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Rudolf Steiner’s watercolour painting ‘The Archetypal Human-Animal’ presents us with the enigmatic image of a strange creature apparently swimming in water. It has a human profile, showing a clearly outlined nose and slightly-opened mouth, with a mysterious eye, almost concealed in its greenish hair. It has appendages similar to hands and feet, and dark-blue plant-like forms float about in the water beneath the creature’s bright red and yellow body. Only the title provides us with a clue to its meaning: it is an ‘archetypal human-animal’ form. But even this is enigmatic. What is this strange, unusual creature – this archetypal human-animal? We are presented with a perplexing image and a puzzling description. In this original work, illustrated throughout with full-colour paintings and images – many by the author herself – Angela Lord takes us on a journey of discovery to realizing the meaning of Rudolf Steiner’s painting. From Goethe’s theory of metamorphosis in nature, we are introduced to Steiner’s ideas of human evolution, from the primal beginnings of the archetypal human-animal on ‘Ancient Moon’. Lord recounts myths and legends from many cultures that tell of human-animal forms, and reflects on the meaning of the fish in Christianity. She takes us through a series of ‘colour sequences’ for repainting Steiner’s human-animal motif, and includes appendices that summarize evolutionary phases of the earth and humanity from a spiritual-scientific perspective. The Archetypal Human-Animal is both a valuable workbook for painters and a fascinating insight into hidden aspects of human evolution.
This volume presents Barbara Hannah's Jung Institute lectures of 1954-58. In these profound talks, she speaks of the archetypal symbolism of seven animals--cat, dog, horse, serpent, lion, bull, and cow--discussing their roles in the psychological and cultural life of the West.
Also available in an open-access, full-text edition at http: //oaktrust.library.tamu.edu/handle/1969.1/85764 "What we wish to know, and most desire, remains unknowable and lies beyond our grasp." With these words, James Hollis leads readers to consider the nature of our human need for meaning in life and for connection to a world less limiting than our own. In The Archetypal Imagination, Hollis offers a lyrical Jungian appreciation of the archetypal imagination. He argues that without the human mind's ability to form energy-filled images that link us to worlds beyond our rational and emotional capacities, we would have neither culture nor spirituality. Drawing upon the work of poets and philosophers, Hollis shows the importance of depth experience, meaning, and connection to an "other" world. Just as humans have instincts for biological survival and social interaction, we have instincts for spiritual connection as well. Just as our physical and social needs seek satisfaction, so the spiritual instincts of the human animal are expressed in images we form to evoke an emotional or spiritual response, as in our dreams, myths, and religious traditions. The author draws upon the work of the poet Rainer Maria Rilke's Duino Elegies to elucidate the archetypal imagination in literary forms. To underscore the importance of incarnating depth experience, he also examines a series of paintings by Nancy Witt. With the power of the archetypal imagination available to all of us, we are invited to summon courage to take on the world anew, to relinquish outmoded identities and defenses, and to risk a radical re-imagining of the larger possibilities of the world and of the self.
This book provides reflection on the increasingly blurry boundaries that characterize the human-animal relationship. In the Anthropocene humans and animals have come closer together and this asks for rethinking old divisions. Firstly, new scientific insights and technological advances lead to a blurring of the boundaries between animals and humans. Secondly, our increasing influence on nature leads to a rethinking of the old distinction between individual animal ethics and collectivist environmental ethics. Thirdly, ongoing urbanization and destruction of animal habitats leads to a blurring between the categories of wild and domesticated animals. Finally, globalization and global climate change have led to the fragmentation of natural habitats, blurring the old distinction between in situ and ex situ conservation. In this book, researchers at the cutting edge of their fields systematically examine the broad field of human-animal relations, dealing with wild, liminal, and domestic animals, with conservation, and zoos, and with technologies such as biomimicry. This book is timely in that it explores the new directions in which our thinking about the human-animal relationship are developing. While the target audience primarily consists of animal studies scholars, coming from a wide range of disciplines including philosophy, sociology, psychology, ethology, literature, and film studies, many of the topics that are discussed have relevance beyond a purely theoretical one; as such the book also aims to inspire for example biologists, conservationists, and zoo keepers to reflect on their relationship with animals.
What is the legal status of abortion and the human fetus? In an extended analysis of mainstream arguments involving abortion and the status of 'personhood' that is often applied to the fetus, this book provides novel answers to some of the core 'pro-life' arguments in favour of recognizing fetal personhood and moral rights.
In this thoughtful and revelatory book, Wood explores enduring and powerful theories on art, creativity, and what Jung called the "creative spirit" in order to illuminate how artists can truly understand what it means to be a creator. By bringing together insights on creativity from some of depth psychology’s most iconic thinkers, such as C.G. Jung, James Hillman, and Joseph Campbell, as well as featuring a selection of creators who have been influenced by these ideas, such as Martha Graham, Mary Oliver, Stanley Kunitz, and Ursula K. Le Guin, this book explores archetypal thought and the role of the artist in society. This unique approach emphasizes the foundational need to understand and work with the unconscious forces that underpin a creative calling, deepening our understanding of the transformational power of creativity, and the vital role of the artist in the modern world. Acting as a touchstone for inquiries into the nature of creativity, and of the soul, this enlightening book is perfect for artists and creators of all types, as well as Jungian analysts and therapists, and academics interested in the arts, humanities, and depth psychology.
This volume is a collection of fourteen essays by leading philosophers on issues concerning the nature, existence, and our knowledge of animal minds. The nature of animal minds has been a topic of interest to philosophers since the origins of philosophy, and recent years have seen significant philosophical engagement with the subject. However, there is no volume that represents the current state of play in this important and growing field. The purpose of this volume is to highlight the state of the debate. The issues which are covered include whether and to what degree animals think in a language or in iconic structures, possess concepts, are conscious, self-aware, metacognize, attribute states of mind to others, and have emotions, as well as issues pertaining to our knowledge of and the scientific standards for attributing mental states to animals.
This volume includes the major Eranos lecture "The Animal Kingdom in the Human Dream," and Hillman's contributions to the out-of-print "bestiary" Dream Animals (with Margot McLean), as well as the essays "Going Bugs"; "Nature in the Doghouse"; "The Elephant in the Garden of Eden"; "Imagination is Bull"; and shorter interviews and penetrating conversations on the animal theme.
In Mimesis and the Human Animal, Robert Storey argues that human culture derives from human biology and that literary representation therefore must have a biological basis. As he ponders the question "What does it mean to say that art imitates life?" he must consider both "What is life?" and "What is art?" A unique approach to the subject of mimesis, Storey's book goes beyond the politicizing of literature grounded in literary theory to develop a scientific basis for the creation of literature and art.