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Sheds new light on the importance of the diaries of Xu Xiake (1587-1641), a compulsive traveller who spent a lifetime visiting and writing about China's 'beauty spots'.
The series Religion and Society (RS) contributes to the exploration of religions as social systems– both in Western and non-Western societies; in particular, it examines religions in their differentiation from, and intersection with, other cultural systems, such as art, economy, law and politics. Due attention is given to paradigmatic case or comparative studies that exhibit a clear theoretical orientation with the empirical and historical data of religion and such aspects of religion as ritual, the religious imagination, constructions of tradition, iconography, or media. In addition, the formation of religious communities, their construction of identity, and their relation to society and the wider public are key issues of this series.
In this, the first full-length study in English of China's best-known travel writer, new light is shed on the importance of the diaries of Xu Xiake (1587-1687) a compulsive traveller who spent a lifetime visiting and writing about China's 'beauty spots'. The general view of his work, that he brought a sober, analytical approach to a genre previously the domain of the dillentante and that his writing was 'utilitarian' and lacking in literary merit is cast aside, revealing Xu to be a figure of his age, his concerns perfectly in tune with the exuberant tastes of other late Ming literati. Essential background is provided with a survey of the history of Chinese travel writing in general with particular emphasis given to the late-Ming period and a resume of Xu Xiake's life. The core of the work examines the wealth of new information to be found in a longer version of Xu's account of his great journey to southwest China, rediscovered in the 1970s. Detailed study of Xu's use of language serves to underline the breadth of achievement of a man who utilised traditional and contemporary Chinese poetic language in order to express an emotional response to the landscape through which he passed. This is reinforced by a complete annotated translation of a deeply personal essay, written towards the end of Xu's life. The book covers a broad spectrum of voguish sinological subjects relating to late Ming China ranging from the huge growth in all forms of geographical writing to the anthropological analysis of the non-Han peoples of southwest China. This book will interest both seasoned sinologists and anyone who has spent time travelling in China or is interested in the art of travel writing.
This exhilarating book interweaves the stories of two early twentieth-century botanists to explore the collaborative relationships each formed with Yunnan villagers in gathering botanical specimens from the borderlands between China, Tibet, and Burma. Erik Mueggler introduces Scottish botanist George Forrest, who employed Naxi adventurers in his fieldwork from 1906 until his death in 1932. We also meet American Joseph Francis Charles Rock, who, in 1924, undertook a dangerous expedition to Gansu and Tibet with the sons and nephews of Forrest’s workers. Mueggler describes how the Naxi workers and their Western employers rendered the earth into specimens, notes, maps, diaries, letters, books, photographs, and ritual manuscripts. Drawing on an ancient metaphor of the earth as a book, Mueggler provides a sustained meditation on what can be copied, translated, and revised and what can be folded back into the earth.
This edited volume investigates translations from the languages of China into the languages of Western societies, from the 17th to the 20th centuries. Rather than focusing solely on the activity of translation, the authors extend their explorations to cover the contexts within which the translators worked from different perspectives, touching on various aspects of the institutional and intellectual backgrounds that informed their writings. Studies of translation from literary Chinese into English constitute the majority of the contributions, but the volume is also illuminated by excursions into Latin, French and Italian, while the problems of translating the Naxi script are confronted as well. In addition, the wider context of the rendering of Chinese into other languages is explored through a survey of recent Japanese translation series. Throughout the volume, translation is presented not simply as a linguistic exercise but rather as a key element in world history, well worthy of further interdisciplinary investigation.
In East-West Exchange and Late Modernism, Zhaoming Qian examines the nature and extent of Asian influence on some of the literary masterpieces of Western late modernism. Focusing on the poets William Carlos Williams, Marianne Moore, and Ezra Pound, Qian relates captivating stories about their interactions with Chinese artists and scholars and shows how these cross-cultural encounters helped ignite a return to their early experimental modes. Qian’s sinuous readings of the three modernists’ last books of verse—Williams’s Pictures from Brueghel (1962), Moore’s Tell Me, Tell Me (1966), and Pound’s Drafts and Fragments of Cantos CX-CXVII (1969)—expand our understanding of late modernism by bringing into focus its heightened attention to meaning in space, its obsession with imaginative sensibility, and its increased respect for harmony between humanity and nature.
Revival of religious practices of all sorts in China, after decades of systematic government suppression, is a topic of considerable interest to scholars in disciplines ranging from religious studies to anthropology to political science. This book examines contemporary religious practices among the Premi people of the Sichuan-Yunnan-Tibet area, a group of about 60,000 who speak a language belonging to the Qiang branch of Tibeto-Burman. Koen Wellens's ethnographic research in two Premi communities on opposite sides of the border, and his analysis of available historical documents, find multiple advocates and rationales for the revival of both formal Tibetan Buddhism and the indigenous Premi practices centered on ritual specialists called anji. Wellens argues that the variety in the shape the revitalization process takes--as it affects Premi on the Sichuan side of the border and their counterparts on the Yunnan side--can only be understood in a local cultural context. This full-length study of the Premi, the first in a language other than Chinese, makes a valuable contribution to our ethnographic knowledge of Southwest China, as well as to our understanding of contemporary Chinese religious and cultural politics.
The study of contemporary China constitutes a fascinating yet challenging area of scholarly inquiry. Recent decades have brought dramatic changes to China′s economy, society and governance. Analyzing such changes in the context of multiple disciplinary perspectives offers opportunites as well as challenges for scholars in the field known as contemporary China Studies. The SAGE Handbook of Contemporary China is a two-volume exploration of the transformations of contemporary China, firmly grounded in the both disciplinary and China-specific contexts. Drawing on a range of scholarly approaches found in the social sciences and history, an international team of contributors engage with the question of what a rapidly changing China means for the broader field of contemporary China studies, and identify areas of promising future research. Part 1: Context: History, Economy, and the Environment Part 2: Economic Transformations Part 3: Politics and Government Part 4: China on the Global Stage Part 5: China′s Foreign Policy Part 6: National and Nested Identities Part 7: Urbanization and Spatial Development Part 8: Poverty and Inequality Part 9: Social Change Part 10: Future Directions for Contemporary China Studies