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The Americanized Luftwaffe by Billy Bieler The Luftwaffe, a significant component of the late German Armed Forces (Bundeswehr) and arguably one of the major pillars of the Atlantic Alliance, thanks to its size and positioning within NATO, served as an influencer of change in the post-Cold War and Reunification periods. Although Luftwaffe was certainly influenced by old squads and their merits, it accomplished much for the new democracy, thereby contributing to the preservation of peace. The Americanized Luftwaffe explores all aspects of the post-war Luftwaffe, from its weapon system effectiveness and fighter weapon systems characteristics to its significant partnership with the United States Air Force. Through in-depth analyses of Luftwaffe’s aircraft performance, deficiencies of the operational spectrum, and the complexity of its weapons systems, much of which were developed in the latter part of the last century, The Americanized Luftwaffe demonstrates the extraordinary undertaking involved with both the reorganization and buildup and the tactical weight and importance of the Luftwaffe within the alliance.
A history of German film dealing with individual films as works of art has long been needed. Existing histories tend to treat cinema as an economic rather than an aesthetic phenomenon; earlier surveys that do engage with individual films do not include films of recent decades. This book treats representative films from the beginnings of German film to the present. Providing historical context through an introduction and interchapters preceding the treatments of each era's films, the volume is suitable for semester- or year-long survey courses and for anyone with an interest in German cinema. The films: The Student of Prague - The Cabinet of Dr. Caligari - The Last Laugh - Metropolis - The Blue Angel - M - Triumph of the Will - The Great Love - The Murderers Are among Us - Sun Seekers - Trace of Stones - The Legend of Paul and Paula - Solo Sunny - The Bridge - Young T rless - Aguirre, The Wrath of God - Germany in Autumn - The Marriage of Maria Braun - The Tin Drum - Marianne and Juliane - Wings of Desire - Maybe, Maybe Not - Rossini - Run Lola Run - Good Bye Lenin - Head On - The Lives of Others Stephen Brockmann is Professor of German at Carnegie Mellon University and past President of the German Studies Assocation.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.
This collection makes available in English for the first time the panegyric of Claudius Mamertinus (Panegyrici Latini XI/3), a substantial part of the treatise of John Chrysostom on St Babylas and against Julian (de S. Babyla c. Julianum et gentiles XIV-XIX), and Emphrem Syrus' Hymns Against Julian.
German Culture through Film: An Introduction to German Cinema is an English-language text that serves equally well in courses on modern German film, in courses on general film studies, in courses that incorporate film as a way to study culture, and as an engaging resource for scholars, students, and devotees of cinema and film history. In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present. Each chapter begins with an introduction that focuses on the history and culture surrounding films of the relevant period. Sections within chapters are each devoted to one particular film, providing film credits, a summary of the story, background information, an evaluation, questions and activities to encourage diverse interpretations, a list of related films, and bibliographical information on the films discussed.
German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form. The book traces the central role of cinema in the nation’s turbulent history from the Wilhelmine Empire to the Berlin Republic, with special attention paid to the competing demands of film as art, entertainment, and propaganda. Hake also explores the centrality of genre films and the star system to the development of a filmic imaginary. This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany.
The improvements in the technology, artistry, and distribution of motion pictures coincided with the traumas of modern Germany. It is hardly to be wondered that filmmakers frequently turned their cameras on Germany's social and political problems that propagandists regularly sought to manipulate them, that entrepreneurs tried to exploit them, and that German thinkers brooded upon the relationship between German society, politics, and the films that represented them all. From these tangled motives a rich discourse on film emerged that paralleled or anticipated discourses in the other film centers of the world. The Cinema's Third Machine reproduces the diversity of perspectives and the intensity of controversies of early German film within the broad context of German social and political history, from the aesthetic rapture of the first years to the institutionalization of film by the national socialist state. Many texts have been rediscovered and are now presented to modern scholars for the first time. Hake treats all aspects of the medium: production, promotion, education, journalism, aesthetics, and political activism, following throughout the various forms criticism assumed.
Since the beginning of the 20th century, German cinema has played an integral part in cinema history, from "Nosferatu", "The Cabinet of Dr Cagliari", and the films of Fritz Lang, to 70s directors like Fassbinder and Herzog. All are listed here, together with many rare stills.
The career of Günter Grass began dramatically in 1959, with the publication of his first novel. The Tin Drum brought instant fame to the thirty-two-year-old author and led to his receiving the 1999 Nobel Prize in Literature. Translated into dozens of languages, the novel has sold over four million copies worldwide. Its status as a major text of postwar German literature, however, has not diminished its provocative nature. In both style and content, it continues to challenge scholars, teachers, and students. This volume, like others in the MLA series Approaches to Teaching World Literature, is divided into two parts. Part 1, "Materials," provides the instructor with bibliographic information on the text, critical studies, and audiovisual and Internet resources. Part 2, "Approaches," contains eighteen essays on teaching The Tin Drum, including three that discuss Völker Schlöndorff's 1979 film adaptation of the novel. Some of the topics covered are the historical context (Nazism, World War II, the Holocaust), Oskar Matzerath as an unreliable narrator, the imagery (e.g., eels, the Virgin Mary), the use of German fairy tales, and how Grass's satirical treatment of Germany speaks to postwar generations.