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The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
This in-depth treatise presents conclusive evidence for an extremely close relationship between ancient Egyptian religious beliefs and the Book of Revelation. Practically all characters, scenes and series of scenes found in Revelation have parallels in mainstream Egyptian sources, including the Book of the Dead, the Amduat, Book of Gates, Book of Aker, Books of the Heavens and others. Parallel characters include Egypt's Apophis as Revelation's Satan while situations and activities in scenes include the judgment scene and singers by a lake of fire. Parallel sequences of scenes include those found in the 2nd to 12th Divisions of the Book of Gates and most of Revelation's Chapters 15-21. Allusions to the Book of Dead are common. Finally, a key conclusion: the entire structure of the Book of Revelation can be accounted for in the organization of text and paintings on the walls and ceilings of the tomb of Ramesses VI in Egypt's Valley of the Kings. Fully referenced to enable critical review. See revorigin.com
The Armenian Apocalyptic Tradition: A Comparative Perspective comprises a collection of essays on apocalyptic literature in the Armenian tradition. This collection is unprecedented in its subject and scope and employs a comparative approach that situates the Armenian apocalyptic tradition within a broader context. The topics in this volume include the role of apocalyptic literature and apocalypticism in the conversion of the Armenians to Christianity, apocalyptic ideology and holy war, the significance of the Book of Daniel in Armenian thought, the reception of the Apocalypse of Ps.-Methodius in Armenian, the role of apocalyptic literature in political ideologies, and the expression of apocalypticism in the visual arts.
Now available in English Josef Schmid's landmark publication, Studien zur Geschichte des Griechischen Apokalypse-Textes, has been the standard work for understanding Revelation's Greek manuscript tradition and textual history for more than sixty years. Despite the fact that most major studies on the book are based on Schmid's work, the work itself has long been out of print, making it difficult for the broader scholarly community to reassess Schmid's conclusions in light of recent manuscript discoveries and technological advances. This new translation of the work makes Schmid's detailed review of the history of textual scholarship; his comprehensive examination of the origin, history, and development of the Greek manuscripts of the book of Revelation; and his assessment of John's peculiar linguistic writing style accessible to a new generation of scholars. Features A critical introduction that places Schmid's work in its historical and theoretical context Definitions and explanations of Schmid's text-critical terms and categories used in his construction of Revelation's Greek manuscript tradition The latest available information used to correct, update, and supplement Schmid's Greek manuscript data and historical and text-critical conclusions
Revision of the author's thesis (Ph.D.)--Princeton Theological Seminary, 1998.
Analyzes the forms of music, performing groups, and performance practice found within the Book of Revelation. Each of these aspects is traced historically through the early pagan, Jewish, Greek, Roman, and early church periods.
The Text of the New Testament in Contemporary Research provides up-to-date discussions of every major aspect of New Testament textual criticism. Written by internationally acknowledged experts, the twenty-four essays evaluate all significant advances in the field since the 1950s.