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The Art of Dress is a coloring book for creative fashion enthusiasts of all ages who enjoy fashion illustration. The book is a collection of 22 original pencil drawings—dress and evening gown illustrations inspired by the traditions of Haute Couture. The idea for the coloring book "The Art of Dress" was born while creating the "Haute Couture Fashion Illustration Resource Book," a book for professional dress designers. All drawings in this book are professional couture design illustrations. All artworks in the book are in two color tones: the tone of the original pencil drawing and a light grey tone (for creative editing or to try different color rendering). The paper in the book is for dry media such as pencils, crayons, sketching sticks, and pastel and is not suitable for watercolor. If you are planning to use markers or gel pens, place extra sheets of paper under the book you are coloring page to prevent ink from bleeding through the page and avoid marks or grooves underneath the coloring page. "Test pages" at the end of the book are for trying out art media before coloring.
A tribute to the most elegant form of the fashion arts chronicles the evolution of glamorous evening attire from ancient times to the present day, offering hundreds of photographs and sketches of gorgeous gowns, including works by such noted designers as Coco Chanel. 10,000 first printing.
This lavish volume is the first to celebrate the designs of duo Mark Badgley and James Mischka, the authorities on the evening dress. After meeting at Parsons School of Design in New York and embarking on separate apprenticeships at major fashion houses, Mark Badgley and James Mischka joined forces to form Badgley Mischka in 1988. By the time Winona Ryder walked the red carpet at the 1996 Academy Awards in their gown encrusted in crystal and pearl beads, the design duo had become synonymous with elegant and luxurious evening dresses. Informed by a streamlined 1940s Hollywood silhouette while employing exquisite beads crafted in India, Badgley Mischka have become the arbiters of old Hollywood glamour. Their commitment to classic American beauty continues to reign on the red carpet today. As Mark and James say, “glamour always works.” Badgley Mischka follow in the great haute-couture tradition of legendary fashion houses such as Christian Dior and Adrian, who continue to inspire them season after season. These pages showcase the long-celebrated silhouettes—skinny beaded dresses, fishtail and ball gowns, and cocktail dresses—inspired by the masters of a bygone era. Embellished modern evening gowns imbued with the allure of Hollywood’s golden age have been Badgley Mischka’s signature voice for more than twenty-five years, and this book is a celebration of the evening dress in all its shimmering glory.
The 1950s were the golden years of haute couture, captured by iconic images of glamorous models wearing dramatic clothes. Yet the real women who wore these clothes adapted them to suit their own tastes, altered them to extend their life, and often could not bear to part with them long after the dresses had outlived their use. This gorgeously illustrated book demonstrates why so many of these designs are still in existence and why we are fascinated by them fifty years later. Couture and Commerce investigates how and why postwar couture fashion was important in its own day. The Paris couture houses survived due to the enthusiasm of the North American fashion press and commercial buyers. Alexandra Palmer traces the European haute couture trade with North America by following actual surviving couture dresses from the design house sketch, through the model used in New York fashion shows and as a template for copies and knock-offs, and finally to the consumer. Couture and Commerce is a remarkable mixture of accessible text, color photographs of the original garments, design house sketches and photographs, retailers’ advertisements, and society page images. Weaving together analysis of the clothes and interviews with those who traded, sold, and wore couture, Alexandra Palmer vividly recreates the 1950s fashion world.
Each period in the history of costume has produced its own characteristic line and silhouette, derived from a cut and construction which varies considerably from age to age. Here are patterns taken from actual dresses, many of them rare museum specimens, illustrated by sketches of the dresses. There are notes on the production of women's dress, with references to early technical books and journals, together with diagrams from some of them. Numerous illustrations show the dresses as worn complete with their hairstyles, jewelry, decorations and accessories.
Many people consider haute couture died in 1950 when ready-to-wear fashion came on the market. Since then fashion has undergone fundamental changes. Nonetheless, there will always be a certain demand for beautiful, individually made clothes, but the future will never be as lavish and as magnificent as the period here investigated. The author traces its history from Charles Frederick Worth, the first global fashion dictator and Imperial French dressmaker, to Geoffrey Wallis who wished to make good design available to all. -- Google books
This book traces the development of the fashion industry, providing insight into the business and, in particular, its interrelations with copyright law. The book explores how the greatest haute couture fashion designers also had a sense for business and that their attention to copyright was one of the weapons in protecting their market position. The work also confronts the peculiarities of the fashion industry as a means of demonstrating the importance of intellectual property protection while pointing out the many challenges involved. A central aim is to provide a copyrightability test for fashion goods based on detailed analysis of the legal regulations in the USA and EU countries, specifically Italy, France, the Netherlands, Germany and Poland. The book will be of interest to researchers and academics working in the areas of Intellectual Property Law, Copyright Law, Business Law, Fashion Law and Design.
Fashion deals with a world of illusion on the one hand and a hard-bitten, multifaceted and multi-billion pound industry on the other. This stimulating book clarifies how fashion operates on all its levels: the mystery of haute couture is explained, the complexities of ready to wear are simplified, and the power of mass production assessed and evaluated. Fashion terms, their use and meaning are explained in plain words and the complicated stages of design, manufacture and distribution are described in detail. Also included are sections on bespoke tailoring, wholesale menswear, dressmaking, millinery and accessories, the fashion calendar and short biographies on the most influential designers. Every follower of fashion, whether at college or in big business, will welcome the information presented in this book.