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An enormous number of churches and other religious structures have been built in Louisiana over the past 250 years, many of which still stand. Today, in New Orleans alone, there are more than 850 churches representing more than seventy denominations. The state's religious buildings encompass not only a wide range of faiths but also a striking diversity of architectural forms. In Religious Architecture in Louisiana, author Robert W. Heck and photographer Otis B. Wheeler provide the first photographic survey of this rich architectural heritage. Their goal has been not to document every religious building in the state (a nearly impossible task) but to isolate prime examples of the historically and architecturally significant. Robert W. Heck presents a brief history of Louisiana's religious architecture. He describes the dominating influence of Catholicism during the eighteenth century, during which time the original Church of St. Louis was built on the site of the present Cathedral of St. Louis, King of France, in New Orleans. He then discusses the burgeoning construction that accompanied the expansion of religious freedom following the Louisiana Purchase in 1803 as Protestants and Jews erected their own places of worship. The author also considers the various architectural influences that have marked Louisiana's religious buildings, from the Colonial style of the eighteenth century, to the Classical Revival and Gothic Revival styles that predominated during the middle part of the nineteenth century, to the Eclectic style that gained currency after the Civil War and persisted until about 1930. The great part of the book is devoted to 162 religious buildings located throughout the state. In addition to presenting photographs of the structures, each place of worship is identified by name, address, date of construction (when known), and architectural style. For each building the author also provides comments on design, construction materials, and structural and decorative details. To enhance the usefulness of the book, a glossary of architectural terms and an appendix that lists those religious buildings in the state included in the National Register of Historic Places is included as well as another appendix that lists known early religious structures that are no longer standing. Religious Architecture in Louisiana will prove a valuable resource for architects, religious congregations, historic preservationists, and religious and architectural historians.
Building the Devil’s Empire is the first comprehensive history of New Orleans’s early years, tracing the town’s development from its origins in 1718 to its revolt against Spanish rule in 1768. Shannon Lee Dawdy’s picaresque account of New Orleans’s wild youth features a cast of strong-willed captives, thin-skinned nobles, sharp-tongued women, and carousing travelers. But she also widens her lens to reveal the port city’s global significance, examining its role in the French Empire and the Caribbean, and she concludes that by exemplifying a kind of rogue colonialism—where governments, outlaws, and capitalism become entwined—New Orleans should prompt us to reconsider our notions of how colonialism works. "[A] penetrating study of the colony's founding."—Nation “A brilliant and spirited reinterpretation of the emergence of French New Orleans. Dawdy leads us deep into the daily life of the city, and along the many paths that connected it to France, the North American interior, and the Greater Caribbean. A major contribution to our understanding of the history of the Americas and of the French Atlantic, the work is also a model of interdisciplinary research and analysis, skillfully bringing together archival research, archaeology, and literary analysis.”—Laurent Dubois, Duke University
This is a comprehensive pictorial album of the fine colonial homes and plantation residences of Louisiana that were built in the flush financial times before the Civil War. This authoritative book is the result of three decades of photographing and dedicated research by Professor Overdyke and his wife.
Spanning from the West African coast to the Canadian prairies and south to Louisiana, the Caribbean, and Guiana, France's Atlantic empire was one of the largest political entities in the Western Hemisphere. Yet despite France's status as a nation at the forefront of architecture and the structures and designs from this period that still remain, its colonial building program has never been considered on a hemispheric scale. Drawing from hundreds of plans, drawings, photographic field surveys, and extensive archival sources, Architecture and Urbanism in the French Atlantic Empire focuses on the French state's and the Catholic Church's ideals and motivations for their urban and architectural projects in the Americas. In vibrant detail, Gauvin Alexander Bailey recreates a world that has been largely destroyed by wars, natural disasters, and fires – from Cap-François (now Cap-Haïtien), which once boasted palaces in the styles of Louis XV and formal gardens patterned after Versailles, to failed utopian cities like Kourou in Guiana. Vividly illustrated with examples of grand buildings, churches, and gardens, as well as simple houses and cottages, this volume also brings to life the architects who built these structures, not only French military engineers and white civilian builders, but also the free people of colour and slaves who contributed so much to the tropical colonies. Taking readers on a historical tour through the striking landmarks of the French colonial landscape, Architecture and Urbanism in the French Atlantic Empire presents a sweeping panorama of an entire hemisphere of architecture and its legacy.
Introduction to architectural styles that have shaped Louisiana's landscapes.
This book will seek to close the gaps on the role of France in exporting Eurocentric spatial and environmental design principles and practice. It does so by analyzing the major spatial and physical development projects that French colonial authorities implemented in France’s colonial empire and elsewhere from the 15th to the 20th century. French urban planning ideology, principles and practice were not exported exclusively to territories under French colonial suzerainty. Accordingly, the book focuses on major physical and spatial planning schemes inspired by French planning thought in territories without a history of French colonialism.
Throughout Louisiana's colonial and postcolonial periods, there evolved a highly specialized vocabulary for describing the region's buildings, people, and cultural landscapes. This creolized language -- a unique combination of localisms and words borrowed from French, Spanish, English, Indian, and Caribbean sources -- developed to suit the multiethnic needs of settlers, planters, explorers, builders, surveyors, and government officials. Today, this historic vernacular is often opaque to historians, architects, attorneys, geographers, scholars, and the general public who need to understand its meanings. With A Creole Lexicon, Jay Edwards and Nicolas Kariouk provide a highly organized resource for its recovery. Here are definitions for thousands of previously lost or misapplied terms, including watercraft and land vehicles, furniture, housetypes unique to Louisiana, people, and social categories. Drawn directly from travelers' accounts, historic maps, and legal documents, the volume's copious entries document what would actually have been heard and seen by the peoples of the Louisiana territory. Newly produced diagrams and drawings as well as reproductions of original eighteenth- and nineteenth-century documents and Historic American Buildings Surveys enhance understanding. Sixteen subject indexes list equivalent English words for easy access to appropriate Creole translations. A Creole Lexicon is an invaluable resource for exploring and preserving Louisiana's cultural heritage.
A handbook for discovering the architectural gems in the Vieux Carré of New Orleans
"Meticulously researched, highly readable, profusely illustrated, and broadly focused . . . unquestionably the most significant work ever written about the Arkansas Post." --Carl Brasseaux