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Tracing the development of a black community in the trans-Mississippi West, Blacks in Topeka, Kansas, 1865--1915 is a thorough, insightful examination of an area of black history that has received, at best, scant attention. Thomas C. Cox probes in this study the political, social, and economic standing of blacks and the growth of black institutions in the Topeka area from early settlement during the territorial period through the rise of an urban Topeka in the late nineteenth and early twentieth centuries.Pivotal In the development of the black community was the Great Exodus of the 1870s -- the massive migration of southern blacks that brought the community new leaders, businessmen, and skilled laborers, and provided the impetus for establishment of institutions and elaborate social structures. Assessing the impact of the Exodus on social stratification and on the destruction of power, Cox closely examines the establishment of political and social clubs, the founding of churches, the rise of the black press -- including the influential Colored Citizen and Plaindealer -- and the emergence of such community leaders a John Wright, William Eagle son, and James Guy.The racial discrimination that permeated Topeka and intensified in the wake of the Great Exodus soon brought about organized protest by the black community to advance the causes of reform and social progress. As this movement grew in strength, it became a powerful bond that overcame divisions within black Topeka, and gave rise to a cohesive community grounded in strong local institutions through which blacks could challenge city, state, and national attitudes and events. In the case of Topeka, which in many ways was exceptional, discrimination helped to create a significant degree of self-determination.With relevance to American social history in general, Thomas Cox's Blacks in Topeka, Kansas, 1865--1915 fully utilizes the methods and materials of social history -- including census analysis and group biography -- to conclusively demonstrate the significance of Topeka in the history of race relations and the growth of black political and nonpolitical institutions.
"This is an extraordinary and ground-breaking book, a wonderfully creative mix of fact and theory, imagination and drama…The startling origin of the complex 'intention exception' to the hearsay evidence rule becomes canvas on which a grand and marvelously detailed tale is told. This is modern narrative at its best: a marriage of spectacular writing and hard, documented truth presented by a brilliant author who doubles as a gifted and fastidious legal scholar and historian." —Andrew Popper, American University One winter night in 1879, at a lonely Kansas campsite near Crooked Creek, a man was shot to death. The dead man’s traveling companion identified him as John Hillmon, a cowboy from Lawrence who had been attempting to carve out a life on the blustery prairie. The case might have been soon forgotten and the apparent widow, Sallie Hillmon, left to mourn—except for the $25,000 life insurance policies Hillmon had taken out shortly before his departure. The insurance companies refused to pay on the policies, claiming that the dead man was not John Hillmon, and Sallie was forced to take them to court in a case that would reach the Supreme Court twice. The companies’ case rested on a crucial piece of evidence: a faded love letter written by a disappeared cigarmaker, declaring his intent to travel westward with a “man named Hillmon.” In A Death at Crooked Creek, Marianne Wesson re-examines the long-neglected evidence in the case of the Kansas cowboy and his wife, recreating the court scenes that led to a significant Supreme Court ruling on the admissibility of hearsay evidence. Wesson employs modern forensic methods to examine the body of the dead man, attempting to determine his true identity and finally put this fascinating mystery to rest. This engaging and vividly imagined work combines the drama, intrigue, and emotion of excellent storytelling with cutting-edge forensic investigation techniques and legal theory. Wesson’s superbly imagined A Death at Crooked Creek will have general readers, history buffs, and legal scholars alike wondering whether history, and the Justices, may have misunderstood altogether the events at that bleak winter campsite. Marianne Wesson is Professor of Law and President’s Teaching Scholar, University of Colorado Law School. She is the author of best-selling and prize-winning legal novels including Render up the Body, A Suggestion of Death, and Chilling Effect. She lives in a Colorado mountain valley with her husband, llamas, dogs, and visiting wildlife.