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An authoritative compendium on the main masterpieces of Frank Gehry, including 480 illustrations and photographs, produced in collaboration with Cahiers d’Art. Experimenting with a range of materials from cheap mass-produced items to space-age titanium, and using 3D computer modeling as an architectural tool, Frank Gehry’s buildings are remarkable and surprising, united by the sense of movement they convey. His projects flow, curve, bend, and crumple in novel and unexpected ways, subverting traditional building norms. From his own home in Santa Monica to the undu­lating Beekman Tower in New York, from the shining curves of the Guggenheim Museum in Bilbao to the Fondation Louis Vuitton in Paris, and his most recent construction, Luma Arles, Gehry has left his indelible mark on the history of architectural design. Forty of the renowned architect’s most remarkable works are presented by architect and critic Jean-Louis Cohen, alongside views of the interiors and exteriors of each building. This tour includes many of Gehry’s works throughout the United States and abroad, such as the Walt Disney Concert Hall, the one-of-a-kind “Binoc­ulars Building” in Los Angeles, and the beloved “Dancing House” in Prague.
Here, from Pulitzer Prize–winning critic Paul Goldberger, is the first full-fledged critical biography of Frank Gehry, undoubtedly the most famous architect of our time. Goldberger follows Gehry from his humble origins—the son of working-class Jewish immigrants in Toronto—to the heights of his extraordinary career. He explores Gehry’s relationship to Los Angeles, a city that welcomed outsider artists and profoundly shaped him in his formative years. He surveys the full range of his work, from the Bilbao Guggenheim to the Walt Disney Concert Hall in L.A. to the architect’s own home in Santa Monica, which galvanized his neighbors and astonished the world. He analyzes his carefully crafted persona, in which an amiable surface masks a driving ambition. And he discusses his use of technology, not just to change the way a building looks, but to revolutionize the very practice of the field. Comprehensive and incisive, Building Art is a sweeping view of a singular artist—and an essential story of architecture’s modern era.
The most comprehensive monograph of the world-famous architect Frank Gehry (b.1929) Revised and expanded to include his most recent projects including the New York residential tower (2011) Detailed presentation of approximately 250 buildings and projects from North America and Europe Features all Gehry's best-known projects including the Bilbao Guggenheim Museum (1997), the Walt Disney Concert Hall in Los Angeles (2003) and the Experience Music Project in Seattle (2000) Includes essays by renowned critics Francesco Dal Co and Kurt W Forster
"As a child, Frank Gehry liked to dream and play, eventually becoming an architect who created astounding buildings that attract millions of visitors worldwide"--
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
Published on occasion of the exhibition at Princeton Univeristy Art Museum, Oct. 2008-Jan. 2009.
Edited by J. Fiona Ragheb. Essays by Beatriz Colomina, William Mitchell, Jean-Louis Cohen and Mildred Friedman.
Everyone knows what modern architecture looks like, but few understand how this revolutionary new form of building emerged little more than a century ago or what its aesthetic, social, even spiritual aspirations were. Through illuminating studies of the leading men and women who forever changed our built environment, veteran architecture critic Martin Filler offers fresh insights into this unprecedented cultural transformation. From Louis Sullivan, father of the skyscraper, to Frank Gehry, magician of post-millennial museum, Filler emphasizes how their force of personality has had a decisive effect on everything from how we inhabit our homes to how we shape our cities. Why was the sudden shift in architectural fashion that wrecked the career of the Scottish designer Charles Rennie Mackintosh not enough to destroy the indomitable spirit of Frank Lloyd Wright, who rose from adversity to become America’s greatest architect? Why was Philip Johnson, “dean of American architecture” during the 1980s, so haunted by the superior talent of this less-fortunate contemporary Louis Kahn that he could barely utter his name even at the peak of his own success? How did Ludwig Mies van der Rohe’s dictum “Less is more” give way to Robert Venturi’s “Less is a bore”? Surveying such current urban design sagas as the reconstruction of Ground Zero and the reunification of Berlin, Filler also trains his sharp eye on some of the biggest names in architecture today, puncturing more than one overinflated reputation while identifying the true masters who are now building for the ages.
His celebrated Guggenheim Museum in Bilbao has ensured Frank Gehry a place in the pantheon of 20th-century masters. In this volume, Gehry himself offers illuminating commentaries on various aspects of the processes involved indeveloping his revolutionary designs, including his influences, clients, use of materials and new technologies.