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"El Paso artist Tom Lea was commissioned by Life Magazine to paint the war as it was being experienced by U.S. and Allied soldiers, sailors, and airmen. Along with his sketchbook, Lea carried on these assignments his "record of work", a notebook in which he recorded observations and details on the images he hoped to create from the events he had seen." "Brendan M. Greeley, Jr. has collected virtually all of Tom Lea's firsthand accounts of his assignments for Life, along with his powerful sketches and unforgettable paintings, and placed them in context, along with photographs and research focusing on the people, places, and wartime events encountered by Tom Lea. Drawing on previously unpublished sources - the artist's diary, letters to the Texas historian J. Frank. Dobie, oral interviews, and archival materials from Texas and national collections - Greeley presents in The Two Thousand Yard Stare a uniquely comprehensive and sustained treatment of Lea's creative accomplishments during World War II." "This well-documented and astonishingly illustrated volume will fascinate those interested in the realistic depiction of war, in both images and words. Also a must-read for students, scholars, and collectors of the artist's work, The Two Thousand Yard Stare: Tom Lea's World War II is a brilliant compendium of the work and thought of one of America's most compelling painters and writers."--BOOK JACKET.
This book traces the history of American combat art from precolonial America to the end of the twentieth century.
Published in conjunction with the exhibition "Tom Lea, Life Magazine, and World War II" (organized by the Tom Lea Institute with the National Museum of the Pacific War and The National World War II Museum), this catalogue features eyewitness reporting, in pictures and words, by the American painter and writer Tom Lea (1907-2001). With scholarly essays by Adair Margo and Melissa Renn, the book traces Lea's journey from El Paso, Texas, to various theatres of war from 1941 to 1945. Lea traveled over 100,000 miles for Life, embedded with soldiers, sailors, airmen, and marines, whose experiences he depicted. Lea was the most celebrated of Life's World War II artist-correspondents, and his paintings appeared in more than ten issues, recording in full-color spreads the convoys in the North Atlantic; life aboard the aircraft carrier Hornet; Stilwell's command in China; the marine landing on Peleliu in the Pacific; and military heroes of World War II. The exhibition highlights twenty-six of the eighty-three paintings Lea completed for Life, now housed in the US Army Center of Military History at Fort Belvoir, Virginia.
One of Texas's true renaissance men, Tom Lea (1907-2001) was already a noted artist, muralist, and book illustrator when he published his first novel, The Brave Bulls, in 1949. This suspenseful story of bullfighting in Mexico, elegantly illustrated by the author, spent several weeks on the New York Times bestseller list and was hailed by Time magazine as the best first novel of the year. It also won the Carr P. Collins Award from the Texas Institute of Letters, went through numerous reprints and translations, and became a 1951 movie starring Mel Ferrer and Anthony Quinn.
"The hands of Cantu" are the gifted hands of the best horseman ever seen in New Spain.
Author's journalistic narrative of battle experience during the Battle of Pelelíu.
Walk into any of sixty post offices or federal buildings in the state of Texas and you may be greeted by a surprising sight: magnificent mural art on the lobby walls. In the midst of the Great Depression, a program was born that would not only give work to artists but also create beauty and optimism for a people worn down by hardship and discouragement. This New Deal program commissioned artists to create post office murals—the people’s art—to celebrate the lives, history, hopes, and dreams of ordinary Americans. In Texas alone, artists painted ninety-seven artworks for sixty-nine post offices and federal buildings around the state. Painted by some of the best-known artists of the day, these murals sparkled with scenes of Texas history, folklore, heroes, common people, wildlife, and landscapes. Murals were created from San Antonio, Houston, and Dallas to Big Spring, Baytown, and Hamilton. The artists included Tom Lea, Jerry Bywaters, Peter Hurd, Otis Dozier, Alexandre Hogue, and Xavier Gonzalez. The images showed people at work and featured industries specific to the region, often coupled with symbols of progress such as machinery and modern transportation. Murals depicted cowboys and stampedes, folk heroes from Sam Bass to Davy Crockett, revered Indian chief Quanah Parker, and community symbols such as Eastland’s lizard mascot, Ol’ Rip. In this beautiful volume Philip Parisi has gathered 115 photographs of these stunning and historic works of art—36 in full color. He tells the story of how they came to be, how the communities influenced and accepted them, and what efforts have been made to restore and preserve them. Enjoy this beautiful book in the comfort of your living room, or take it with you on the road as a guide to the people’s art in the Lone Star State.
"Covering 825,000 acres in the Coastal Plain and Brush Country of South Texas, King Ranch, established in 1853, looms large in Texas and American history. Since its founding by the energetic and visionary Richard King, it has indelibly captured for generations the essence of the American West. As Tom Lea asserted in his epic 1953 history, the spirit of the place "is alive in the land itself, in the far quietness of growing grass and grazing herds." In King Ranch: A Legacy in Art, editors Bob Kinnan, William E. Reaves, and Linda J. Reaves have assembled a team of collaborators to present a beautiful, informative account of the ranch and its place in the artistic heritage of the region. Pairing original paintings by artist Noe Perez with insightful essays from curators Bruce Shackelford and Ron Tyler, this book celebrates the many ways 'King Ranch culture' has enriched appreciation for the decorative, practical, and fine arts in Texas and the greater American West. Opening with a foreword by Jamey Clement, current chair of the board for King Ranch, Inc., and continuing with a brief introduction to the ranch's history by Bob Kinnan, King Ranch: A Legacy in Art will heighten appreciation of the natural beauty and artistic influence of this legendary place. BOB KINNAN previously managed the Santa Gertrudis Heritage Society and King Ranch Archives and has been King Ranch Historian since 2016. WILLIAM E. REAVES is the author of Texas Art and a Wildcatter's Dream, coauthor for Of Texas Rivers and Texas Art, and coeditor of Sense of Home: The Art of Richard Stout. LINDA J. REAVES is coeditor of Sense of Home: The Art of Richard Stout and coauthor of A Book Maker's Art: The Bond of Arts and Letters at Texas A&M University Press"--