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This comprehensive 1997 account of eighteenth-century literary criticism is now available in paperback.
John Aubrey (1626-1697), antiquary, natural philosopher, and virtuoso, is best-remembered today for his Brief Lives, biographies of his contemporaries filled with luminous detail which have been mined for anecdotes by generations of scholars. However, Aubrey was much more than merely the hand behind an invaluable source of biographical material; he was also the author of thousands of pages of manuscript notebooks covering everything from the origins of Stonehenge to the evolution of folklore. Kelsey Jackson Williams explores these manuscripts in full for the first time and in doing so illuminates the intricacies of Aubrey's investigations into Britain's past. The Antiquary is both a major new study of an important early modern writer and a significant intervention in the developing historiography of antiquarianism. It discusses the key aspects of Aubrey's work in a series of linked chapters on archaeology, architecture, biography, folklore, and philology, concluding with a revisionist interpretation of Aubrey's antiquarian writings. While covering a wide variety of scholarly territory, it remains rooted in the common thread of Aubrey's own intellectual development and the continual interaction between his texts as he studied, discovered, revised, and rewrote them across four decades. Its conclusions not only substantially reshape our understanding of Aubrey and his works, but also provide new understandings of the methodologies, ambitions, and achievements of antiquarianism across early modern Europe.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Since its launch in 1987, the History of Cartography series has garnered critical acclaim and sparked a new generation of interdisciplinary scholarship. Cartography in the European Enlightenment, the highly anticipated fourth volume, offers a comprehensive overview of the cartographic practices of Europeans, Russians, and the Ottomans, both at home and in overseas territories, from 1650 to 1800. The social and intellectual changes that swept Enlightenment Europe also transformed many of its mapmaking practices. A new emphasis on geometric principles gave rise to improved tools for measuring and mapping the world, even as large-scale cartographic projects became possible under the aegis of powerful states. Yet older mapping practices persisted: Enlightenment cartography encompassed a wide variety of processes for making, circulating, and using maps of different types. The volume’s more than four hundred encyclopedic articles explore the era’s mapping, covering topics both detailed—such as geodetic surveying, thematic mapping, and map collecting—and broad, such as women and cartography, cartography and the economy, and the art and design of maps. Copious bibliographical references and nearly one thousand full-color illustrations complement the detailed entries.
Biography yields to no other species of composition, in interest and instruction. More especially is this true, when the subjects of which it treats are the struggles and vicissitudes of a life devoted to the pursuits of literature. There is a pleasure of the purest kind in observing the gradual development of thought and refinement of expression in one, who, smitten with a love of the good and the beautiful, and desirous to leave something behind him less perishable than his tombstone, has "scorned delights and loved laborious days." No one can read these Memoirs of Sir Walter Scott, so long and so anxiously expected, without feeling this pleasure, and without deriving from them that instruction which might not be received from the perusal of less interesting works. In our judgment, not the least important lesson which these memoirs teach, is the advantage, or rather the necessity, which there is of having some profession less precarious than that of literature, upon which the child of genius can fall back for comfort or support in the hour when adversity clouds the lights which hope hung up in the uncertain future. This is volume 4 out of 7 of one of the best and most extensive Scott biographies ever and it covers the years 1816 through 1820.