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The great plague of Athens that began in 430 BCE had an enormous effect on the imagination of its literary artists and on the social imagination of the city as a whole. In this book, Professor Mitchell-Boyask studies the impact of the plague on Athenian tragedy early in the 420s and argues for a significant relationship between drama and the development of the cult of the healing god Asclepius in the next decade, during a period of war and increasing civic strife. The Athenian decision to locate their temple for Asclepius adjacent to the Theater of Dionysus arose from deeper associations between drama, healing and the polis that were engaged actively by the crisis of the plague. The book also considers the representation of the plague in Thucydides' History as well as the metaphors generated by that representation which recur later in the same work.
This is a comprehensive study of the art, archaeology, myths, cults, and function of one of the most illustrious sites in the West. Providing an extensive treatment of the significance of the site during the 'Golden Age' of classical Greece, Jeffrey Hurwit discusses the development of the Acropolis throughout its long history, up to and including the recent discoveries of the Acropolis restoration project, which have prompted important re-evaluations of the site and its major buildings. Throughout, the author describes the role of the Acropolis in everyday life, always placing it within the context of Athenian cultural and intellectual history. Accompanied by 10 color plates, 172 halftones, and 70 line drawings, this is the most thorough book on the Acropolis to be published in English in nearly a century.
The series Beihefte zur Zeitschrift für die neutestamentliche Wissenschaft (BZNW) is one of the oldest and most highly regarded international scholarly book series in the field of New Testament studies. Since 1923 it has been a forum for seminal works focusing on Early Christianity and related fields. The series is grounded in a historical-critical approach and also explores new methodological approaches that advance our understanding of the New Testament and its world.
Where Dreams May Come was the winner of the 2018 Charles J. Goodwin Award of Merit, awarded by the Society for Classical Studies. In this book, Gil H. Renberg examines the ancient religious phenomenon of “incubation", the ritual of sleeping at a divinity’s sanctuary in order to obtain a prophetic or therapeutic dream. Most prominently associated with the Panhellenic healing god Asklepios, incubation was also practiced at the cult sites of numerous other divinities throughout the Greek world, but it is first known from ancient Near Eastern sources and was established in Pharaonic Egypt by the time of the Macedonian conquest; later, Christian worship came to include similar practices. Renberg’s exhaustive study represents the first attempt to collect and analyze the evidence for incubation from Sumerian to Byzantine and Merovingian times, thus making an important contribution to religious history. This set consists of two books.
In about 25 BC tribesmen of the kingdom of Meroe placed a bronze head of Augustus, cut from a full-length statue, beneath the steps of a temple of victory: the decapitated head of the Emperor was thus regularly trampled underfoot. Two millennia later, during the second Gulf War, Iraqis 'insulted' a toppled bronze statue of Saddam Hussein by beating it with their shoes. Do these chronologically distant but apparently related examples of the defamation of images imply that the persons represented were regarded by their detractors as in some way 'present' in the images? Presence: The Inherence of the Prototype within Images and Other Objects reconsiders the notion of 'presence' in objects. The first book to address the issue directly, it contains a series of case studies covering a broad geographical and chronological range from ancient Greece and the Incas to industrial America and contemporary India, as well as examples from the canon of western European art. The studies reveal the widespread evidence for this striking form of response and allow readers to see how 'presence' is evoked and either embraced or repressed in differing historical and cultural contexts. Featuring a variety of disciplines and approaches, the book will be of interest to students of art history, art theory, visual culture, anthropology, psychology and philosophy.
Hierà kalá presents a collection, analysis and interpretation of the representations of animal sacrifice from ancient Greece. The Archaic and Classical material is dealt with comprehensively. Later evidence is adduced more selectively, for the sake of comparison. All aspects of Greek sacrifice that are (or appear to be) represented in the iconographical material are treated in depth; interpretations are based on a combined study of the archaeological, the epigraphical and the literary data. Full catalogues of vase paintings and votive reliefs with depictions of sacrifice are included. A generous selection of these are illustrated in more than 200 figures.
This book examines a type of object that was widespread and very popular in classical antiquity - votive offerings in the shape of parts of the human body. It collects examples from four principal areas and time periods: Classical Greece, pre-Roman Italy, Roman Gaul and Roman Asia Minor. It uses a compare-and-contrast methodology to highlight differences between these sets of votives, exploring the implications for our understandings of how beliefs about the body changed across classical antiquity. The book also looks at how far these ancient beliefs overlap with, or differ from, modern ideas about the body and its physical and conceptual boundaries. Central themes of the book include illness and healing, bodily fragmentation, human-animal hybridity, transmission and reception of traditions, and the mechanics of personal transformation in religious rituals.