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The historical and cultural role of the Aramaeans in ancient Syria can hardly be overestimated. Thus The Aramaeans in Ancient Syria gives precise and up-to-date information on different aspects of Aramaean culture. To that end, history, society, economy and law, language and script, literature, religion, art and architecture of the Aramaean kingdoms of Syria from their beginnings in the 11 century B.C. until their end at approximately 720 B.C. are covered within the handbook. The wide survey of Aramaean culture in Syria is supplemented by overviews on the Aramaeans in Assyria, Babylonia, Phoenicia, Palestine, Egypt, North Arabia and on the Aramaean heritage in the Levant.
An historical survey of the development of sculpture, architecture, painting, and ornament in the cultures of ancient Syria, Iran, Babylon, and Sumeria
Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions of death and resurrection. Rather, he portrays the motifs of the church’s wall paintings as those of empowerment, healing, marriage, and incarnation, while boldly reidentifying the figure of a woman formerly believed to be a repentant sinner as the Virgin Mary. This richly illustrated volume is a breakthrough work that enhances our understanding of early Christianity at the nexus of Bible, art, and ritual.
Syria has long been one of the most trouble-prone and politically volatile regions of the Near and Middle Eastern world. This book looks back beyond the troubles of the present to tell the 3000-year story of what happened many centuries before. Trevor Bryce reveals the peoples, cities, and kingdoms that arose, flourished, declined, and disappeared in the lands that now constitute Syria, from the time of it's earliest written records in the third millennium BC until the reign of the Roman emperor Diocletian at the turn of the 3-4th century AD. Across the centuries, from the Bronze Age to the Rome Era, we encounter a vast array of characters and civilizations, enlivening, enriching, and besmirching the annals of Syrian history: Hittite and Assyrian Great Kings; Egyptian pharaohs; Amorite robber-barons; the biblically notorious Nebuchadnezzar; Persia's Cyrus the Great and Macedon's Alexander the Great; the rulers of the Seleucid empire; and an assortment of Rome's most distinguished and most infamous emperors. All swept across the plains of Syria at some point in her long history. All contributed, in one way or another, to Syria's special, distinctive character, as they imposed themselves upon it, fought one another within it, or pillaged their way through it. But this is not just a history of invasion and oppression. Syria had great rulers of her own, native-born Syrian luminaries, sometimes appearing as local champions who sought to liberate their lands from foreign despots, sometimes as cunning, self-seeking manipulators of squabbles between their overlords. They culminate with Zenobia, Queen of Palmyra, whose life provides a fitting grand finale to the first three millennia of Syria's recorded history. The conclusion looks forward to the Muslim conquest in the 7th century AD: in many ways the opening chapter in the equally complex and often troubled history of modern Syria.
In modern Syria, a contested territory at the intersection of differing regimes of political representation, artists ventured to develop strikingly new kinds of painting to link their images to life forces and agitated energies. Examining the works of artists Kahlil Gibran, Adham Ismail, and Fateh al-Moudarres, Beautiful Agitation explores how painters in Syria activated the mutability of form to rethink relationships of figure to ground, outward appearance to inner presence, and self to world. Drawing on archival materials in Syria and beyond, Anneka Lenssen reveals new trajectories of painterly practice in a twentieth century defined by shifting media technologies, moving populations, and the imposition of violently enforced nation-state borders. The result is a study of Arab modernism that foregrounds rather than occludes efforts to agitate against imposed identities and intersubjective relations.
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This volume of collected essays brings together for the first time the range of Winter’s pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoenician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield ‘history’ in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear upon elements of formal analysis and archaeological context. "These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection." J.C. Exum
Between 2006 and 2009, the talented young American photographer Daniel Demeter traveled broadly throughout Syria, amassing nearly 30,000 photographs of the country. Lens on Syria presents the very best of that collection. It offers a remarkable glimpse into the lives and landscapes of pre-war Syria, serving as an evocative reminder of the country's long history, rich heritage, and diverse culture, so much of which has been threatened or destroyed completely since 2009. By sharing more than 400 of his stunning images - of Syria's warm and kindhearted people, vibrant markets, exciting landscapes, archaeological sites, historic monuments, and religious architecture - Demeter gives readers a powerful experience of the beauty of a Syria that has seen, tragically, far too much destruction. Lens on Syria 's high-resolution images are printed on high quality paper stock with detailed captions. Its seven chapters traverse all of Syria's major cities and historic sites along with many of the country's more remote and hidden treasures.
This book sheds new light on funerary customs in Roman Syria, offering a novel way of understanding its provincial culture.