school, she begins to wonder. Is she doing the right thing by helping to keep Abomination a secret? And just how far will her parents go to prevent the truth from being known? The Originals are the pioneers of fiction for young adults. From political awakening, war and unrequited love to addiction, teenage pregnancy and nuclear holocaust, The Originals confront big issues and articulate difficult truths
Longlisted for the 2020 Andrew Carnegie Medals for Excellence A provocative, exuberant novel about time, memory, desire, and the imagination from the internationally bestselling and prizewinning author of The Blazing World, Memories of the Future tells the story of a young Midwestern woman’s first year in New York City in the late 1970s and her obsession with her mysterious neighbor, Lucy Brite. As she listens to Lucy through the thin walls of her dilapidated building, S.H., aka “Minnesota,” transcribes her neighbor’s bizarre and increasingly ominous monologues in a notebook, along with sundry other adventures, until one frightening night when Lucy bursts into her apartment on a rescue mission. Forty years later, S.H., now a veteran author, discovers her old notebook, as well as early drafts of a never-completed novel while moving her aging mother from one facility to another. Ingeniously juxtaposing the various texts, S.H. measures what she remembers against what she wrote that year and has since forgotten to create a dialogue between selves across decades. The encounter both collapses time and reframes its meanings in the present. Elaborately structured, intellectually rigorous, urgently paced, poignant, and often wildly funny, Memories of the Future brings together themes that have made Hustvedt among the most celebrated novelists working today: the fallibility of memory; gender mutability; the violence of patriarchy; the vagaries of perception; the ambiguous borders between sensation and thought, sanity and madness; and our dependence on primal drives such as sex, love, hunger, and rage.
“A rare voice, someone who challenges orthodoxies in the way that many journalists and public intellectuals claim to do but don’t. It is bracing to spend time in the company of such a smart, plain-spoken and unpredictable person.”—Wall Street Journal A striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World. Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces “under-expressed, unpopular or downright dangerous” points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us. Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper’s Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver’s piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes. In her characteristically frank manner, Shriver shrewdly skewers the concept of language “crimes,” while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Many an essay in Abominations reflects sentiments that have “brought hell and damnation down on my head,” as she cheerfully explains, and have threatened her with “cancellation” more than once. Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. “Enlightened” progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree. A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured.
Heathern, the sequel to Ambient and Terraplane, has been praised by William Gibson as a "savage urban baroque informed by a penetrating humanity ... his best so far!" Tautly written and appallingly funny, Heathern is a dystopian tale of corporate combat and media warfare in the fading years of our century. Thatcher Dryden, former drug kingpin and now leader of the megacorporation Dryco, intends to supply a waiting world with the Messiah it so desperately seeks. But Lester Macaffrey, a schoolteacher found performing miracles among the human flotsam of the Lower East Side, proves no more controllable than any Messiah. While Thatcher's minions scheme to sell the world salvation with a Dryco label on it, Thatcher's own mistress is strangely drawn to Macaffrey -- and begins to be transformed into something new and strange ... something that might change the world.
A New York Times Notable Book: This memoir of a career in book publishing “should please anyone who cares about twentieth-century literature” (The Washington Post Book World). For nearly five decades, Diana Athill edited (nursed, coerced, coaxed) some of the most celebrated writers in the English language, among them V. S. Naipaul, Philip Roth, John Updike, Jean Rhys, Mordecai Richler, Molly Keane, and Norman Mailer. A founding editor of the prestigious publishing house André Deutsch Ltd., Athill takes us on a guided tour through the corridors of literary London, offering a keenly observed, devilishly funny, and always compassionate insider’s portrait of the glories and pitfalls of making books—spiced with candid insights about the type of people who make brilliant writers and ingenious publishers, and the idiosyncrasies of both. It is both “wryly humorous” (The New York Times Book Review) and “full of history, wisdom, and dirt” (The Boston Globe). “This is not literary life as we know it today—huge advances, showbiz and vast conglomerates—but the world of small literary houses . . . An enveloping blast of nostalgia: read and marvel at what we (all of us) are missing.” —Marie Claire “A beautifully written, hard-headed, and generally insightful look back at the heyday of post-war London publishing by a woman who was at its center for nearly half a century.” —The Washington Times “Witty and astute . . . The literarily curious will find [her] portraits of leading contemporary authors irresistible.” —Publishers Weekly
A happily misanthropic Middle East divorcee finds refuge in books in a “beautiful and absorbing” novel of late-life crisis (The New York Times). Aaliya is a divorced, childless, and reclusively cranky translator in Beirut nurturing doubts about her latest project: a 900-page avant-garde, linguistically serpentine historiography by a late Chilean existentialist. Honestly, at seventy-two, should she be taking on such a project? Not that Aailiya fears dying. Women in her family live long; her mother is still going crazy. But on this lonely day, hour-by-hour, Aaliya’s musings on literature, philosophy, her career, and her aging body, are suddenly invaded by memories of her volatile past. As she tries in vain to ward off these emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left. In this “meditation on, among other things, aging, politics, literature, loneliness, grief and resilience” (The New York Times), Alameddine conjures “a beguiling narrator . . . who is, like her city, hard to read, hard to take, hard to know and, ultimately, passionately complex” (San Francisco Chronicle). A finalist for the National Book Critics Circle Award and the National Book Award, An Unnecessary Woman is “a fun, and often funny . . . grave, powerful . . . [and] extraordinary” Washington Independent Review of Books) ode to literature and its power to define who we are. “Read it once, read it twice, read other books for a decade or so, and then pick it up and read it anew. This one’s a keeper” (The Independent)
Could slaves become Christian? If so, did their conversion lead to freedom? If not, then how could perpetual enslavement be justified? In Christian Slavery, Katharine Gerbner contends that religion was fundamental to the development of both slavery and race in the Protestant Atlantic world. Slave owners in the Caribbean and elsewhere established governments and legal codes based on an ideology of "Protestant Supremacy," which excluded the majority of enslaved men and women from Christian communities. For slaveholders, Christianity was a sign of freedom, and most believed that slaves should not be eligible for conversion. When Protestant missionaries arrived in the plantation colonies intending to convert enslaved Africans to Christianity in the 1670s, they were appalled that most slave owners rejected the prospect of slave conversion. Slaveholders regularly attacked missionaries, both verbally and physically, and blamed the evangelizing newcomers for slave rebellions. In response, Quaker, Anglican, and Moravian missionaries articulated a vision of "Christian Slavery," arguing that Christianity would make slaves hardworking and loyal. Over time, missionaries increasingly used the language of race to support their arguments for slave conversion. Enslaved Christians, meanwhile, developed an alternate vision of Protestantism that linked religious conversion to literacy and freedom. Christian Slavery shows how the contentions between slave owners, enslaved people, and missionaries transformed the practice of Protestantism and the language of race in the early modern Atlantic world.
The “riveting”* true story of the fiery summer of 1970, which would forever transform the town of Oxford, North Carolina—a classic portrait of the fight for civil rights in the tradition of To Kill a Mockingbird *Chicago Tribune On May 11, 1970, Henry Marrow, a twenty-three-year-old black veteran, walked into a crossroads store owned by Robert Teel and came out running. Teel and two of his sons chased and beat Marrow, then killed him in public as he pleaded for his life. Like many small Southern towns, Oxford had barely been touched by the civil rights movement. But in the wake of the killing, young African Americans took to the streets. While lawyers battled in the courthouse, the Klan raged in the shadows and black Vietnam veterans torched the town’s tobacco warehouses. Tyson’s father, the pastor of Oxford’s all-white Methodist church, urged the town to come to terms with its bloody racial history. In the end, however, the Tyson family was forced to move away. Tim Tyson’s gripping narrative brings gritty blues truth and soaring gospel vision to a shocking episode of our history. FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “If you want to read only one book to understand the uniquely American struggle for racial equality and the swirls of emotion around it, this is it.”—Milwaukee Journal Sentinel “Blood Done Sign My Name is a most important book and one of the most powerful meditations on race in America that I have ever read.”—Cleveland Plain Dealer “Pulses with vital paradox . . . It’s a detached dissertation, a damning dark-night-of-the-white-soul, and a ripping yarn, all united by Tyson’s powerful voice, a brainy, booming Bubba profundo.”—Entertainment Weekly “Engaging and frequently stunning.”—San Diego Union-Tribune