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Westminster came into existence in the later Anglo-Saxon period, and by the mid-11th century, when Edward the Confessor’s great new abbey was built, it was a major royal centre two miles south-west of the City of London. Within a century or so, it had become the principal seat of government in England, and this series of twenty-eight papers covers new research on the topography, buildings, art-history, architecture and archaeology of Westminster’s two great establishments — Abbey and Palace. Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor’s enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III’s vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott’s impact as the Abbey’s greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret’s Church, and the remarkable buildings of Westminster School, created within the remains of the monastery in the 17th and 18th centuries. Part II part deals with the Palace of Westminster and its wider topography between the late 11th century and the devastating fire of 1834 that largely destroyed the medieval palace. William Rufus’s enormous hall and its famous roofs are completely reassessed, and comparisons discussed between this structure and the great hall at Caen. Other essays reconsider Henry III’s palace, St Stephen’s chapel, the king’s great chamber (the ‘Painted Chamber’) and the enigmatic Jewel Tower. The final papers examine the meeting places of Parliament and the living accommodation of the MPs who attended it, the topography of the Palace between the Reformation and the fire of 1834, and the building of the New Palace which is better known today as the Houses of Parliament.
The saga of the epic battle to re-build the Houses of Parliament after the great fire of 1834, this is also the story of how the greatest construction programme in Britain for centuries produced one of the most famous and instantly recognizable buildings ever built
Edward J. Gillin explores the extraordinary role of scientific knowledge in the building of the Houses of Parliament in Victorian Britain.
Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor's enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III's vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott's impact as the Abbey's greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret's Church, and the remarkable buildings of Westminster school, created within the remains of the monastery in the 17th and 18th centuries.
Terry Farrell's plans for the full integration of London's Royal parks and palaces into the fabric of London in a positive and creative way.
For the first time in over twenty years, the exquisite and unique building of the Houses of Parliament, also known as the Palace of Westminster, is the subject of an authoritative and fully illustrated publication, offering new insight into Britain's most famous and celebrated symbol of state. Spanning the medieval period to the present day, The Houses of Parliament: History, Art, Architecture is a fresh, innovative study of this unique and complex Victorian building, placing it within a broad historical, political, and cultural context. The absorbing narrative is complemented by newly commissioned photography and rarely seen archival material, revealing the richly ornamented interiors, the art and the architecture, and how they relate to the political institutions within this monumental edifice, the site of British authority since the eleventh century. -- First book published on the building for over 20 years. -- Fresh perspectives on the history, architecture, art and design of one of the most famous and recognizable buildings in the world. -- Sumptuously illustrated with newly commissioned photography and unseen archival material and artwork from the medieval period to the present day. -- The scene of many of the most famous and significant events in British history and politics. Continues to be at the centre of the British political world today. -- One of the most visited monuments in Europe, drawing millions of tourists from Britain and around the world each year.
Kensington Palace is renowned for its architecture, splendid interiors, internationally important collections, and, of course, its royal residents. This lavish book thoroughly explores Kensington's physical beauty and its history, presenting new material drawn from archives, newspapers, personal letters, images, and careful analysis of the building itself. Originally a fashionable Jacobean villa, Kensington was dramatically rebuilt in 1689 by Christopher Wren for the newly crowned monarchs, William III and Mary II. The palace became the favored London home of five sovereigns, surviving fires, partial collapse, bombings, and periods of neglect. Queen Victoria recognized its national significance and set about restyling the massive structure with some of England's greatest architects and artists. With over 450 illustrations, including specially commissioned reconstructions and historic plans, this volume explores the personal tastes and fashions of the British monarchy over the course of 300 years and provides insight into the 20th- and 21st-century royal family's domestic life.