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The author presents a stylish collection of over 30 cross stitch designs inspired by those of William Morris. A section devoted to basic techniques section provides step-by-step instructions for the needleworker.
Designer Barabara Hammet combines both practical skill and interpretive vision in this new and exciting collection of cross stitch projects. Drawing her inspiration from the surviving examples of the art of ancient Celtic kingdoms, she's produced a series of stunning re-workings of the classical Celtic swirling shapes and sinuous forms that are at once both modern and timeless. Projects include pin cushions, needle cases, bookmarks, box lids, cushions, table cloths, place mats, and more! and there's many more patterns to suit every level of skill, plus a motif library to provide plenty of inspiration for further projects.
In this visually stunning book, Moy Mackay reveals how you too can create beautiful pictures using felt. Characterised by her wonderful use of colour, Moy's work is breathtaking and includes still-lifes, animals and landscapes inspired by the dramatic scenery of the Scottish Borders where she lives and works. Moy takes you through every step of the process, including the materials and tools you need, the feltmaking process itself (which is easier than you'd imagine), and how to put together four fabulous felt paintings of your own. There is guidance on stitching, including both hand- and machine-stitching, as well as how to use colour and introduce texture in the form of different fibres and threads. There are numerous examples of Moy's work through the book, and by the end you will not fail to be inspired to create gorgeous felt paintings of your own. "e;Moy's passionate use of colour and the deep texture created by felting are what draw me to her work. I also like the way that she concentrates on her surroundings for her subject matter - her work is very free."e;-Kaffe Fassett
Barbara Hammet revisits the timelessly popular art nouveau style with this collection of cross stitch designs inspired by the period's most instantly recognisable artists.
A true Renaissance man, William Morris mastered every art and craft to which he set his hand, revelling in designs, patterns, colours and textures, and placing his stamp on sumptuous books, rugs, embroidery, wallpaper, stained glass, tapestries, curtains and furniture. The patterns and designs drawn together here show both the nuances and breadth of William Morris's visions, combining intricacy and simplicity; alternatingly dramatic and demure, dark and light, curved and angular, in a virtual dance of superb interwoven shapes.
Capture the glory of the historic textile designer’s work in exquisite appliqué quilts, cushions, and wallhangings, featuring an array of motifs. No artist ever captured the beauty of nature in such exquisite detail as William Morris. Now Michele Hill has transformed his graceful birds, flowers, vines, and woodland creatures into appliqué designs any quilter can master. • Turn William Morris' designs into 6 lovely appliqué projects: quilts, cushions, and wallhangings • Mix and match more than 50 appliqué motifs to create your own William Morris-inspired designs • Make your masterpiece quickly with easy fusible appliqué
This latest title in the highly successful Ancient Textiles series is the first substantial monograph-length historiography of early medieval embroideries and their context within the British Isles. The book brings together and analyses for the first time all 43 embroideries believed to have been made in the British Isles and Ireland in the early medieval period. New research carried out on those embroideries that are accessible today, involving the collection of technical data, stitch analysis, observations of condition and wear-marks and microscopic photography supplements a survey of existing published and archival sources. The research has been used to write, for the first time, the ‘story’ of embroidery, including what we can learn of its producers, their techniques, and the material functions and metaphorical meanings of embroidery within early medieval Anglo-Saxon society. The author presents embroideries as evidence for the evolution of embroidery production in Anglo-Saxon society, from a community-based activity based on the extended family, to organized workshops in urban settings employing standardized skill levels and as evidence of changing material use: from small amounts of fibers produced locally for specific projects to large batches brought in from a distance and stored until needed. She demonstrate that embroideries were not simply used decoratively but to incorporate and enact different meanings within different parts of society: for example, the newly arrived Germanic settlers of the fifth century used embroidery to maintain links with their homelands and to create tribal ties and obligations. As such, the results inform discussion of embroidery contexts, use and deposition, and the significance of this form of material culture within society as well as an evaluation of the status of embroiderers within early medieval society. The results contribute significantly to our understanding of production systems in Anglo-Saxon England and Ireland.
This book presents 25 needlepoint projects b ased on the designs of William Morris and his contemporaries in the Arts & Crafts Movement. Each design is carefully cha rted and accompanied by detailed step-by-step instructions. '