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In this mesmerizing examination of Delacroix’s crowning masterwork, Jacob Wrestling with the Angel, and of Saint-Sulpice, the grand church that houses it, Jean-Paul Kauffmann reveals the city of Paris in an entirely new way. With the same insight and understanding he brought to his National Book Critics Circle Award–nominated The Black Room at Longwood, in The Angel of the Left Bank Jean-Paul Kauffmann confronts humanity’s struggle with God. His muse is Jacob Wrestling with the Angel, Eugène Delacroix’s “spiritual testimony” and certainly one of his masterpieces, a painting that portrays one of the most enigmatic episodes in Genesis. Throughout his careful, impassioned examination of the work, which Delacroix labored over for eight years and finished in 1861, Kauffmann touches on architecture and art history, philosophy and religion, and the luminous city of Paris itself. Like a detective, he looks for lingering clues in the places Delacroix frequented and the objects he touched some 150 years ago, seeking to connect with the artist’s philosophical and artistic process—and, in turn, to discover what truths we might ultimately glean from it. His journey makes for enthralling reading.
“One of the most vital and original novelists of her generation.” —Larissa MacFarquhar, The New Yorker From the bestselling author of Americanah and We Should All Be Feminists Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home—a home that is silent and suffocating. As the country begins to fall apart under a military coup, Kambili and Jaja are sent to their aunt, a university professor outside the city, where they discover a life beyond the confines of their father’s authority. Books cram the shelves, curry and nutmeg permeate the air, and their cousins’ laughter rings throughout the house. When they return home, tensions within the family escalate, and Kambili must find the strength to keep her loved ones together. Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom.
A gay poet is haunted by war and the AIDs crisis in this “sprawling fever dream of a novel” by the Dos Passos Prize-winning author of An Unnecessary Woman (NPR.org). Set over the course of one night in the waiting room of a psych clinic, The Angel of History follows Yemeni-born poet Jacob as he revisits the events of his life. His memories take him from his maternal upbringing in an Egyptian whorehouse to his adolescence under the aegis of his wealthy father and his life as a gay Arab man in San Francisco at the height of AIDS. Haunted by an alluring, sassy Satan, who taunts Jacob to remember his painful past, and by dour, frigid Death, who urges him to forget and give up on life, Jacob is also attended to by fourteen saints. With Jacob recalling his life in Cairo, Beirut, Sana’a, Stockholm, and San Francisco, Alameddine gives us a charged philosophical portrayal of a brilliant mind in crisis. This is a profound story that “marks the triumph of memory over oblivion” (Bookforum).
From undocumented men named Angel, to angels falling from the sky, Natalie Scenters-Zapico’s gripping debut collection, The Verging Cities, is filled with explorations of immigration and marriage, narco-violence and femicide, and angels in the domestic sphere. Deeply rooted along the US-México border in the sister cities of El Paso, Texas, and Cd. Juárez, Chihuahua, these poems give a brave new voice to the ways in which international politics affect the individual. Composed in a variety of forms, from sonnet and epithalamium to endnotes and field notes, each poem distills violent stories of narcos, undocumented immigrants, border patrol agents, and the people who fall in love with each other and their traumas. The border in Scenters-Zapico’s The Verging Cities exists in a visceral place where the real is (sur)real. In these poems mouths speak suspended from ceilings, numbered metal poles mark the border and lovers’ spines, and cities scream to each other at night through fences that “ooze only silt.” This bold new vision of border life between what has been named the safest city in the United States and the murder capital of the world is in deep conversation with other border poets—Benjamin Alire Saenz, Gloria Anzaldúa, Alberto Ríos, and Luis Alberto Urrea—while establishing itself as a new and haunting interpretation of the border as a verge, the beginning of one thing and the end of another in constant cycle.
The complete series of filmmaker Alejandro Jodorowsky’s spiritual comics, translated into English for the first time • Contains all 284 of Jodo’s Panic Fables comics, published weekly from 1967 to 1973 in Mexico City’s El Heraldo newspaper • Includes an introduction describing how the Panic Fables came to be • Explains how he incorporated Zen teachings, initiatory wisdom, and sacred symbology into his Panic Fables, as well as himself as one of the characters In 1967, in response to theatrical censorship rules that put him on the political “black list” in Mexico City and caused his plays and his pantomime classes at the School of Fine Arts to be cancelled, Alejandro Jodorowsky decided to pursue a new form of artistic expression to earn his living: comics. Working with his friend Luis Spota, the editor of the cultural section of the newspaper El Heraldo de México, Jodo initially planned 3 months’ worth of weekly comics, which he would draw himself. However, his “Panic Fables”--named after his early ‘60s avant-garde theater movement in Paris--were met with such insatiable popularity that he continued the series for six and a half years, from June 1967 until December 1973. Appearing for the first time in English, this book presents all 284 of Jodorowsky’s Panic Fables in full color, along with an introduction by the author. He reveals how his first comics reflected his pessimism about the future and the meaning of life, the negativity of which soon exhausted him. He realized he needed to show the positivity that he encountered in life, and thus, little by little, he began incorporating Zen teachings, initiatory wisdom, and sacred symbology into his Panic Fables. Through this transformation and the outpouring of support from his devoted readers, many of whom cite the Panic Fables as providing pivotal guidance during their adolescence, Jodo discovered that art can serve to heal as well as raise consciousness. Writing himself into his comics, Jodo can be glimpsed as the character of the disciple who talks with his master and, as the series progresses, gradually grows to assume the role of master, providing psychomagic solutions to the problems of everyday life. In reading the complete Panic Fables in chronological order, much like his film The Dance of Reality, we witness in colorful detail Jodorowsky’s own path of spiritual growth.
In Worldview Wars, Ifiok J. Ukobo exposes the hidden, but very aggressive, war of worldviews being waged against righteousness in our personal lives and community. This battle has now arrived in every home, community, and country. We are under attack, and the battle front spans our schools, media, national policies, and pulpits. Families are breaking down, children are becoming rebellious; communities no longer have shared values, and a cultural flux is emerging. In Worldview Wars, the author presents practical ways to win the battle in your life, family, and community. This book will renew your mind and help you to stay free and bring freedom to others that have been taken captive. You will also discover practical strategies that will help you to teach your children a biblical worldview and arm them against deception.
Fifteen-year-old Bessie MacIntyre and her best pal, Ash, find themselves in Heaven, with no memory of how or when or why they ended up there. And when Jason-Bessie's trusted companion since childhood, and later her boyfriend-appears out of the blue, she feels slivers of fear run up and down her spine. Is there a dark side to Jason she wasn't aware of? Is he the reason they're here? Desperate for answers, Bessie is willing to break the most sacred laws in all of Heaven on her quest. She has to know. Was it Jason? Or was something . . . or someone far more sinister involved? With the gentle guidance of Angel Mel, Bessie gradually unravels the truth....