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Dive into this FREE epic Norse mythology series starter in the Eschaton Cycle historical fantasy universe. Driven to become king. Fated to be a god. In the cold winters of an ice age, Odin was born to be a warrior jarl. But Fate has staked a claim upon him. When his brother falls under a ghostly curse, a goddess offers Odin a chance to save him. If Odin can make himself king—and promise an unspecified favour—she will make him and his family immortal. With his blood brother Loki by his side, Odin begins a quest to become king of all the Aesir. But his journey exposes him to forces more powerful than even the goddess: the Norns who foretell Fate. They warn of a terrible burden he will bear, and of the coming end times, Ragnarok. Tormented by his prophetic dreams, Odin must soon choose between those he loves and a fragile chance to avert Ragnarok. The Apples of Idunn is the first novel in the Gods of the Ragnarok Era series. It begins an epic melding of Norse myths, horror, and dark fantasy set in an ice age. For fans of Rob J. Hayes, Ryan Cahill, and Zamil Akhtar, this is a dark mythological retelling filled with gods and monsters from the Viking Age and beyond.
From the authors of the Goddess Girls series comes the third book in a series steeped in Norse mythology, magic, adventure, and friendship. Twelve-year-old Idun is the goddess of youth, and her magical and deliciously sweet golden apples are what keep all of the academy’s gods and goddesses healthy and youthful. They grow year-round—even in winter snow—in one very special grove in Asgard. But when the mischievous Loki ends up making a bet that jeopardizes Idun—and her powerful apples—she must figure out a way to protect herself and her magical orchards from a giant who wants those apples all to himself! Can Idun save the apples—and the gods and goddesses who rely on them—from the two bad seeds at Asgard Academy?
For as long as we have sought god, we have found the goddess. Ruling over the imaginations of humankind’s earliest agricultural civilizations, she played a critical spiritual role as a keeper of nature’s fertile powers and an assurance of the next sustaining harvest. In The Goddess, David Leeming and Christopher Fee take us all the way back into prehistory, tracing the goddess across vast spans of time to tell the epic story of the transformation of belief and what it says about who we are. Leeming and Fee use the goddess to gaze into the lives and souls of the people who worshipped her. They chart the development of traditional Western gender roles through an understanding of the transformation of concepts of the Goddess from her earliest roots in India and Iran to her more familiar faces in Ireland and Iceland. They examine the subordination of the goddess to the god as human civilizations became mobile and began to look upon masculine deities for assurances of survival in movement and battle. And they show how, despite this history, the goddess has remained alive in our spiritual imaginations, in figures such as the Christian Virgin Mother and, in contemporary times, the new-age resurrection of figures such as Gaia. The Goddess explores this central aspect of ancient spiritual thought as a window into human history and the deepest roots of our beliefs.
The winding road of fate unfolds ... In the last days of the Silver Age, the tyrant god Zeus takes whatever and whomever he wants with impunity. He has already torn Pandora from one home and now he threatens to destroy another. When he turns his wrath upon Atlantis, Pandora flees with the Titan Prometheus. Despite her bitterness, Pandora finds a friendship she never imagined possible. But Zeus is not done with Prometheus, and what Pandora will face next will make all she has endured pale in comparison. But Pandora has considerable gifts of her own, not least her cunning mind. When Zeus binds Prometheus, Pandora swears to turn all those gifts toward bringing Zeus down and saving her one true companion.
An epic introduction to Norse mythology for students of all ages. Based on the research of the 19th century Swedish poet and scholar, Viktor Rydberg, Our Fathers' Godsaga retells the mythology of Northern Europe in chronological order from Creation to Ragnarök. These are tales told by Vikings, epic tales of gods and giants, elves and dwarves, and of how their interaction and wars affect the first generations of human beings in the North. Based on a comprehensive examination of the source material, including the Icelandic Eddas and Sagas, this is likely the way Germanic mythology looked at the end of the heathen era. Many will recognize themes found here in J.R.R. Tolkien's Silmarillion, particularly the tale of the elf-smith Völund and his quest for revenge against the Aesir, first detailed by Rydberg in his comprehensive Investigations into Germanic Mythology, 1886. This is an original translation of Viktor Rydberg's Fädernas Gudasaga, his own retelling of the complete Norse mythic epic, first published in 1887, and many times since. The text includes a complete catalog of mythic names & the original artwork, from the 1911 German translation, by renowned children's artist John Bauer (1882-1918). This classic Swedish text appears in English now for the first time.
A collection of rarely retold tales from the "Elder Edda" and the "Younger Edda", two six-hundred-year-old Norse Manuscripts.
From the authors of the Goddess Girls series comes the second book in a brand-new series steeped in Norse mythology, magic, adventure, and friendship. Twelve-year-old Sif is goddess of the harvest, with her abilities woven into her long, blonde hair. She also has special prophetic powers—she is a seer—but is reluctant to share them after a mishap years ago caused a big rift in a friendship that meant a lot to her. And Sif is determined to not let that happen again! But when the mischievous Loki cuts her hair in a horrible prank gone wrong, Sif orders Loki to fix it. Without her hair, the crops in the land of Midgard—which supplies the wheat for food in Asgard Academy as well—are in danger of dying off. With Sif and Freya, Loki goes to ask for help from the dwarfs, specifically, the sons of Ivaldi who are all skilled blacksmiths and strikes a bargain with them. They hammer and spin gold into fine golden strands along with a spear and a ship that will grow to full size once in water. On his way back through the cave, Loki gets an idea for how to get more treasures by playing one set of dwarfs off against another. Envious of the work of the sons of Ivaldi, the dwarfs Brokk and Eitri say they can do better. Loki replies that he doesn’t think they can and that, furthermore, he’ll stake his head on it. Is that a bet that Loki will regret? And will Sif be able to restore her magical powers to prevent the drought in Midgard?