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If only she'd been born a boy, Tamsyn would never have been sent away to Uncle Gideon's the armourer's house when her grandmother died. She could have stayed by the wild sea that she loved with her Uncle Martin, the ship merchant. But instead, she is bound for busy, bustling Tudor London, and the armourer's house, far from the coast and far from her beloved ships. Homesick and lonely in the loud family of cousins, it isn't until she meets the strange old Wise Woman that Tamsyn is finally promised her "heart's desire".
As soon as the armed man realized that iron and steel were the best defences for his body, he would naturally insist that some sort of a guarantee should be given him of the efficacy of the goods supplied by his armourer. This system of proving armour would be effected by using those weapons commonly in use, and these, in the early times, were the sword, the axe, the lance, the bow, and the crossbow. The latter seems to have been the more common forms of proof, though as late as the seventeenth century we have evidence that armour was proved with the "estramaon" or sword blow. -from "The Proof of Armour" Not a history of defensive armor but rather a guide to the actual making of armor, as well as the regulations that governed the artisans who made it, this is a fascinating-and practical-handbook on the production, selling, and wearing metal traditional medieval body armor. First published in 1912, this classic book-by British historian and author CHARLES JOHN FFOULKES (1868-1947), curator of London's Royal Armouries-draws on records of the time to detail the tools and appliances of the trade, the decoration and cleaning of armor, the use of leather and fabrics, and much more to offer a complete reference for readers of period fiction and history, wargamers, costumers, and anyone fascinated by the craft of the armorer. This replica of the 1912 edition is complete with all of the original diagrams, illustrations, and photos.
Rosemary Sutcliff’s Carnegie Medal-winning Roman Britain Trilogy continues more than a century after the events of The Eagle of the Ninth (The Eagle) in The Silver Branch as two cousins join the Roman side in the fight against a tyrannical British emperor. Violence and unrest are sweeping through Roman Britain. Justin and Flavius find themselves caught up in the middle of it all when they discover a plot to overthrow the Emperor. In fear for their lives, they gather together a tattered band of men and lead them into the thick of battle, to defend the honor of Rome. But will they be in time to save the Emperor...
DigiCat Publishing presents to you this special edition of "The Armourer's Prentices" by Charlotte M. Yonge. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
"The author presents a versatile selection of more than thirty intriguing examples of conversion, in the United States, England, and France. In more than two hundred color photographs, the structures are show as they are today, inside and out, and each is accompanied by notes relating its history and the steps which led to its change"--Cover.
Designed in 1942, Britain's innovative Projector, Infantry, Anti-Tank (PIAT) provided British and Commonwealth troops with a much-needed means of taking on Germany's formidable Panzers. Replacing the inadequate Boys anti-tank rifle, it was conceived in the top-secret World War II research and development organization known colloquially as 'Churchill's Toyshop', alongside other ingenious weapons such as the sticky bomb, the limpet mine and the time-pencil fuse. Unlike the more famous US bazooka, the PIAT had its roots in something simpler than rocket science. Operated from the shoulder, the PIAT was a spigot mortar which fired a heavy high-explosive bomb, with its main spring soaking up the recoil. The PIAT had a limited effective range. Troops required nerves of steel to get close enough to an enemy tank to ensure a direct hit, often approaching to within 50ft of the target, and no fewer than six Victoria Crosses were won during World War II by soldiers operating PIATs. A front-line weapon in every theatre of the conflict in which Commonwealth troops fought, from Europe to the Far East, the PIAT remained in service after 1945, seeing action during the Greek Civil War, the Arab–Israeli conflict and the Korean War. This illustrated study combines detailed research with expert analysis to reveal the full story of the design, development and deployment of this revolutionary weapon.