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If to love is a crime , then we are all guilty. But love is like a funny business and to marry without love is very dangerous. We need to pray before entering into any relationship. Ask God to direct you because for every woman, there is a man and for every man, there is a woman. May the spirit move you to discover and posses what is yours. Enjoy the reading and discover the treasure of this love story.
Ginny: I can’t believe I’m being so bad. Most women wouldn’t go near a truck stop glory hole, but I’m not most women. After all, I’m a female trucker who breaks barriers in a male-dominated industry. Even more, I like to enjoy myself on the road … anonymously, while on my knees. Jeremiah: As an aspiring politician, there are things I need to keep secret, and one of those is my penchant for truck stop rest areas. It’s not just the greasy cheeseburgers and Big Gulps that attract me. It’s the illicit fun that takes place in certain unmarked areas, and in spite of my political ambitions … I can’t resist the bodacious curvy girl who makes me feel good. This is a follow-up to Claiming His Cheerleader. In this story, Ginny and Jeremiah meet at a truck stop rest area, but somehow, their anonymous fun blossoms and flowers to become something much, much more. But will their spicy shenanigans destroy Jeremiah’s burgeoning political career? Read and find out! No cheating, no cliffhangers and always a HEA for my readers.
Now adapted as a fiction podcast series from FictionZ and Apple, starring Mina Sindwall (Lost in Space)! Bestselling author Laurie Faria Stolarz’s thrilling novel Jane Anonymous is a revelatory confessional of a seventeen-year-old girl’s fight to escape a kidnapper—and her struggles to connect with loved ones and a life that no longer exists. Seven months. That’s how long I was kept captive. Locked in a room with a bed, refrigerator, and adjoining bathroom, I was instructed to eat, bathe, and behave. I received meals, laundered clothes, and toiletries through a cat door, never knowing if it was day or night. The last time I saw the face of my abductor was when he dragged me fighting from the trunk of his car. My only solace was Mason—one of the other kidnapped teens—and our pact to one day escape together. But when that day finally came, I had to leave him behind. Now that I’m home, my parents and friends want everything to be like it was before I left. But they don’t understand that dining out and shopping trips can’t heal what’s broken inside me. I barely leave my bedroom. Therapists are clueless and condescending. So I start my own form of therapy—but writing about my experience awakens uncomfortable memories, ones that should’ve stayed buried. When I ask the detectives assigned to my case about Mason, I get an answer I don’t believe—that there were no traces of any other kidnapped kids. But I distinctly remember the screams, holding hands with Mason through a hole in my wall, and sharing a chocolate bar. I don’t believe he wasn’t really there and I’m determined to find him. How far will I have to go to uncover the truth of what happened—and will it break me forever?
Written when the author was in his early and mid-twenties, Until the Sun Breaks Down is a contemporary American Kunstlerroman modeled on Dante's Divine Comedy. In three parts and one hundred chapters that mirror Dante's classic poem, Nicolello takes the reader through present-day American towns and cities: infernal, purgatorial, and paradisal aspects with nothing left off the table. In the third and final volume, structurally modeled on Dante's Paradiso, the national themes of interior and exterior decline reach a head before anything like peace is found for anyone. For that matter, the text takes on an Augustinian turn: the City of Man vs. the City of God, with William Fellows coming to the end of the line of temporal pleasures and escapes, and even disillusionment with San Francisco, or the furthest end of western civilization. It is here that the character Octavia begins to take on the role of Beatrice, guiding William to safe passage--but not before hallucinatory episodes in both the city and the town, or San Francisco and Jerusalem.
Izydora Dąmbska (1904-1982) was a Polish philosopher; a student of Kazimierz Twardowski, and his last assistant. Her output consists of almost 300 publications. The main domains of her research were semiotics, epistemology and broadly understood methodology as well as axiology and history of philosophy. Dąmbska’s approach to philosophical problems reflected tendencies that were characteristic of the Lvov-Warsaw School. She applied high methodological standards but has never limited the domain of analyzed problems in advance. The present volume includes twenty-eight translations of her representative papers. As one of her pupils rightly wrote: “Dąmbska’s works may help everyone [...] to think clearly. Her attitude of an unshaken philosopher may help anyone to hold oneself straight, and, if necessary, to get up after a fall”.