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Featuring the famous Imperial eggs, along with flowers, figurines, cigarette boxes, opera glasses, scent bottles and even bell pushes, this book examines today's great Faberge collections."
The chronological arrangement of 1,772 comprehensive citations are translated and annotated in English. Exhibition and auction dates, as well as auction prices are included. ...a work of scholarly significance...comprehensive, not to say exhaustive, and is well presented and easy to use... a most valuable tool.--REFERENCE REVIEWS ...One is filled with awe at the dedication that must have been needed to compile this work. --GEM AND JEWELRY NEWS
History.
Fifth Avenue in New York houses many treats, but one of its more sumptuous offerings is a gem of a museum -- the Forbes Faberge collection. Containing more than 400 objets d'art, this tiny museum is a treasure trove of artistic and historical masterpieces.One hundred and twenty pieces from the Forbes Faberge collection are pictured here, each accompanied by a detailed essay on its significance and history and the artisans who created it. Printed on elegant paper and accompanied by 26 tip-ins, this volume also features genealogies of the European royal families who commissioned most of these pieces.
A sumptuous volume that tells the story of how three iconic designers in prewar Europe created and marketed jewelry as art Fabergé, Tiffany, Lalique--these great designers came together only once to display their goods in what was probably the most opulent exhibition ever mounted. At the 1900 Exposition Universelle in Paris, the three strove to position themselves ahead of their many competitors in the luxury market, each presenting his jewelry and home adornments as high art. Their success is explored in this splendidly illustrated catalogue, which elucidates the prewar pinnacle of European culture. The array of displayed objects was mesmerizing: Tiffany glass, Easter eggs to dazzle the Czars, realistic insects created in precious materials as sinister decorations. Many of these bore influences of the advanced art of the time, such as Art Nouveau, Viennese modernism, and symbolism, and of styles from around the world. Four essays discuss the works in the context of their times, illuminate the high societies served by the three masters, and trace the cultural trends behind their extraordinary creations. A treasure of accompanying photographs shows the individual exhibits, scenes from the World's Fair, and the glitterati who wore the jewelry. Published in association with the Cleveland Museum of Art Exhibition Schedule: Cleveland Museum of Art (October 19, 2008 - January 19, 2009) Fine Arts Museums of San Francisco (February 7 - May 31, 2009)
Peter Carl Faberge, court jeweler to the czars, is a name synonymous with beauty, craftsmanship, and sumptuous excess. This exciting book features some of the best photographs ever made of Faberge objects. Over 350 illustrations, 80 in full color.
The preeminent master goldsmith of turn-of-the-century Russia was Peter Carl Faberge. He is best remembered for extraordinary Easter eggs, breathtakingly crafted of gold, silver, enamel and precious stones. 48 full-color illustrations.
The first book to be dedicated to the British branch of Faberge, covering its fascinating history from its opening in 1903, to its closure in 1917. Royalty, Aristocrats, American heiresses, exiled Russian Grand Dukes, Randlords, Maharajas, Socialites and financiers with newly made fortunes flocked to Faberge in London to buy gifts for each other. This book is the first dedicated to the glittering history of Faberge's British branch, from its opening in 1903 to its closure in 1917. The Imperial Russian Goldsmith's London branch was the only one outside of Russia and its jewelled and enamelled contents were as popular there as they were in St. Petersburg or Moscow. Using previously unreferenced sources and a newly discovered archive of papers relating to Faberge in London, Kieran McCarthy studies the branch's structure, customers and exclusive stock. The most expensive sale made by Faberge in London, of a diamond tiara priced for £1400, cost one hundred times the annual wage of a scullery maid. It will be of interest to enthusiasts of the decorative arts, the social history of the Edwardian Golden Age and especially of European Royalty. Faberge's works were and continue to be intimately associated with the British Royal Family. For Violet Trefusis, daughter of King Edward VII's mistress Mrs. Keppel and lover of Vita Sackville-West, A Faberge cigarette case was the emblem of Royalty, as symbolical as the bookies cigar, or the ostler's straw. AUTHOR: Kieran McCarthy is a director of Wartski, the London Court Jewellers who specialises in the work of Carl Faberge. He is on the advisory board of the Faberge Museum in St. Petersburg, is a freeman of the Worshipful Company of Goldsmiths' and a fellow of the Gemmological Association. He has written and lectured extensively about Carl Faberge. He advises collectors and institutions on Faberge's work and recently revealed the rediscovery of one of the lost Imperial Faberge Easter Eggs. 191 colour, 86 b/w