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The art of the Hellenistic age (here taken as 332 BC to 37 BCE) in Palestine demonstrates the extent to which a province could be integrated into the rich, established culture of the Hellenistic world. Its study here examines the art itself, and specifically the themes, types, iconography, and style of local productions. The study can be instructive on the ethnic texture of Palestine, its regional differences, its widely practiced religion and cults, and its culture in general. Likewise, it may supplement both historical research on the period, which appears to have reached a dead end of sorts, and archaeological inquiry, the results of which have been partial or insufficient. It can help address whether the art was incorporated into the Hellenistic koine, the manner in which it utilized local and foreign elements, and the question of how the culture of the period left a mark so profound that it can be traced until the end of the Byzantine period.
The Hellenistic paintings found in a pair of tombs at Marisa/Maresha in Israel were among the most important surviving examples of Hellenistic art to survive into recent times. The unique painted frieze in the main chamber of one of these tombs depicts 22 different wild animals native to Africa, the Levant and Asia, and few mythical beasts that were believed to inhabit lands beyond India. Also among the painted subjects were the triple-headed Cerberus and a pair of elegant musicians. These paintings were first brought to public attention by John Peters, an American archaeologist and theologian, and Hermann Thiersch, a German classical scholar, who were alerted to the existence of the painted tombs in 1902. Realising that these splendid tombs dated to the 3rd century BC and the importance of the murals, these scholars commissioned a Jerusalem photographer, Chalil Raad, to record them. This was fortunate, because the paintings on the soft chalk walls rapidly deteriorated. Peters and Thiersch were commissioned by the Palestine Exploration Fund to publish a monograph on the painted tombs, illustrated with lithographic copies of the photographs. To mark the centenary of the discovery of the painted tombs, David Jacobson offers a reassessment of the Marisa paintings to accompany a facsimile of the original 1905 publication, now long out of print. The new study examines the religious, cultural and historical significance of the paintings, and also recounts the careers of Peters and Thiersch. This new publication includes, for the first time, the original photographs taken by Raad in 1902, which reveal the fine quality of these ancient works of art.
While Jewish Palestine has been at the focus of scholarly interest, Greek Palestine has not yet received similar attention. This book attempts to investigate the intellectual life in that country in the Hellenistic world and in the Roman Empire. The two perspectives taken are a full prosopographical survey of Greek intellectuals in ancient Palestine and an in-depth study of the Greek intellectuals in one particular city, Ascalon. A survey of the penetration of Latin among the educated Greek-speaking inhabitants of the country concludes the book.
This volume presents a small selection of publications by the late Professor Michael Avi?Yonah, some of which are out of print or otherwise difficult to obtain. The articles chosen from Avi -Yonah's more than 400 publications deal with various aspects of art in ancient Palestine, a subject with which Avi-Yonah was much concerned throughout his life. + 61 plates
The series of tomb paintings of Marisa, barely 60 kilometres southwest of Jerusalem, represents one of the first major discoveries of paintings dating from the Hellenistic period proper. They produced much excitement among art scholars and antiquarians at the time of their discovery, almost exactly a century ago. John Peters and Hermann Thiersch rendered a considerable service to later generations by having these paintings photographed almost immediately, because they very rapidly deteriorated and within a few years virtually disappeared.
This volume examines new developments in the fields of premodern Jewish studies over the last thirty years. The essays in this volume, written by leading experts, are grouped into four overarching temporal areas: the First Temple, Second Temple, Rabbinic, and Medieval periods. These time periods are analyzed through four thematic methodological lenses: the social scientific (history and society), the textual (texts and literature), the material (art, architecture, and archaeology), and the philosophical (religion and thought). Some essays offer a comprehensive look at the state of the field, while others look at specific examples illustrative of their temporal and thematic areas of inquiry. The volume presents a snapshot of the state of the field, encompassing new perspectives, directions, and methodologies, as well as the questions that will animate the field as it develops further. It will be of interest to scholars and students in the field, as well as to educated readers looking to understand the changing face of Jewish studies as a discipline advancing human knowledge