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Write e-mails: faster ... purposefully ... thoroughly ... clearly ... concisely ... correctly. Manage your e-system: filing ... attaching ... copying ... initiating ... responding ... forwarding.Its all here in THE ART OF E-MAIL WRITING: a powerful, workable, and reliable method for: jump-starting the writing process without cluttering your mind getting to the point without missing a beat laying out your ideas without overloading your readers keeping a fresh style without breaking the rules PHILIP VASSALLO has taught writing for over 25 years, evaluated the writing of thousands of professionals across the entire spectrum of the corporate hierarchy, and developed and delivered writing training programs for a wide range of administrative, technical, and managerial professionals in corporate and government environments throughout the United States. He has also provided individualized writing coaching and assessment services for numerous corporate employees. Phils book THE ART OF ON-THE-JOB WRITING, also published by First Books, provides a groundwork for writing effectively and efficiently regardless of the writers position. Phil holds a bachelors degree in English from Baruch College, a masters in education from Lehman College, and a doctorate in educational theory from Rutgers University.
SIGNED EDITIONTo the Letter tells the story of our remarkable journey through the mail. From Roman wood chips discovered near Hadrian's Wall to the wonders and terrors of email, Simon Garfield explores how we have written to each other over the centuries and what our letters reveal about our lives. Along the way he delves into the great correspondences of our time, from Cicero and Petrarch to Jane Austen and Ted Hughes (and John Keats, Virginia Woolf, Jack Kerouac, Anaïs Nin and Charles Schulz), and traces the very particular advice offered by bestselling letter-writing manuals. He uncovers a host of engaging stories, including the tricky history of the opening greeting, the ideal ingredients for invisible ink, and the sad saga of the dead letter office. As the book unfolds, so does the story of a moving wartime correspondence that shows how letters can change the course of life. To the Letter is a wonderful celebration of letters in every form, and a passionate rallying cry to keep writing.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Sometime in the mid-1990s we began, often with some trepidation, to enroll for a service that promised to connect us--electronically and efficiently--to our friends and lovers, our bosses and clients. If it seemed at first like simply a change in scale (our mail would be faster, cheaper, more easily distributed to large groups), we now realize that email entails a more fundamental alteration in our communicative consciousness. Randy Malamud's Email is written for anyone who feels their attention and their intelligence--not to mention their eyesight--being sucked away, byte by byte, in a deadening tsunami of ill-composed blather and meaningless internet flotsam. Object Lessons is published in partnership with an essay series in The Atlantic.
"Your email behavior has the potential to make or break you, both personally and professionally." Email Writing: Advanced (c). How to Write Emails Professionally. Advanced Business Etiquette & Secret Tactics for Writing at Work. Produce Professional Emails, Business Letters, Proposals & Reports Marc Roche's new business English book focuses exclusively on email writing for work and business. This book is about business email writing that works for you and your company. It includes exclusive VIP access to business letters + business letter templates. Email etiquette lessons will guide you through the basics and the not so basics of emailing your colleagues, bosses and clients. You can also download Marc Roche's Starter Library with 700+ Business English Resources FOR FREE and get a FREE Professional Writing Course on How to Write Emails Professionally. What you will get in this email writing book: The 14 Essential Rules of Email Etiquette How to Skyrocket Your Email Productivity Creating a Positive Email Routine The Ultimate Email Processing System Key Language Principles of Writing Emails Negative Words You Should Avoid Using if Possible Being Specific in Your Emails Proposals & Persuasive Emails Guiding Your Audience Paint the Picture! Use Analogies How to Craft your Message How to Achieve Maximum Effect 5 Phrases That Move People to Action (Perfect for Email Negotiations, Marketing & Sales) The Six Formulas for Expressing Benefits The Power of Odd Numbers How to Use Bullet Points to Maximum Effect Email Writing Voice & Style Company Introduction Example Cover Letter Example Welcome Email Example How to Add Personality to Your Emails Increase Your Credibility Graphs Statistics Quotes How to Use Graph Data in Your Emails Data Resources & Tools General Data/Research Academic Studies/White Papers Financial Data Government/World Data Social Data Health Data
A long, long time ago, before email and texting, the mail was delivered in a much slower way-it was called Snail Mail (because some thought it was delivered by a snail). Although it took much longer, everyone agreed that letters were a little more special when they were delivered by Snail Mail. They might be handwritten. They might include a drawing. They might even contain a surprise inside! One such letter was sent by a Girl to the Boy she loved, and it was up to four special snails to deliver her card across the country. The snails trek across the country-through desert heat and dangerous blizzards, across mountains and plains, through cities and forests-and along the way, they find that taking time to slow down and look around makes the journey all the more beautiful. Snail Mail's playful and educational story encourages kids to have slow living, and to approach life with determination and wonder. Julia Patton's rich illustrations showcase America's diverse terrain and national monuments from coast to coast. Kids and parents alike will delight in this celebration of America's beauty and the power of a simple handwritten letter.
Brevity is confidence. Length is fear. This is the guiding principle of Smart Brevity, a communication formula built by Axios journalists to prioritize essential news and information, explain its impact and deliver it in a concise and visual format. Now, the co-founders of Axios have created an essential guide for communicating effectively and efficiently using Smart Brevity—think Strunk and White’s Elements of Style for the digital age. In SMART BREVITY: The Power of Saying More with Less, Axios co-founders Jim VandeHei, Mike Allen, and Roy Schwartz teach readers how to say more with less in virtually any format. They also share communications lessons learned from their decades of experience in media, business and communications.
A world of difference separates a phone call from a letter, says Alexandra Stoddard. She urges the reader to make letter-writing a natural habit, evaluates different kinds of papers, and praises the traditional fountain pen as a natural extension of the hand. Illustrated.
About this Professional Email Book INCLUDES 100 + BUSINESS EMAIL TEMPLATES. BUSINESS EMAIL: BUSINESS ENGLISH WRITING ESSENTIALS Professional emails are too important to mess up. They are evidence of something that you said or did, and as such, they can be your best friend or your worst nightmare. Every day a staggering amount of business communication takes place. This book will help you not only write more professional business e-mails but also improve your overall business English. "Know your context as well as your audience." Like everything in life, emails are not created equal. The same email can be digital gold or digital poop depending on the situation in which it's deployed, so you must always pay attention to context. Even if you send exactly the same email to the same audience, in a different context they will interpret your email differently, as they will approach it with a different mind-frame, together with a different set of beliefs and expectations. When you approach an email in a business setting, the first thing to do is to decide exactly what you want from the exchange and then, what context you are writing in. Is this a close colleague but there is a not-so close colleague included into the email exchange? Is this an invitation to have drinks after work with someone who has worked with you for years and has suddenly decided to change paths in their career? Are you about to fire someone you respect immensely? Are you sending a group email to organise a meeting, or are you asking someone to pay you because they haven't paid their invoice on time again? All these things matter, and are particularly important because you don't have the benefit of body language or facial expressions when you write. People also tend to forget verbal exchanges more readily, but the written word is powerful. "The pen is "mightier than the sword..." (Edward Bulwer-Lytton) and people will judge you based on how you use your pen.I could not possibly list all the people who have influenced me through their work, but I will try to mention a few of the ones who spring to mind in no particular order. These are my business heroes, and without their contribution through their work, I would never have been able to write this book. If you have never read their books, and are interested in business and entrepreneurship, I implore you to go out, and buy them and read them over, and over again. Gary VaynerchukPat Flynn Dan Meredith Timothy FerrissDale Carnegie Danny Rubin Hassan OsmanMegan SharmaWilliam Strunk Jr.If I could write a note of advice about emails and business communication to the 25-year old Marc, I would probably send him the following checklist. I wish someone had told me all this. 1.Forget your ego. Never write with the objective of impressing someone, even if that someone is you! Sometimes we write and then re-read what we have written a few times, then we give ourselves a mental round of applause before sending it. The problem is, our priority wasn't communication in this scenario, it was to feed our ego. Trying to impress people with long over-complicated sentences and words has the opposite effect. Always keep clear communication and context in mind in every exchange. 2.Aim to explain difficult concepts or problems in a simple easy-to-understand way. This shows intelligence, because it means you have digested the concepts and are skilful enough to explain them. When you make concepts sound more complicated than they are, it gives people the impression that you don't understand, because you probably don ́t. 3.If it's not relevant to the situation or the decision being made, don't mention it, it will clutter your communication and could cause confusion. 4.When you need to write important or sensitive emails, stick to the facts. Your emotions or opinions are not important or relevant in most cases.
Philosophy and literature enjoy a close, complex relationship. Elucidating the connections between these two fields, this book examines the ways philosophy deploys literary means to advance its practice, particularly as a way of life that extends beyond literary forms and words into physical deeds, nonlinguistic expression, and subjective moods and feelings. Exploring thinkers from Socrates and Confucius to Foucault and Simone de Beauvoir, Richard Shusterman probes the question of what roles literature could play in a vision of philosophy as something essentially lived rather than merely written. To develop this vision of philosophy that incorporates literature but seeks to go beyond the verbal to realize the embodied fullness of life and capture its inexpressible dimensions, Shusterman gives particular attention to authors who straddle the literature/philosophical divide: from Augustine and Montaigne through Wordsworth and Kierkegaard to T.S. Eliot, Georges Bataille, Maurice Blanchot, and Bertrand Russell. The book concludes with a chapter on the Chinese art of writing with its mixture of poetry, calligraphy, and painting. Philosophy and the Art of Writing should interest students and researchers in literary theory and philosophy. It also opens the practice of philosophy to people who are not professionals in the writing of philosophy or literary theory.