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United States. Thus began one of the most extraordinary, intense and ultimately tragic love affairs of our time. They never married but Elizabeth bore George Barker four children and their relationship provided the impassioned inspiration for one of the most moving and immediate chronicles of a love affair ever written - By Grand Central Station I Sat Down and Wept. Originally published in 1945, this remarkable book is now widely recognized as a classic work of poetic.
This book offers an authoritative overview of the broad and complex terrain of feminist theorising concerning the relationship between literature and theology as it has developed over the past several decades. It provides the first comprehensive evaluation of the significance of women's literature in the development of feminist theology and offers a critique of the variety of reading practices currently employed by religious feminists. As well as illuminating current reading strategies the work argues that it is now appropriate for feminists to develop new ways of reading the divine in women’s writing. Drawing upon the pioneering work of Helene Cixous, Julia Kristeva and Luce Irigaray the work sets out a new framework for feminist religious reading that is both creative and challenging and which will be of interest both to scholars and students in this area. Through its artful and compelling feminist reconsiderations, the book makes a refreshing and significant contribution to the general field known as literature and theology.
"A moving account of a man returning to his child self, trying to understand his absconding father, and of an adult searching to forgive."--Rosemary Sullivan, author of By Heart: Elizabeth Smart, a Life.
The novel was once upon a time the genre women felt at home in. This wide- ranging and detailed study of contemporary novelists explores the forms of nostalgia (shared by many feminist critics) for a 'woman's novel'; and the subtle or savage strategies which have turned the house of fiction upside down. The result is a critique of the nature of narrative now; and a celebration of the energies that are undoing our definitions of women's work.
"Bell's prose is elegant and wonderfully readable in this artful guide."—Publishers Weekly The Artful Edit explores the many-faceted and often misunderstood—or simply overlooked—art of editing. The book brims with examples, quotes, and case studies, including an illuminating discussion of Max Perkins's editorial collaboration with F. Scott Fitzgerald on The Great Gatsby. Susan Bell, a veteran book editor, also offers strategic tips and exercises for self-editing and a series of remarkable interviews, taking us into the studios of successful authors such as Michael Ondaatje and Ann Patchett to learn from their various approaches to revision. Much more than a manual, The Artful Edit inspires readers to think about both the discipline and the creativity of editing and how it can enhance their work. In the computer age of lightning-quick composition, this book reminds readers that editing is not simply a spell-check. A vigorous investigation into the history and meaning of the edit, this book, like The Elements of Style, is a must-have companion for every writer.
Toronto-based scholar Podnieks analyzes the diaries based on both the published volumes and the unpublished manuscripts. Her work on the manuscripts focuses on their physical qualities, exploring how the women designed their diaries as books with title pages, prefaces, indexes, illustrations, and other features and how elements such as handwriting, edited words and phrases, or torn-out pages illuminate facets of self-representation and self-preservation. c. Book News Inc.
Made in Canada, Read in Spain is an edited collection of essays on the impact, diffusion, and translation of English Canadian literature in Spain. Given the size of the world’s Spanish-speaking population (some 350 million people) and the importance of the Spanish language in global publishing, it appeals to publishers, cultural agents and translators, as well as to Canadianists and Translation Studies scholars. By analyzing more than 100 sources of online and print reviews, this volume covers a wide-range of areas and offers an ambitious scope that goes from the institutional side of the Spanish-Anglo-Canadian exchange to issues on the insertion of CanLit in the Spanish curriculum; from ‘nation branding’, translation, and circulation of Canadian authors in autonomous communities (such as Catalonia) to the official acknowledgement of some authors by the Spanish literary system -Margaret Atwood and Leonard Cohen were awarded the prestigious Prince of Asturias prize in 2008 and 2011, respectively.