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The society of traditional India is frequently characterized as static and dominated by caste. This study challenges older interpretations, arguing that medieval India was actually a time of dynamic change and fluid social identities. Using records of religious endowments from Andhra Pradesh, author Cynthia Talbot reconstructs a regional society of the precolonial past as it existed in practice.
Revisiting India’s Past is Commemoration Volume presented to Prof. Vijay Kumar Thakur, He was a renowned Historian in India, on his Eighty two birth anniversary (15th July 1941). These articles are in other way serve as garland of flowers to decor Prof. Vijay Kumar Thakur. A great scholar in History, Buddhism, Epigraphy and Culture. There are more than 30 articles shedding light on Indian Historical studies. This prestigious volume contains a wide spectrum of research articles covering History, feudalism, science and technology, Epigraphy and Numismatics, Buddhism, Historiography, Tourism, Modern History and Trade, Economic history, Folklore, literature and culture. This volume containing a good collection of research papers contributed by renowned authors will serve as an important source of information and reference book for research students and teachers as well. Incidentally, this volume also highlights the love and affection of Prof. Vijay Kumar Thakur enjoys in the intellectual world.
India is rich in its oral tradition. Its antiquity defies historical inquiry. Indian folklore offers diversity in the forms of expression while retaining the unity of theme, i.e. Dharma., The forms may be changing periodically to suit the times. The purpose of these popular art forms has been the same in a way as the classical arts. They provide education through entertainment. Andhra Desa, comprising roughly the present state of Andhra Pradesh, is very significant in its folk tradition in variety of forms. Numerous producing and service castes so far maintained their own sub castes of bards to retain their collective memory of the community and family histories besides propagating the Puranic knowledge and stories from great epics. The dependent sub-castes who have been so far preserving these arts and ancient knowledge are speedily disappearing due to lack of patronage and changing life-style. In this context, this book, the result of a painstaking research involving lot of field work may serve as a tribute to those unselfish barefoot narrators and preservers of history of bygone ages.
The Kakatiya kings had ruled the Telugu speaking regions from Warangal as their capital during the period from 1000AD to 1323 AD. During the rule of Ganapathi Deva (1199-1262 AD), Rudrama Devi (1262-1289) and Prathapa Rudra (1289-1323AD), theKakatiya Kingdom emerged as a powerful state and there was all-round development. The rulers and their subordinates had constructed several large irrigational tanks and promoted agriculture. The tanks are still existing in and around Warangal region and providing water to the people for drinking and also for agriculture. There was a brisk internal and foreign trade which led to economic development in the kingdom. The writings of the foreign travellers like Marco Polo (Venice, Italy) are testimony to the prosperity and glory of the Kakatiya Kingdom. The Kakatiya Rulers had patronised scholars and artists and promoted literature and fine arts like music, dance, sculpture art and architecture. Vidyanada, the court poet of PratapaRudra had written Prataparudrayeshobushanam in Sanskrit language. VinukondaVallbamatya had written Kreedabhiramamin Telugu, Palkuriki Somanadha had written Panditaradya Charitra, Kolanuganapathi Deva had written Shivayoga Saramu, Kakatiya Rudra Deva had written Neetisaramu, Baddena’s Neetisara Mukthavali , Jayapa Senani’s Nritya Ratnavali in Sanskrit are very popular writings. The Kakatiya Rulers had constructed several temples and forts etc. The Warangal fort is very famous for its strength, art and architecture during the medieval times. The Temples of Palampeta, Jakaram, Ramanujapuram, Pillalamarri, Nagulapadu, Kusumanchi and several other places are known for their beautiful art, architecture and sculpture. The Ramappa Temple, Thousand Pillar Temple, Swayambhu Temple, Ganapeswara Temple of Kusumanchi, Ghanapur group of Temples of Mulugu region are well known. The sculpture art and architecture of these temples reflect the life and culture, art, crafts, costumes, sports, music and dance forms of their times and are inspiring the present generation. There are several aspects of Bio-Diversity reflected on the temple walls. There are several figures of lions, elephants, wild boars, cow and calf, swans, lotus flowers, creepers, snakes, birds, human figures both male and female etc, on the walls and pillars of the temple complex. They reflect the Bio- Diversity of those times and also the relation of man with the nature. This book is based on my research work under the Ph.D programme. I have undertaken field work and visited all the temples built by the Kakatiyas in the Telangana region. As part of the study, I consulted several Archaeologists, Historians, Writers, who worked on the Kakatiya Temples and Culture. I have also interacted with the local people, who have been living in the surroundings of the temples. I have also collected necessary data from various libraries like Kakatiya University Library, Central Library in Warangal and also Osmania University Library, Abzal Gunz Library, City Library, Srikrishna Devaraya Andhra Bhasha Nilayam, Hyderabad. I would like to acknowledge my debt to my parents Smt. Prameela and Sri Sambaiah (late), who have brought me up to this stage with utmost care and love. I wish to express my gratitude to my Teacher and Research Supervisor Prof. Kokkonda Vijaya Babu, who guided and supported me in bringing out this book. I also thank Smt. Chandra Kala Vijaya Babu and their children, Srimukhi,Karthik and Sai Maduri, Raj Kumar for their encouragement during the course of my research. I am grateful to the Faculty Members of the Department of History, Kakatiya University, Prof. S. Srinath, Prof. T. Manohar, Dr. P. Sadanandam, Dr. T. Dayakar Rao and Dr. M. Brahmaiah for their support and encouragement. I would like to express my appreciation to my wife Palnati Mamatha, who has supported me during the research work. On this occasion, I would like to convey my blessings to my daughter, Adhvaitha who also supported me. I am thankful to my aunt and uncle Smt. Radha Rajashekar for their encouragement. I also thank my relatives, Dr. Naveen and Sushmita, Akkapelli Srinivas and Rama, Dr. G. Jaya Prakash Narayana and Kavitha, for their encouragement. I am thankful to my well-wishers and friends, who helped me in the field work and visited the temples along with me during the collection of data. They are Akula Sambaiah, Akula Ramakrishna, M. Purnender, Dr. K. Veeranna, Dr. V. Nagaraju, Dr. K. Kumaraswamy, Dr. Abhinesh, Mr. Alladi Yadagiri, Anilkumar Ettaboina and Naredla Narayana. I also thank Dr. G. Tirupati, Dr. A. Hari Babu, Dr. B. Sumalatha, B. Jyoti. Dr. Suryakiran for their support.
This book provides a detailed history of Hindu goddess traditions with a special focus on the local goddesses of Andhra Pradesh, past and present. The antiquity and the evolution of these goddess traditions are illustrated and documented with the help of archaeological reports, literary sources, inscriptions and art. Tracing the symbols and images of goddess into the brahmanical (Saiva and Vaisnava), Buddhist, and Jaina religious traditions, the book argues effectively how and with what motivations goddesses and their symbolizations were appropriated and transformed. The book also examines the evolution of popular Hindu goddesses such as Durga and Kali, discussing their tribal and agricultural backgrounds. It also deals extensively with how and in what circumstances women are deified and shows how these deified women cults share characteristics with the village goddesses.