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Rare design portfolio by high priest of Art Nouveau. Jewelry, wallpaper, stained glass, furniture; figure studies; plant and animal motifs, much more. All 72 stunning plates from Documents Décoratifs in original color.
This critical survey of the Art Nouveau movement reveals the diversity of this style across the breadth of the European continent. With the inclusion of Eastern Europe and the full range of artistic media, the book shows how this movement changed the face of European art and design from Paris to Prague. Clearly structured by country, it traces the emergence of Art Nouveau, highlighting the particular interpretations of the style in each country. Countries covered include: Belgium; Spain; Britain; Austria; Hungary; and Russia. Each chapter contains sections on political and cultural contexts, specific visual characteristics and key artists and designers. It analyzes the contribution of both well-known artists and designers such as Gaudi; Van de Velde; Mackintosh; and Mucha, and brings to light many others whose contributions have been largely inaccessible. With a bibliography and glossary, this text should provide a useful introduction to this subject.
The result of years of research, this epic volume shows the global reach of the Art Nouveau idiom Modernismo, Jugendstil or Art Nouveau--the different names given to Art Nouveau in different geographical contexts highlight the territorial scope and diversity of the style, but also its common features: it was new, modern, young and groundbreaking. Whether in Austria, Spain, Denmark or Russia, Art Nouveau defined itself as something that opposed tradition and broke with the past. Rejecting a classicizing academic grammar, and reaching deep into the fantastical for inspiration (from the imagined history of the medieval to the Orientalist exotic), artists and architects such as Victor Horta, Hector Guimard, Viollet-le-Duc, William Morris, Otto Wagner, Samuel Bing and the Goncourt brothers created a new style with a holistic vision, embracing architecture, painting, graphic art, interior design, textiles, ceramics and metalwork. Imaginative form was matched by innovative building techniques. The architects of Art Nouveau were some of the first to experiment with building with iron, glass, pottery and prefabricated concrete; their buildings offer instructive models of industrial development and collaborative design. Beautifully illustrated and exhaustively researched, The World Atlas of Art Nouveau Architecture brings together a selection of key Art Nouveau buildings in a truly global survey that includes, for the first time, examples of the style outside of Europe. Exemplars of the form were chosen through a rigorous selection process involving a panel of expert advisors with specialist input from each world region. A general introduction to the style grounds the selection, and short essays explain how Art Nouveau differed in different cities and countries. The World Atlas of Art Nouveau Architecture honors one of the world's first truly global modern art movements.
Since the collapse of the Iron Curtain in 1989, Prague has become one of Europe's--and the world's--most popular tourist destinations. As in London, Paris, and Rome, visitors flock to the gorgeous buildings and monuments that grace the streets of Prague, entranced by structures ranging from Gothic and baroque to cubist and neoclassical. And while hundreds of thousands stroll over Charles Bridge and gaze up at St. Vitus Cathedral each year, far fewer venture away from the crowds to seek out the countless gems of art nouveau peppered throughout Prague. With Art Nouveau Prague, Petr Wittlich--one of Europe's leading experts on nineteenth- and twentieth-century architecture--tours those monuments and buildings of Prague that are most representative of the art nouveau movement while offering insightful commentary on each. Along the way, Wittlich visits such sites as the Municipal House, the Wilson Railway Station, the Grand Hotel Europa, and works by sculptors Frantisek Bílek, Ladislav Saloun, and Stanislav Sucharda. An introductory essay by Wittlich emphasizing the role of art nouveau within contemporary currents of modern European art accompanies more than one hundred color illustrations of some of the most stunning examples of art nouveau architecture and decoration in existence, and a detailed bibliography provides additional reading for each of the sites displayed in the book. Art Nouveau Prague is a must-have for those traveling to Prague for the first time or for anyone who appreciates or wants to learn more about art nouveau style.
This critical survey of the Art Nouveau movement reveals the diversity of this style across the breadth of the European continent. With the inclusion of Eastern Europe and the full range of artistic media, the book shows how this movement changed the face of European art and design from Paris to Prague. Clearly structured by country, it traces the emergence of Art Nouveau, highlighting the particular interpretations of the style in each country. Countries covered include: Belgium; Spain; Britain; Austria; Hungary; and Russia. Each chapter contains sections on political and cultural contexts, specific visual characteristics and key artists and designers. It analyzes the contribution of both well-known artists and designers such as Gaudi; Van de Velde; Mackintosh; and Mucha, and brings to light many others whose contributions have been largely inaccessible. With a bibliography and glossary, this text should provide a useful introduction to this subject.
DIVAbsorbing, exceptionally detailed study examines early trends, posters, and book illustrations, stylistic influences in architecture; furniture, jewelry, and other applied arts; plus perceptive discussions of artists associated with the movement. /div
Plate 47 -- Plate 48 -- Plate 49 -- Plate 50 -- Plate 51 -- Plate 52 -- Plate 53 -- Plate 54 -- Plate 55 -- Plate 56 -- Plate 57 -- Plate 58
Art Nouveau presents a new overview of the international Art Nouveau movement. Art Nouveau represented the search for a new style for a new age, a sense that the conditions of modernity called for fundamentally new means of expression. Art Nouveau emerged in a world transformed by industrialisation, urbanisation and increasingly rapid means of transnational exchange, bringing about new ways of living, working and creating. This book is structured around key themes for understanding the contexts behind Art Nouveau, including new materials and technologies, colonialism and imperialism, the rise of the 'modern woman', the rise of the professional designer and the role of the patron-collector. It also explores the new ideas that inspired Art Nouveau: nature and the natural sciences, world arts and world religions, psychology and new visions for the modern self. Ashby explores the movement through 41 case studies of artists and designers, buildings, interiors, paintings, graphic arts, glass, ceramics and jewellery, drawn from a wide range of countries.
Full-color and black-and-white works by virtually every key artist of the Art Nouveau movement, including Mucha, Seguy, Beardsley, and Verneuil. Includes material from rare books, portfolios, and major periodicals, plus bibliographies and artist biographies.