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Dear Reader, When we asked the beloved award-winning comedian and actor Robert Klein to write a book, you can imagine our utter surprise when he told us that he wanted to write about sixth-century Chinese pottery. Thankfully, he hit a creative brick wall (since he doesn't really know anything about pottery from China or anywhere else). Then came similar failures to write books about sea turtles, circumnavigation of the globe, building jet engines at home, the sociology of chickens, or fungi of the skin. Luckily, Mr. Klein's paramount concern was the consumer. He knew that if we, his publishers, were going to boldly ask you to purchase his book (see above for price), he would have to write something so good, so worthwhile, so meaningful as to make you want to send additional money to your bookseller in gratitude for having allowed you to partake in this reading experience. So Mr. Klein set out to write about what he knows best: himself. This book is about the adventures of a child who becomes a young man: how he thinks and dreams and lusts and fears and laughs and handles adversity. From the beginning of his distinguished career as a comedian, Robert Klein established himself as a pioneer in observational humor and razor-sharp routines that are infectiously funny. Now -- for the first time -- Klein brings his trademark humor and honesty to the printed page. In this portrait of a comic as a young man, Klein takes us back to the people and streets of his Bronx neighborhood, the eccentric cast of characters in the Catskills hotels and bungalow colonies where he worked, the college dorms where he received more than an academic education, the 1964 World's Fair where he fell in love, New York City and Chicago in the 1960s as he developed his talent, and Los Angeles just as he was about to embark on a show business career. Throughout, Klein reveals the hilarity of growing up and explores the mysteries and his own foibles in sex and relationships. He recounts with wit and poignancy losing his virginity with a prostitute, bringing home a German girlfriend to his Jewish family, and the amorous adventures of the busboy he once was. With an ego more fragile than Chinese pottery, Robert Klein has written a funny and evocative coming-of-age memoir -- well worth the price (if we say so ourselves). Enjoy. All the best, The Publisher
An enthralling story of the iconic Grand Concourse in the West Bronx Stretching over four miles through the center of the West Bronx, the Grand Boulevard and Concourse, known simply as the Grand Concourse, has gracefully served as silent witness to the changing face of the Bronx, and New York City, for a century. Now, a New York Times editor brings to life the street in all its raucous glory. Designed by a French engineer in the late nineteenth century to echo the elegance and grandeur of the Champs Elysées in Paris, the Concourse was nearly twenty years in the making and celebrates its centennial in November 2009. Over that century it has truly been a boulevard of dreams for various upwardly mobile immigrant and ethnic groups, yet it has also seen the darker side of the American dream. Constance Rosenblum unearths the colorful history of this grand street and its interlinked neighborhoods. With a seasoned journalist’s eye for detail, she paints an evocative portrait of the Concourse through compelling life stories and historical vignettes. The story of the creation and transformation of the Grand Concourse is the story of New York—and America—writ large, and Rosenblum examines the Grand Concourse from its earliest days to the blighted 1960s and 1970s right up to the current period of renewal. Beautifully illustrated with a treasure trove of historical photographs, the vivid world of the Grand Concourse comes alive—from Yankee Stadium to the unparalleled collection of Art Deco apartments to the palatial Loew’s Paradise movie theater. An enthralling story of the creation of an iconic street, an examination of the forces that transformed it, and a moving portrait of those who called it home, Boulevard of Dreams is a must read for anyone interested in the rich history of New York and the twentieth-century American city.
In A Vulgar Art, Ian Brodie uses a folkloristic approach to stand-up comedy, engaging the discipline's central method of studying interpersonal, artistic communication and performance. Because stand-up comedy is a rather broad category, people who study it often begin by relating it to something they recognize—“literature” or “theatre”; “editorial” or “morality”—and analyze it accordingly. A Vulgar Art begins with a more fundamental observation: someone is standing in front of a group of people, talking to them directly, and trying to make them laugh. So, this book takes the moment of performance as its focus, that stand-up comedy is a collaborative act between the comedian and the audience. Although the form of talk on the stage resembles talk among friends and intimates in social settings, stand-up comedy remains a profession. As such, it requires performance outside of the comedian's own community to gain larger and larger audiences. How do comedians recreate that atmosphere of intimacy in a roomful of strangers? This book regards everything from microphones to clothing and LPs to Twitter as strategies for bridging the spatial, temporal, and sociocultural distances between the performer and the audience.
Jewish humor, with its rational skepticism and cutting social criticism, permeates American popular culture. Scholars of humor--from Sigmund Freud to Woody Allen--have studied the essence of the Jewish joke, at once a defense mechanism against a hostile world and a means of cultural affirmation. Where did this wit originate? Why do Jewish humorists work at the margins of so many diverse cultures? What accounts for the longevity of the Jewish joke? Do oppressed people, as African American author Ralph Ellison suggested, slip their yoke when they change the joke? Citing examples from prominent humorists and stand-up comics, this book examines the phenomenon of Jewish humor from its biblical origins to its prevalence in the modern diaspora, revealing a mother lode of wit in language, literature, folklore, music and history.
From the most popular routines and the most ingenious physical shtick to the snappiest wisecracks and the most biting satire of the last century, Make 'Em Laugh illuminates who we are as a nation by exploring what makes us laugh, and why. Authors Laurence Maslon and Michael Kantor draw on countless sources to chronicle the past century of American comedy and the geniuses who created and performed it-melding biography, American history, and a lotta laughs into an exuberant, important book. Each of the six chapters focuses a different style or archetype of comedy, from the slapstick pratfalls of Buster Keaton and Lucille Ball through the wiseguy put-downs of Groucho Marx and Larry David, to the incendiary bombshells of Mae West and Richard Pryor . And at every turn the significance of these comedians-smashing social boundaries, challenging the definition of good taste, speaking the truth to the powerful-is vividly tangible. Make 'Em Laugh is more than a compendium of American comic genius; it is a window onto the way comedy both reflects the world and changes it-one laugh at a time. Starting from the groundbreaking PBS series, the authors have gone deeper into the works and lives of America's great comic artists, with biographical portraits, archival materials, cultural overviews, and rare photos. Brilliantly illustrated, with insights (and jokes) from comedians, writers and producers, along with film, radio, television, and theater historians, Make 'Em Laugh is an indispensible, definitive book about comedy in America.
The founding of Home Box Office in the early 1970s was a harbinger of the innovations that transformed television as an industry and a technology in the decades that followed. HBO quickly became synonymous with subscription television and became the leading force in cable programming. Having interests in television, motion picture, and home video industries was crucial to its success. HBO diversified into original television and movie production, home video sales, and international distribution as these once-separate entertainment sectors began converging into a global entertainment industry in the mid-1980s. HBO has grown from a domestic movie channel to an international cable-and-satellite network with a presence in over seventy countries. It is now a full-service content provider with a distinctive brand of original programming and landmark shows such as The Sopranos and Sex and the City. The network is widely recognized for its award-winning, innovative and provocative programming, including dramatic series such as Six Feet Under and The Wire, miniseries such as Band of Brothers and Angels in America, comedies such as Curb Your Enthusiasm and Def Comedy Jam, sports shows such as Inside the NFL and Real Sports with Bryant Gumbel, documentary series such as Taxi Cab Confessions and Autopsy, and six Oscar-winning documentaries between 1999 and 2004. In The Essential HBO Reader, editors Gary R. Edgerton and Jeffrey P. Jones bring together an accomplished group of scholars to explain how HBO's programming transformed the world of cable television and how the network continues to shape popular culture and the television industry. Now, after more than three and a half decades, HBO has won acclaim in four distinct programming areas—drama, comedy, sports, and documentaries—emerging as TV's gold standard for its breakout series and specials. The Essential HBO Reader provides a comprehensive and compelling examination of HBO's development into the prototypical entertainment corporation of the twenty-first century.
The story is so improbable, it can only be true: A brilliant woman with a long history of mental illness—who once proclaimed herself to be "the center of the universe" — is miraculously cured by accidental carbon monoxide poisoning aboard the family boat. Nancy Bachrach warns readers, “Don’t try this at home” in her darkly humorous memoir about “the second coming” of her mother — the indomitable Lola, whose buried family secrets had been driving her crazy. Aching and tender, unflinching and wry, The Center of the Universe is a multigenerational mother-daughter story—a splendid, funny, lyrical memoir about family, truth, and the resilience of love.
Publisher description: This first-of-its-kind resource shows teachers, administrators, and counselors how to teach these unique yet at-risk learners while also leveraging their blend of humor and intelligence to inject joy and enthusiasm into the classroom. Written by a veteran educator (and self-described class clown), this concise guide combines laugh-out-loud writing with the author's field-tested expertise to help educators: Identify the four "signature" tendencies of class clowns. Employ practical classroom strategies to keep instruction moving. Prevent class clowns from acting out by understanding how to teach them.
Descriptions of Chicago's Second City comedy theater group as told to the author by troup members and historical information collected by the author.
"A down-to-earth, inspiring book about the American promise fulfilled." —President Bill Clinton "Fascinating . . . . Made me wish I had been born in the Bronx." —Barbara Walters A touching and provocative collection of memories that evoke the history of one of America's most influential boroughs—the Bronx—through some of its many success stories The vivid oral histories in Arlene Alda's Just Kids from the Bronx reveal what it was like to grow up in the place that bred the influencers in just about every field of endeavor today. The Bronx is where Michael Kay, the New York Yankees' play-by-play broadcaster, first experienced baseball, where J. Crew's CEO Millard (Mickey) Drexler found his ambition, where Neil deGrasse Tyson and Dava Sobel fell in love with science early on and where music-making inspired hip hop's Grandmaster Melle Mel to change the world of music forever. The parks, the pick-up games, the tough and tender mothers, the politics, the gangs, the food—for people who grew up in the Bronx, childhood recollections are fresh. Arlene Alda's own Bronx memories were a jumping-off point from which to reminisce with a nun, a police officer, an urban planner, and with Al Pacino, Mary Higgins Clark, Carl Reiner, Colin Powell, Maira Kalman, Bobby Bonilla, and many other leading artists, athletes, scientists and entrepreneurs—experiences spanning six decades of Bronx living. Alda then arranged these pieces of the past, from looking for violets along the banks of the Bronx River to the wake-up calls from teachers who recognized potential, into one great collective story, a film-like portrait of the Bronx from the early twentieth century until today.