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A beautifully inventive collection from multi award-winning author Nina Allan. These stories will enthral fans of China Mieville, Aliya Whiteley and Carmen Maria Machado. A stunningly inventive collection from multi award-winning author, Nina Allan. Unsettling, dark and brilliantly astute, these weird and wonderful tales take us on journeys through time and space to explore enduring questions of memory and loss. Her worlds are recognisably our own but always closer to the edge, on the slant – and sharply unexpected. These stories are an unmissable insight into a writer at the top of her game.
Discusses activities astronauts do while they're in space.
A remote village is determined to keep their robot teacher from being fired. A poetry-loving AI controls the wastewater treatment facility, but a series of malfunctions are beginning to cause concern. The biggest pop idol of the twenty-second century is trapped on Enceladus, and deeply alone. Latchko can talk to the banned AIs and now that his secret is out things are about to get complicated. A former child soldier is raised by a plant-like species but struggles to understand them. Ice fishing on Europa just keeps turning up rocks and things just got worse ... something is changing the world, making it better, but for whom? Short fiction is the heart of science fiction, introducing new voices, experimenting with ideas and technique, and paving the way for the future of the field. Thousands of stories are published every year in the many genre magazines, anthologies, collections, podcasts, and websites, as well as other less common venues. Each year, Hugo and World Fantasy Award-winning editor Neil Clarke sifts through the myriad of offerings to select works that represent the best and the brightest, report on the state of the field, and recommend additional stories for further reading. In this volume, covering 2021, you'll find works by Aliette de Bodard, Meg Elison, Rich Larson, Ken Liu, Ray Nayler, Suzanne Palmer, Hannu Rajaniemi, Robert Reed, Karl Schroeder, Vandana Singh, Tade Thompson, and many more.
Winner of the Eugene M. Emme Astronautical Literature Award A Bloomberg View Must-Read Book of the Year A Choice Outstanding Academic Title of the Year “A substance-rich, original on every page exploration of how the space program interacted with the environmental movement, and also with the peace and ‘Whole Earth’ movements of the 1960s.” —Tyler Cowen, Marginal Revolution The summer of 1969 saw astronauts land on the moon for the first time and hippie hordes descend on Woodstock. This lively and original account of the space race makes the case that the conjunction of these two era-defining events was not entirely coincidental. With its lavishly funded mandate to put a man on the moon, the Apollo mission promised to reinvigorate a country that had lost its way. But a new breed of activists denounced it as a colossal waste of resources needed to solve pressing problems at home. Neil Maher reveals that there were actually unexpected synergies between the space program and the budding environmental, feminist and civil rights movements as photos from space galvanized environmentalists, women challenged the astronauts’ boys club and NASA’s engineers helped tackle inner city housing problems. Against a backdrop of Saturn V moonshots and Neil Armstrong’s giant leap for mankind, Apollo in the Age of Aquarius brings the cultural politics of the space race back down to planet Earth. “As a child in the 1960s, I was aware of both NASA’s achievements and social unrest, but unaware of the clashes between those two historical currents. Maher [captures] the maelstrom of the 1960s and 1970s as it collided with NASA’s program for human spaceflight.” —George Zamka, Colonel USMC (Ret.) and former NASA astronaut “NASA and Woodstock may now seem polarized, but this illuminating, original chronicle...traces multiple crosscurrents between them.” —Nature
The radical history of space exploration from the Russian Cosmists to Elon Musk Many societies have imagined going to live in space. What they want to do once they get up there - whether conquering the unknown, establishing space "colonies," privatising the moon's resources - reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of life in outer space, but these visions have real implications for life back on earth. For the Russian Cosmists of the 1890s space was a place to pursue human perfection away from the Earth. For others, such as Wernher Von Braun, it was an engineering task that combined, in the Space Race, the Cold War, and during World War II, with destructive geopolitics. Arthur C. Clark in his speculative books offered an alternative vision of wonder that is indifferent to human interaction. Meanwhile NASA planned and managed the space station like an earthbound corporation. Today, the market has arrived into outer space and exploration is the plaything of superrich technology billionaires, who plan to privatise the mineral wealth for themselves. Are other worlds really possible? Bringing these figures and ideas together reveals a completely different story of our relationship with outer space, as well as the dangers of our current direction of extractive capitalism and colonisation.
"The Art of Space Travel" by Nina Allan is a science fiction novelette. In 2047, a first manned mission to Mars ended in tragedy. Thirty years later, a second expedition is preparing to launch. As housekeeper of the hotel where two of the astronauts will give their final press statements, Emily finds the mission intruding upon her thoughts more and more. Emily's mother, Moolie, has a message to give her, but Moolie's memories are fading. As the astronauts' visit draws closer, the unearthing of a more personal history is about to alter Emily's world forever. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In The Art of NASA, ultra-rare artworks illustrate a unique history of NASA hardware and missions from 1958 to today, giving readers an unprecedented look at how spacecraft, equipment, and missions evolved--and how they might have evolved.
The Art of Space is the most comprehensive celebration of space art ever to be published, profiling the development of space-based art in a variety of media. In The Art of Space, award-winning artist and best-selling author Ron Miller presents over 350 high-quality and often photorealistic images that chart how artists throughout history, working with the knowledge and research available during their time, have endeavored to construct realistic images of visions throughout the universe. Beginning with depictions of space ships, unmanned probes, and space stations, Miller moves through collections that also illustrate the planets, moons, galaxies, and stars; cities, colonies, and space habitats; and possible alien life. The artwork presented here has been created in a variety of media, from the woodcuts and oil paintings of the Victorian and Edwardian eras to the digitally enhanced work of contemporary artists. Each chapter also includes two special features: one profile of an artist or group of artists of particular influence and one sidebar discussion of general cultural topics, such as the use of space art for propaganda purposes during the Cold War or the impact of the digital revolution on the resources available to artists. A fascinating study on the intersection of science and the artistic imagination, The Art of Space shows how astronomy and space travel has been reflected in popular art and public perception over the past two centuries. With forewords from Carolyn Porco and Dan Durda, this book is the ultimate resource for space art fans.
A high school senior wins a space suit in a soap jingle contest, takes a last walk wearing "Oscar" before cashing him in for college tuition, and suddenly finds himself on a space odyssey.
"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.