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Austin artist David Everett was born and raised in Texas, and his work reflects an organic and wholly original Lone Star State ethos. His stunning vision and exquisite craftsmanship evoke nature's essential grace and harmony in beautiful sculptures, bas-relief carvings, woodcuts, and drawings. Steve Davis, former president of the Texas Institute of Letters, writes of Everett, "David has never been one of those artists-as-marketers who relentlessly hype themselves. Instead, he has let the quality of his work speak for itself. And it does more than speak--it sings." Everett's creations inspire a passionate devotion among his many fans and collectors. He appears in high-profile exhibitions across Texas and the Southwest and his work is found in many public, corporate, and private collections. An introduction by prominent novelist Stephen Harrigan sets the perfect tone for an absorbing consideration of Everett's oeuvre in The Art of David Everett: Another World. Author and editor Becky Duval Reese, respected art curator, writer, and retired director of the El Paso Museum of Art, contributes an insightful essay on Everett and his place in Texas art, followed by an absorbing interview with curator, author, and teacher Richard Holland, both offering revealing and satisfying insights into the shaping and development of the artist's unique viewpoint and methods. The heart of the book is the abundant collection of breathtaking, full-color reproductions of Everett's work. Here, the reader gains a vivid view of how Everett's artistic instincts have been nurtured by life experiences and a maturing aesthetic rooted in tradition.
AskART.com presents a biographical sketch of American artist David Everett. Additional information for Everett includes a bibliography of publications about the artist, museum holdings, current exhibits, etc. Auction records, including highest prices, are available only to AskART members.
David Everett wrote the way he played the piano for the sheer joy of entertaining. His stories are unfailingly funny. Everett's memoirs tell of growing up in east Texas during WWII, the military after Korea but before Viet Nam, gays at UT in the 50s, Winedale and Johnson City in the 60s, playing the piano behind the iron curtain in Europe, and much, much more. Diagnosed with Parkinson s at 45, Everett continued to enjoy life for another 28 years, first working on campus and then retiring to Mexico. This book tells in droll detail the story of the coming of age of a gay Texan, the pleasures and traumas of the 60s, the heroic struggles of an unrepentant iconoclast, beset with a degenerative disease, who faced the world with intelligence, sensitivity, and humor. This book is a song with many verses and a single underlying theme: art as a form of salvation, writing as a pure act of love.
This is the true story of David Everett: renegade soldier, outlaw and fugitive. As SAS soldier bord with life in the Regiment during peace-time, Dave was lured to the jungles of Burma by the promise of seeing action. There, he became swept up in a war between the Burmese military junta and the oppressed Karen people. Dave learned very quickly about fighting, loyalty and bravery. Back in Australia on a mission to raise funds for the Karen, he soon became every government's nightmare: a highly skilled commando on a crime spree. He kidnapped people from their homes, robbed movie theatres and set off the biggest explosion in Australian criminal history. At the height of his infamy, Dave had every cop in the country on the lookout for him. Part larrikin, part enigma, Dave Everett has everyone divided. Is he a freedom fighter or a trained killer on the loose? A baby-faced everyday bloke or a 'lethal war-machine'? A champion of the oppressed or a ruthless criminal? Written during his time in jail, Shadow Warrior is an inside look at a world that thriller writers and Hollywood can only imagine. 'A remarkable story' The Australian
The definitive biography of Everett Ruess, the artist, writer, and eloquent celebrator of the wilderness whose bold solo explorations of the American West and mysterious disappearance in the Utah desert at age twenty have earned him a large and devoted cult following. “Easily one of [Roberts’s] best . . . thoughtful and passionate . . . a compelling portrait of the Ruess myth.”—Outside Wandering alone with burros and pack horses through California and the Southwest for five years in the early 1930s, on voyages lasting as long as ten months, Ruess became friends with photographers Edward Weston and Dorothea Lange, swapped prints with Ansel Adams, took part in a Hopi ceremony, learned to speak Navajo, and was among the first "outsiders" to venture deeply into what was then (and to some extent still is) largely a little-known wilderness. When he vanished without a trace in November 1934, Ruess left behind thousands of pages of journals, letters, and poems, as well as more than a hundred watercolor paintings and blockprint engravings. Everett Ruess is hailed as a paragon of solo exploration, while the mystery of his death remains one of the greatest riddles in the annals of American adventure. David Roberts began probing the life and death of Everett Ruess for National Geographic Adventure magazine in 1998. Finding Everett Ruess is the result of his personal journeys into the remote areas explored by Ruess, his interviews with oldtimers who encountered the young vagabond and with Ruess’s closest living relatives, and his deep immersion in Ruess’s writings and artwork. More than seventy-five years after his vanishing, Ruess stirs the kinds of passion and speculation accorded such legendary doomed American adventurers as Into the Wild’s Chris McCandless and Amelia Earhart.
What does realism about the quantum state imply? What follows when quantum theory is applied without restriction, if need be, to the whole universe? These are the questions which an illustrious team of philosophers and physicists debate in this volume. All the contributors are agreed on realism, and on the need, or the aspiration, for a theory that unites micro- and macroworlds, at least in principle. But the further claim argued by some is that if you allow the Schrödinger equation unrestricted application, supposing the quantum state to be something physically real, then this universe is one of countlessly many others, constantly branching in time, all of which are real. The result is the many worlds theory, also known as the Everett interpretation of quantum mechanics. The contrary claim sees this picture of many worlds as in no sense inherent in quantum mechanics, even when the latter is allowed unrestricted scope and even given that the quantum state itself is something physically real. For this picture of branching worlds fails to make physical sense, let alone common sense, even on its own terms. The status of these worlds, what they are made of, is never adequately explained. Ordinary ideas about time and identity over time become hopelessly compromised. The concept of probability itself is brought into question. This picture of many branching worlds is inchoate, it is a vision, an error. There are realist alternatives to many worlds, some even that preserve the Schrödinger equation unchanged. Twenty specially written essays, accompanied by commentaries and discussions, examine these claims and counterclaims in depth. They focus first on the question of ontology, the existence of worlds (Part 1 and 2), second on the interpretation of probability (Parts 3 and 4), and third on alternatives or additions to many worlds (Parts 5 and 6). The introduction offers a helpful guide to the arguments for the Everett interpretation, particularly as they have been formulated in the last two decades.
'Science has never had an advocate quite like David Deutsch ... A computational physicist on a par with his touchstones Alan Turing and Richard Feynman, and a philosopher in the line of his greatest hero, Karl Popper. His arguments are so clear that to read him is to experience the thrill of the highest level of discourse available on this planet and to understand it' Peter Forbes, Independent In our search for truth, how far have we advanced? This uniquely human quest for good explanations has driven amazing improvements in everything from scientific understanding and technology to politics, moral values and human welfare. But will progress end, either in catastrophe or completion - or will it continue infinitely? In this profound and seminal book, David Deutsch explores the furthest reaches of our current understanding, taking in the Infinity Hotel, supernovae and the nature of optimism, to instill in all of us a wonder at what we have achieved - and the fact that this is only the beginning of humanity's infinite possibility. 'This is Deutsch at his most ambitious, seeking to understand the implications of our scientific explanations of the world ... I enthusiastically recommend this rich, wide-ranging and elegantly written exposition of the unique insights of one of our most original intellectuals' Michael Berry, Times Higher Education Supplement 'Bold ... profound ... provocative and persuasive' Economist 'David Deutsch may well go down in history as one of the great scientists of our age' Scotsman
Everett Fox's translation of the biblical books from Genesis through Deuteronomy has been widely acclaimed as a scholarly, religious, and literary masterpiece. Praising its unique and authoritative approach, the "New York Times Book Review said, "It makes it possible for us to take up the Scripture as if we had never seen it before." In Give Us a King! Fox turns to the two books of Samuel, which contain some of the Bible's most famous stories and most unforgettable personalities: the barren Hannah, who will be mother to the prophet Samuel; the tragic King Saul; Bathsheba, the object of King David's illicit desire and the future mother of King Solomon; and King David himself, the romantic hero who becomes a legendary but morally compromised monarch. Accompanied by illuminating commentary and notes, Fox's masterful translation re-creates the echoes, allusions, alliterations, and wordplays of the Hebrew original, so that the reader is finally able to experience in English the full power of the ancient saga of the original once and future king.
A new high point for a master novelist, an emotionally charged reckoning with art, marriage, and the past Kevin Pace is working on a painting that he won’t allow anyone to see: not his children; not his best friend, Richard; not even his wife, Linda. The painting is a canvas of twelve feet by twenty-one feet (and three inches) that is covered entirely in shades of blue. It may be his masterpiece or it may not; he doesn’t know or, more accurately, doesn’t care. What Kevin does care about are the events of the past. Ten years ago he had an affair with a young watercolorist in Paris. Kevin relates this event with a dispassionate air, even a bit of puzzlement. It’s not clear to him why he had the affair, but he can’t let it go. In the more distant past of the late seventies, Kevin and Richard traveled to El Salvador on the verge of war to retrieve Richard’s drug-dealing brother, who had gone missing without explanation. As the events of the past intersect with the present, Kevin struggles to justify the sacrifices he’s made for his art and the secrets he’s kept from his wife. So Much Blue features Percival Everett at his best, and his deadpan humor and insightful commentary about the artistic life culminate in a brilliantly readable new novel.