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A beautifully illustrated tour of the visual culture of medieval falconry in Europe and beyond. Medieval falconry was not just about hunting; the practice also signified sovereignty, power, and diplomacy. In The Art of Medieval Falconry, Yannis Hadjinicolaou describes the visual culture that sprang up around these practices, tracking how imagery, equipment, and even the birds themselves moved through the medieval world. Indeed, Hadjinicolaou shows that falconry has been a global phenomenon since at least the thirteenth century. This beautifully illustrated book offers a unique glimpse at how cultures across the globe adopted and adapted the visual culture of medieval falconry.
A young girl and her father, a medieval castle's falconer, spend the day taking their goshawk out for a training flight, introducing readers to the preparations and equipment used in the sport.
Perhaps the equivalent of polo-playing today, the sport of falconry was the preserve of the wealthy and royalty, regarded as both a suitable and enjoyable leisure activity, and as a source of status and prestige.
A beautifully illustrated tour of the visual culture of medieval falconry in Europe and beyond. Medieval falconry was not just about hunting; the practice also signified sovereignty, power, and diplomacy. In The Art of Medieval Falconry, Yannis Hadjinicolaou describes the visual culture that sprang up around these practices, tracking how imagery, equipment, and even the birds themselves moved through the medieval world. Indeed, Hadjinicolaou shows that falconry has been a global phenomenon since at least the thirteenth century. This beautifully illustrated book offers a unique glimpse at how cultures across the globe adopted and adapted the visual culture of medieval falconry.
A Stanford University Press classic.
This book was first written in Latin in 1241 by Frederick II of Hohenstaufen, Holy Roman Emperor (1196-1250). It was first published as a two volume work by his son Manfred. The original is in the Vatican. Next it was published in French in 1300 in six volumes by Jean II of Dampierre. The six volume work was translated into English and combined into one book in 1931 by Dr. Casey Albert Wood (1856-1942), a Canadian ophthalmologist specializing in the eyes of birds, and F. Marjorie Fyfe. The illustrations in this book were obtained in the Vatican Library during the years that Dr. Wood was studying there. Falcons have the best eyesight of any creature known to exist. It has long been recognized that birds of this type have exceptional ability in eyesight. We even have the expression "Eagle-eyed," meaning a person who is alert and can see well. Second is that they are the fastest creature known to exist. Consider the fact that Falcons fly high in the sky, thousands of feet up, yet they can spot a mouse on the ground and dive down to catch him. Dr. Casey Wood was studying falcons to find out why they are able to see so much better than we humans can. One of the very few rare copies of this book known to exist are in the Vatican Library in Vatican City, where he was studying.
A decade ago, Tim Gallagher was one of the rediscoverers of the legendary ivory-billed woodpecker, which most scientists believed had been extinct for more than half a century—now Gallagher once again hits the trail, journeying deep into Mexico’s savagely beautiful Sierra Madre Occidental, home to rich wildlife, as well as to Mexican drug cartels, in a perilous quest to locate the most elusive bird in the world—the imperial woodpecker. The imperial woodpecker’s trumpetlike calls and distinctive hammering on massive pines once echoed through the high forests. Two feet tall, with deep black plumage, a brilliant snow-white shield on its back, and a crimson crest, the imperial woodpecker had largely disappeared fifty years ago, though reports persist of the bird still flying through remote mountain stands. In an attempt to find and protect the imperial woodpecker in its last habitat, Gallagher is guided by a map of sightings of this natural treasure of the Sierra Madre, bestowed on him by a friend on his deathbed. Charged with continuing the quest of a line of distinguished naturalists, including the great Aldo Leopold, Gallagher treks through this mysterious, historically untamed and untamable territory. Here, where an ancient petroglyph of the imperial can still be found, Geronimo led Apaches in their last stand, William Randolph Hearst held a storied million-acre ranch, and Pancho Villa once roamed, today ruthless drug lords terrorize residents and steal and strip the land. Gallagher’s passionate quest takes a harrowing turn as he encounters armed drug traffickers, burning houses, and fleeing villagers. His mission becomes a life-and-death drama that will keep armchair adventurers enthralled as he chases truth in the most dangerous of habitats.
"This new stage adaptation of Barry Hines' well-known film and novel once again proves its gritty charm and popular staying power..." --Back cover.