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Enric Torres-Prat has long been a fan favorite among comics and illustration fans, most of whom were introduced to Enric by the incredible paintings that he created for Warren Publishing, especially his breathtaking "Vampirella" magazine covers. This large and comprehensive 9" x 12", 350-page hardcover book takes us all on a journey through Enric's entire career, from his earliest comic book work, right up to his sought-after private commissions that continue to be in high demand to this day. His popular art for "Creepy," "Eerie," and "Vampirella" magazines and images of such iconic characters as Conan, Red Sonja, Super Girl, Tarzan, and Wonder Woman are all here. Also included is a detailed interview with the artist which compliments the artwork by giving us a deeper glimpse into what makes him tick.
"Masters Of Spanish Comic Book Art is a celebration of the great artists who revolutionized American horror comics in the 1970s with their work on Warren's Vampirella, Creepy, and Eerie horror comics. This first-ever comprehensive history of Spanish comic books and Spanish comic artists reveals their extraordinary success -- not just in Spain and America, but around the world. Their global influence has been little known until this celebration of their contributions. Containing artwork from over 80 artists, this in-depth retrospective includes profiles of such legends as Esteban Maroto, Sanjulian, Jose Gonzalez, Jordi Bernet, Enrich, Victor De La Fuente, Jose Ortiz and Luis Garcia Mozos. With 500 illustrations, over half scanned directly from the original artwork, Masters Of Spanish Comic Book Art honors the "Golden Generation" whose artwork inspired the imagination of comic book lovers everywhere."--
Captivating comics about fantastic females!
When an old friend returns to town, Meg plans a party to bring the old gang back together, but someone—or something—will do anything to keep it from happening in this chilling tale from Goosebumps author R.L. Stine. A year ago, Meg Dalton’s group of friends fractured. Evan died in the Fear Street woods. Ellen moved away. The ones that stayed behind changed. And Meg felt as if she’d lost her best friends. Lately, even her boyfriend Tony has been acting moody and strange. But things may finally be looking up. Ellen is coming to visit! And what better way to bring old friends together than with a surprise party for her arrival? That’s when the terror begins—the phone calls, the threats, the acts of violence. “Cancel the party—or else,” whispers the voice on the phone. Meg is terrified. Who would do so many terrible things to stop her party? To find out, she’ll have to venture into the dark Fear Street woods that took Evan’s life last year.
A comprehensive art book on the work of Mike Ploog. This oversize 9" x 12", 320-page retrospective covers every aspect of Ploog's career, from his earliest days of working with "Leatherneck Magazine," while still a young man serving in the Marines, to his extremely popular work in comics and film, right up through his latest work on "Goliath." "THE ART OF PLOOG" reproduces, quite literally, hundreds of pieces of art, as well as commentary by the likes of Ralph Bakshi, John Carpenter, Frank Oz, Roy Thomas, and the master himself; Mike Ploog.You will find Ploog's best known artwork contained in this book. Included is work he did for Marvel comics (on titles such as "Frankenstein," "Ghost Rider," "Man-Thing," "Planet of the Apes," and "Werewolf By Night"), as well as a wide range of his film work on animated features (such as "Lord of the Rings," "Shrek," and "Wizards") and live-action features (including "Little Shop of Horrors," "John Carpenter's THE THING," and "X-MEN"). The book also contains many of his most popular paintings; paintings that were created for his own fantasy art trading card series; as well as paintings he worked on for the collectible card games "Guardians" and "Magic the Gathering," most of which have never been reproduced larger than trading card size. This is the ultimate collection spanning Ploog's entire career.
Enric Majoral is revealed to be a complex figure ahead of his time, midway between design, artisanship and art. One may take very diverse perspectives on his creative itinerary. From the perspective of artisanship stands out his contribution to the evolution of a traditional craft towards a contemporary language. Likewise stands out the relationship of his work to the culture of the area. As a designer, his capacity to design and produce collections has allowed contemporary jewellery to be brought to a very large public. As a creator he has developed a personal language which has by its uniqueness and timeliness created a new school, a recognisable style which has inspired younger generations of jewellers. An important aspect of Majoral?s creativity is his relationship with materials, and the diverse strategies which he uses to give them form. This attitude of letting every material speak for itself has been made concrete in a very rich and broad repertoire of finishing touches which are a characteristic of his pieces.
Enric Torres-Prat has long been a fan favorite among comics and illustration fans, most of whom were introduced to Enric by the incredible paintings that he created for Warren Publishing, especially his breathtaking "Vampirella" magazine covers. This large and comprehensive 9" x 12", 350-page hardcover book takes us all on a journey through Enric's entire career, from his earliest comic book work, right up to his sought-after private commissions that continue to be in high demand to this day. His popular art for "Creepy," "Eerie," and "Vampirella" magazines and images of such iconic characters as Conan, Red Sonja, Super Girl, Tarzan, and Wonder Woman are all here. Also included is a detailed interview with the artist which compliments the artwork by giving us a deeper glimpse into what makes him tick. This is the limited, signed and numbered hardcover edition of "The Art of Enric," featuring a special variant cover on an edition strictly limited to 195 copies.
This book explains both the origin and evolution of Miralles' system of representation, from his time as a student at the Barcelona School of Architecture to the latest projects he designed with Benedetta Tagliabue, including the heroic period with Carme Pinós. With previously unpublished drawings from the architect, it demonstrates on a fundamental level how the evolution of representation runs parallel to that of architecture, thus illustrating its indissolubility and mutual interdependence. It is impossible to dissociate the evolution of the architecture of Enric Miralles from the development of his own system of representation. Beginning from a position inherited from his training at the Barcelona School of Architecture and his practice at the office of Viaplana-Piñón, where he acquired a liking for precision in drafting and a graphic style based exclusively on lines of the same thickness, Miralles soon developed a method defined by a customised use of orthographic projections, connected to a fragmented conception of the architectural plan and space itself.
More classic tales from the original Warren era Vampirella series! Pantha returns in an orgy of blood!