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Creations on the beaches and in rivers explore the passage of time, while a white chalk path investigates the passing from day into night. "Passage" focuses exclusively on such sculpture made by artist Goldsworthy since the turn of the millennium. These evocative images are illuminated by diary entries that chart his experiences working in Scotland and abroad. 0-8109-5586-5$60.00 / Harry N. Abrams, Inc.
This spectacular book brings together work made by Andy Goldsworthy in Britain, France, the United States, Australia and Japan between 1990 and 1993. It includes works that involve not only stone of various kinds slate, limestone, sandstone, river boulders but also leaves, flowers, sand, clay and scrap steel. A riverside slab of rock in St Louis, Missouri, glows with the colours of autumn leaves, becomes part of a wall, acquires an overall covering of green leaves, and is cradled in a nest of branches. In a forest in the Lake District, a wall snakes its way through the trees. Sandstone arches progress across the floor of a Dumfriesshire quarry. A dead tree in the Australian outback is miraculously clothed in rust-red sand Stone: Andy Goldsworthy offers an unparalleled opportunity to appreciate the extraordinary breadth of the artists output and to understand more about this exceptionally talented sculptor whose work is accorded worldwide recognition.
For forty years, Andy Goldsworthy has worked with an extraordinary range of natural materials, often at their source. On an almost daily basis, he makes works of art using the materials and conditions that he encounters wherever he is, be it the land around his Scottish home, the mountain regions of France or Spain, or the pavements of New York City, Glasgow, or Rio de Janeiro. Out of earth, rocks, leaves, ice, snow, rain, sunlight and shadow he makes artworks that exist briefly before they are altered and erased by natural processes. They are documented in his photographs, and their larger meanings are bound up with the conditions, forces and processes that they embody: materiality, temporality, growth, vitality, permanence, decay, chance, labour and memory. Ephemeral Works features approximately two hundred of these works, selected by Goldsworthy from thousands he has made between 2001 and the present, and arranged in chronological sequence, capturing his creative process as it interacts with material, place, and the passage of time and seasons.
This beautifully produced, highly praised and readable retrospective survey of Andy Goldsworthy's early work covers the fourteen years between 1976 and 1990. It embraces not only photographs of his ephemeral works, but also his earliest permanent sculptures constructed of stone and earth, as well as drawings for monumental sculpture projects in the landscape. The combination of superlative illustrations and incisive texts makes it the most authoritative and comprehensive publication available on the artist's early work.
Includes an interview with the artist by Tina Fiske.
THE ART OF ANDY GOLDSWORTHY This is the most comprehensive and detailed study of British artist Andy Goldsworthy, and is the only full-length exploration of Goldsworthy and his art available anywhere. The book has been completely rewritten and brought up to date for this new edition. Andy Goldsworthy makes land or earth art out of, among other materials, stacks of rocks, or stalks tied together, or mud thrown into rivers or poppy petals wrapped around boulders. His art is a sensitive, intuitive response to nature, light, time, growth, the seasons and the earth. Fully illustrated, with a revised text. Bibliography and notes. 348pp. ISBN 9781861714106. www.crmoon.com EXTRACT FROM THE CHAPTER ON GOLDSWORTHY'S LEAFWORKS It is the leafworks that are the most colourful of Andy Goldsworthy's sculptures. What the leaf sculptures show is how beautiful the colours of nature are: Goldsworthy presents the viewer with these subtle colours by contrasting one leaf with another. Maple patch grouped the red/ orange/ yellow of Japanese maple leaves together; Poppy leaves contrasted the red poppy leaves against the mid-green of an elderberry bush; a Stone Wood sculpture of 1992 consisted of poppy leaves wrapped around a hazel branch, the red constrasting vividly with the wet green leaves. Two sycamore leafworks of 1980 and 1981 are very simple: a leaf black from cows is placed against pale Autumn leaves; another leaf, bleached white, is set down on a bed of dark leaves. He pins together two colours of sycamore leaves (sycamore is a favourite Goldsworthy medium) in Sycamore leaf sections (1988), and hangs the line of leaves from a tree. Shot with the sun behind them, the photograph of the leaves shows them glowing green and gold, the two classic colours of poetry and alchemy. The Fall colours of course connote nostalgia, decadence, sensuality, Romanticism, time passing, the decay of the year, and so on. REVIEW ON AMAZON A happily received gift. It's worth the price for one who wants a scholarly while earthy (sorry, couldn't help it) approach to the work. There's a quirkiness about the writing style that is engaging and honest. I'm glad I have the book and will reread it as I purchase other books on Goldsworthy where the work is shown via great photography. REVIEW ON AMAZON This is a chatty informational book. It has stories of many artists that have been associated with Andy Goldsworthy in his long career as a contemporary nature sculptor. If you are looking for a personal history this is a book for you. REVIEW ON AMAZON I'm no expert on visual art, nor would I claim to be, but I found this to be a useful book, and the only one I've been able to find about the work of Andy Goldsworthy. The author has taken the time to round up a large amount of varied source material which makes this book well worth seeking out.
Documents the British photographer's latest artwork -- a 2,278 - foot stone wall at Storm King Arts Center, New York. Stunning color photographs show the wall from every vantage point & in all four seasons, as well as documenting ephemeral work made around it.
The only book to document artist Andy Goldsworthy's most astonishing & largest ephemeral work to date -- thirteen huge snowballs, each weighing about a ton -- removed from the wilderness & placed on the streets of London in a unique symbolic confrontation.
Kosky focuses on a handful of artists - Walter De Maria, Diller + Scofidio, James Turrell, and Andy Goldsworthy - to show how they introduce spaces hospitable to mystery and wonder, redemption and revelation, and transcendence and creation.
Beginning in southwest Scotland, Goldsworthy traces the ancient routes along which sheep were once driven over the border to markets in England, building, dismantling and rebuilding along the way a red sandstone arch.