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In this National Book Award–winning novel from a “brilliantly breathtaking writer,” a young Southerner searches for meaning in the midst of Mardi Gras (The New York Times Book Review). On the cusp of his thirtieth birthday, Binx Bolling is a lost soul. A stockbroker and member of an established New Orleans family, Binx’s one escape is the movie theater that transports him from the falseness of his life. With Mardi Gras in full swing, Binx, along with his cousin Kate, sets out to find his true purpose amid the excesses of the carnival that surrounds him. Buoyant yet powerful, The Moviegoer is a poignant indictment of modern values, and an unforgettable story of a week that will change two lives forever. This ebook features an illustrated biography of Walker Percy including rare photos from the author’s estate.
In this collection, Rodrigue restructures and approaches anew various essays from her blog "Musings of an artist's wife," exposing the personal history and inspirations that brought her not only to a life devoted to art history, but also to a life as muse and archivist to one artist: her husband, the painter George Rodrigue.
The writings of Walker Percy, as Panthea Broughton notes in her introduction, are at once both accessible and inaccessible. Because they tempt readers to identify with characters and recognize ideas, they have gained a large and enthusiastic following. But because they are subtle and complicated, they defy attempts to reduce them to transparencies. Indeed, Percy’s fiction and nonfiction have a curious, baffling quality that eludes all but the most scrupulously thoughtful and sensitive readers. Through his close alignment with European novelists and philosophers, this native of Alabama has given to American fiction a classic tone that is lacking in the work of such twentieth-century writers as Hemingway and Fitzgerald. In The Art of Walker Percy Broughton has brought together essays from fifteen scholars. Writing from a conviction of the centrality and worth of Walker Percy’s work, as well as from the idea that fresh criticism is of value not only to readers but to living authors as well, the essayists present diverse approaches to understanding his art. Cleanth Brooks, in his essay, compares Percy with Eric Voegelin and notes the similarity of their respective approaches to the moral problems of modern man. Martin Luschei, in an examination of the technique of The Moviegoer, shows how Percy presents his fictional world through the use of filmic art. William Poteat’s critique of The Message in the Bottle deals with Percy’s original contribution to the philosophy of language. Ted Spivey offers a structuralist analysis of Percy’s work and suggests that in Lancelot Percy’s quest takes a new direction. Still other contributors approach Percy through more traditional rubrics, such as the South, Kierkegaard’s stages, dualism, and theology, in new and revelatory ways. Written specifically for this new collection, their essays present the reader with a sense of how many appropriate “stratagems” there are for seeing the meaning in Percy. As they bring his work into focus, therefore, they assist Walker Percy in his avowed strategy of helping us see the world.
“A mock self-help book designed not to help but to provoke . . . to inveigle us into thinking about who we are and how we got into this mess.” (Los Angeles Times Book Review). Filled with quizzes, essays, short stories, and diagrams, Lost in the Cosmos is National Book Award–winning author Walker Percy’s humorous take on a familiar genre—as well as an invitation to serious contemplation of life’s biggest questions. One part parody and two parts philosophy, Lost in the Cosmos is an enlightening guide to the dilemmas of human existence, and an unrivaled spin on self-help manuals by one of modern America’s greatest literary masters.
In this criticism of Percy, John F. Desmond traces the writer's enduring concerns with community. These concerns, Desmond argues, were grounded in the realism of such Scholastics as Aquinas and Duns Scotus.
DIVDIV“A great adventure . . . So outrageous and so real, one is left speechless.” —Chicago Sun Times/divDIV/divDIVIn Walker Percy’s future America, the country is on the brink of disaster. With citizens violently polarized along racial, political, and social lines, and a fifteen-year war still raging abroad, America is crumbling quickly into ruin. The country’s one remaining hope is Dr. Thomas More, whose “lapsometer” is capable of diagnosing the spiritual afflictions—anxiety, depression, alienation—driving everyone’s destructive and disastrous behavior./divDIV /divDIVBut such a potent machine has its pitfalls. As Dr. More soon learns, in the wrong hands, the powerful lapsometer could lead to open warfare, pushing America into anarchy at full-speed./div /div
At his death in 1990, Walker Percy left a considerable legacy of uncollected nonfiction. Assembled in Signposts in a Strange Land, these essays on language, literature, philosophy, religion, psychiatry, morality, and life and letters in the South display the imaginative versatility of an author considered by many to be one the greatest modern American writers.
For those looking to deepen their appreciation of Flannery O'Connor, Wood shows how this literary icon's stories, novels, and essays impinge on America's cultural and ecclesial condition.
In "Message" i"n the" "Bottle," Walker Percy offers insights on such varied yet interconnected subjects as symbolic reasoning, the origins of mankind, Helen Keller, Semioticism, and the incredible Delta Factor. Confronting difficult philosophical questions with a novelist's eye, Percy rewards us again and again with his keen insights into the way that language possesses all of us.
Walker Percy (1916-1990), the reclusive southern author most famous for his 1961 novel The Moviegoer, spent much of his adult life in Covington, Louisiana. In the spirit of traditional southern storytelling, this biography of Percy takes its shape from candid interviews with his family, close friends, and acquaintances. In thirteen interviews, we get to know Percy through his lifelong friend Shelby Foote, Percy's brothers LeRoy and Phin, his former priest, his housekeeper, and former teachers, among others--all in their own words. Over the course of the interviews, readers learn intimate details of Percy's writing process; his interaction with community members of different ethnic, religious, and socioeconomic backgrounds; and his commitment to civil rights issues. What emerges is a multidimensional portrait of Percy as a man, a friend, and a family member.