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Originally published in 2007 by the British Museum Press, London.
Over 675 color photos display lovely portraits, romantic landscapes and city scenes, still-life paintings, and floral arrangements on 19th and 20th century hand-painted porcelain plates from England and Europe by Davenport*TM, Doulton*TM, Camille Le Tallec*TM, Meissen*TM, Minton*TM, Se*\vres*TM, and Wedgwood*TM. Histories of the makers, their marks, and an index make this a useful reference. Current values are found in the captions.
Porcelain imported from China was the most highly coveted new medium in sixteenth- and early seventeenth-­century Europe. Its pure white color, translucency, and durability, as well as the delicacy of decoration, were impossible to achieve in European earthenware and stoneware. In response, European ceramic factories set out to discover the process of producing porcelain in the Chinese manner, with significant artistic, technical, and commercial ramifications for Britain and the Continent. Indeed, not only artisans, but kings, noble patrons, and entrepreneurs all joined in the quest, hoping to gain both prestige and profit from the enterprises they established. This beautifully illustrated volume showcases ninety works that span the late sixteenth to the mid-nineteenth century and reflect the major currents of European porcelain production. Each work is illustrated with glorious new photography, accompanied by analysis and interpretation by one of the leading experts in European decorative arts. Among the wide range of porcelains selected are rare blue-and-white wares and figures from Italy, superb examples from the Meissen factory in Germany and the Sèvres factory in France, and ceramics produced by leading British eighteenth-century artisans. Taken together, they reveal why the Metropolitan Museum’s holdings in this field are among the finest in the world. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
The first book dedicated exclusively to dogs produced in porcelain during the 19th century, identifying the breeds and the major porcelain factories that made them. Showcases over 250 illustrations of examples from private collections, auction houses and dealers.
Illustrates over 1,200 figural shoes, with emphasis on nineteenth and early twentieth century products. Manufacturers include Royal Worcester, Coalport, Spode, Meissen, Goss, Heubach, Conta & Boehme, von Schierholz, Hampshire, Morimura (Nippon), Schafer & Vater, Royal Bayreuth, Henriot, Porquier, and Verlingue. The sources of many unmarked shoes are also revealed. Includes marks, scale sketches, values, information on manufacturers, identifying unmarked shoes, recognizing fakes, bibliography, index.
The first comprehensive study of the most important ceramic innovation of the 19th century Colorful, wildly imaginative, and technically innovative, majolica was functional and aesthetic ceramic ware. Its subject matter reflects a range of 19th-century preoccupations, from botany and zoology to popular humor and the macabre. Majolica Mania examines the medium’s considerable impact, from wares used in domestic settings to monumental pieces at the World’s Fairs. Essays by international experts address the extensive output of the originators and manufacturers in England—including Minton, Wedgwood, and George Jones—and the migration of English craftsmen to the U.S. New research including information on important American makers in New York, Baltimore, and Philadelphia is also featured. Fully illustrated, the book is enlivened by new photography of pieces from major museums and private collections in the U.S. and Great Britain.