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First published in 1978, and widely considered to be the sequel to her masterpiece 'By Grand Central Station I Sat Down and Wept', this remarkable book further established Smart's reputation as a brave and inspirational writer. A still beautiful woman, 31 years old with four children by a faithless lover, cannot break the habit of expectation. She must learn to submit to the cold, bare, unglamorous tenets of reality - the untenable position of love. She must learn to deflect Grand Passion into an acceptance of the rogues and rascals with their radiant faces, who buy her a bitter with borrowed cash. Out of a passionate youth, through pain and harsh revelation, she has attained a maturity - a certain knowledge that the cost of rapture is high and that there is no looking back. Hers is a voice that distils a woman's determination for survival - a voice that rises up from everyday life, from the bus queue, the Underground, the pub - and in Elizabeth Smart's hand is wrought into something magnificent.
United States. Thus began one of the most extraordinary, intense and ultimately tragic love affairs of our time. They never married but Elizabeth bore George Barker four children and their relationship provided the impassioned inspiration for one of the most moving and immediate chronicles of a love affair ever written - By Grand Central Station I Sat Down and Wept. Originally published in 1945, this remarkable book is now widely recognized as a classic work of poetic.
From stealing bejewelled necklaces to antique clocks, Toke cons a host of gullible individuals out of priceless heirlooms. But then he meets Hughes and the scam spirals out of control. Then there's the case of the murdered Inspector Badger. Will Dr Thorndyke solve the conundrums which hoodwink and hinder the cleverest of crime readers?
Reproduction of the original: Rogues and Vagabonds by George R. Sims
Madman, tyrant, animal—history has given Adolf Hitler many names. In Mein Kampf (My Struggle), often called the Nazi bible, Hitler describes his life, frustrations, ideals, and dreams. Born to an impoverished couple in a small town in Austria, the young Adolf grew up with the fervent desire to become a painter. The death of his parents and outright rejection from art schools in Vienna forced him into underpaid work as a laborer. During the First World War, Hitler served in the infantry and was decorated for bravery. After the war, he became actively involved with socialist political groups and quickly rose to power, establishing himself as Chairman of the National Socialist German Worker's party. In 1924, Hitler led a coalition of nationalist groups in a bid to overthrow the Bavarian government in Munich. The infamous Munich "Beer-hall putsch" was unsuccessful, and Hitler was arrested. During the nine months he was in prison, an embittered and frustrated Hitler dictated a personal manifesto to his loyal follower Rudolph Hess. He vented his sentiments against communism and the Jewish people in this document, which was to become Mein Kampf, the controversial book that is seen as the blue-print for Hitler's political and military campaign. In Mein Kampf, Hitler describes his strategy for rebuilding Germany and conquering Europe. It is a glimpse into the mind of a man who destabilized world peace and pursued the genocide now known as the Holocaust.
SHORTLISTED FOR THE QWF MAVIS GALLANT PRIZE FOR NON-FICTION THE GLOBE 100: THE BEST BOOKS OF 2022 From LAMBDA Literary Award winner Sina Queyras, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind Thirty years ago, a professor threw a chair at Sina Queyras after they’d turned in an essay on Virginia Woolf. Queyras returns to that contentious first encounter with Virginia Woolf to recover the body and thinking of that time. Using Woolf’s A Room of One’s Own as a touchstone, this book is both an homage to and provocation of the idea of a room of one’s own at the centre of our idea of a literary life. How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us? Blending memoir, prose, tweets, poetry, and criticism, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind, and from a very private life of the mind to a public life of the page, and from a life of the page into a life in the Academy, the Internet, and on social media. "With Virginia Woolf alongside them, Queyras journeys through rooms literal and figurative, complicating and deepening our understanding of what it means to create space for oneself as a writer. Their hard-won language challenges us to resist any glib associations of Woolf’s famous ‘room’ with an easy freedom. Inspiring and moving, Queyras’s memoir testifies to Woolf’s continuing generative power."—Mark Hussey, editor of Virginia Woolf's Between the Acts (2011) and author of Clive Bell and the Making of Modernism (2021) "In this beautiful, perceptive book, Sina Queyras moves deftly between the words and wake of Virginia Woolf and their own formation as writer, lover, teacher, friend, and person. Rooms is expert in its depiction of personal and literary histories, and firmly aware of its moment of composition. Reading these pages, I was enticed by Queyras’s curiosity and openness, thrilled by the sharp edges of their anger. Tight prose, electric thinking, self-discovery – it’s all here, all abuzz. Rooms is alive." – Heather Christle, author of The Crying Book "It is impossible not to question the world as we thought we knew it by the end of this book. Sina Queyras painstakingly aims their extraordinary nerve and talent at Virginia Woolf’s idea of a room of one’s own: 'It’s a mistake to consider the room without all of its entanglements.' Taking Woolf’s cue, Queyras explores writing that is not world-building but something far more generous and transformative; as Woolf wrote, 'Literature is open to everybody.'" – CAConrad, author of AMANDA PARADISE: Resurrect Extinct Vibration
Are you a snob? Then why not learn to do it right? Study this revolutionary work and become a Canadian Snob of Distinction! Victoria Branden has traced the history of Snobbery from its pre-human roots to our own era, in our own country, and has enunciated the definitive Theory of Snobbery. She examines its evolution from its crude beginnings to its present confused state, with detailed study of the most important types of snobbery, distinguishing Goodsnobs from Badsnobs, experts from fumbling amateurs. Snobbery has influenced history at least as much as the invention of the wheel or the printing press, which were probably actually inspired by snob instincts. Always staunchly patriotic, Ms. Branden has given particular attention to Canadian Snobs, who have been until this time gravely neglected in both life and literature, and has provided Canadian Snobmodels by which we can be guided to higher and better levels of Snobbery. She finds a certain lack of professionalism among Canadian Snobs: Snobbery is not acknowledged as an Olympic contender, and has received no recognition in this year's "black budget." So there is much to be done, urgently! Branden has thoughtfully provided Snobexercises (video later) by which you can develop Snobmuscle. Careful study, with diligent practice and iron self-discipline, will help you to achieve great heights of Snob-expertise, using techniques and materials particularly suited to the Canadian climate and social mores. Other how-to books claim to "make it easy" to succeed. We do not. Achieving Snob-distinction is hard, gruelling, and incessant work - but the rewards are incalculable. Any jerk can be a snob, and usually is. But to be a truly Great Snob, an upper-case Snob, a Snob who will go down in history like Beau Brummell or Oscar Wilde ah, that is attainable only by the few.