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Christina Schwenkel's absorbing study explores how the "American War" is remembered and commemorated in Vietnam today -- in official and unofficial histories and in everyday life. Schwenkel analyzes visual representations found in monuments and martyrs' cemeteries, museums, photography and art exhibits, battlefield tours, and related sites of "trauma tourism." In these transnational spaces, American and Vietnamese memories of the war intersect in ways profoundly shaped by global economic liberalization and the return of American citizens as tourists, pilgrims, and philanthropists.
As suggested by the title, this collection of essays focuses upon American involvement in the Vietnamese War. These essays were originally written for a symposium in 1988 in which (for the first time since 1975) scholars from both the U.S. and Vietnam met to discuss and debate the war and its impact on their respective nations. Thus, these works (by American authors) though alternately probing and guarded, are always thought-provoking. They display the mind at work in its search for answers, explanations, and meaning. Questions of politics and history (diplomacy, the Tet offensive, Chinese involvement, U.S. war veterans) are considered and reconsidered by such authors as Allen Whiting, Jayne Werner, Nyo Vinh Long, and Paul Comacho.
The lessons, legacies, and implications for future conflicts are the purpose of this collection of work on The American War in Vietnam. This is an assemblage of ten superb papers which outline why America failed in Vietnam. . . . Military readers will find the section on How the War Was Fought especially interesting in that the authors suggest that had we pursued a more exhaustive air campaign against the North early in the war, then it could have been won. . . . This book is for serious students of the Vietnam War, for historians looking for a complete picture, it has a superb bibliography, and the authors have outstanding credentials. Armor The essays in this collection were assembled to provide answers to the question of why the United States lost the war in Vietnam. They examine four major factors that affected U.S. policy: how the war was perceived, how it was fought, the possible effect of alternative strategies, and the war's legacy for future warfare. The contributors include both military officers and scholars, all but one of whom participated in the Vietnam War. All the authors reflect the more tempered nature of current Vietnam War scholarship. Although their appraisals differ, the overall effect is to offer insight and clarification into the failure of U.S. and South Vietnamese policy, backed by the Grinter's and Dunn's first-hand experiences.
The first major synthesis of the war since 2001, drawing upon a host of newly declassified documents, presidential tapes, and overlooked foreign sources to give the most comprehensive look to date of the war that still haunts America.
In this anthology, Vietnamese writers describe their experience of what they call the American War and its lasting legacy through the lens of their own vital artistic visions. A North Vietnamese soldier forms a bond with an abandoned puppy. Cousins find their lives upended by the revelation that their fathers fought on opposite sides of the war. Two lonely veterans in Hanoi meet years after the war has ended through a newspaper dating service. A psychic assists the search for the body of a long-vanished soldier. The father of a girl suffering from dioxin poisoning struggles with corrupt local officials. The twenty short stories collected in Other Moons range from the intensely personal to narratives that deal with larger questions of remembrance, trauma, and healing. By a diverse set of authors, including many veterans, they span styles from social realism to tales of the fantastic. Yet whether describing the effects of Agent Orange exposure or telling ghost stories, all speak to the unresolved legacy of a conflict that still haunts Vietnam. Among the most widely anthologized and popular pieces of short fiction about the war in Vietnam, these works appear here for the first time in English. Other Moons offers Anglophone audiences an unparalleled opportunity to experience how the Vietnamese think and write about the conflict that consumed their country from 1954 to 1975—a perspective still largely missing from American narratives.
The American war in Vietnam was so much more than the sum of its battles. To make sense of it, we must look beyond the conflict itself. We must understand its context and, above all, the formative experiences, worldview, and motivations of those who devised communist strategies and tactics. Vietnam's American War, now in its second edition, remains a story of how and why Hanoi won. However, this revised and expanded edition offers more extensive and nuanced insights into Southern Vietnamese history, politics, and society. It puts to rest the myth of Vietnamese national unity by documenting the myriad, profound local fractures exacerbated by US intervention. It also includes over thirty-five new images intended to highlight that the Vietnam War was, fundamentally, a Vietnamese civil war and tragedy. This new edition is as richly detailed as it is original, eye-opening, and absorbing.
Publisher's description: "This book presents new perspectives on the Vietnam War, its global repercussions, and the role of this war in modern history. The volume reveals 'America's War' as an international event that reverberated all over the world: in domestic settings of numerous nation-states, combatants and non-combatants alike, as well as in transnational relations and alliance systems. The volume thereby covers a wide geographical range-from Berkeley and Berlin to Cambodia and Canberra. The essays address political, military, and diplomatic issues no less than cultural and intellectual consequences of 'Vietnam'. The authors also set the Vietnam War in comparison to other major conflicts in world history; they cover over three centuries, and develop general insights into the tragedies and trajectories of military conflicts as phenomena of modern societies in general. For the first time, 'America's War' is thus depicted as a truly global event whose origins and characteristics deserve an interdisciplinary treatment."
This controversial and timely book about the American experience in Vietnam provides the first full exploration of the perspectives of the North Vietnamese leadership before, during, and after the war. Herbert Y. Schandler offers unique insights into the mindsets of the North Vietnamese and their response to diplomatic and military actions of the Americans, laying out the full scale of the disastrous U.S. political and military misunderstandings of Vietnamese history and motivations. Including frank quotes from Vietnamese leaders, the book offers important new knowledge that allows us to learn invaluable lessons from the perspective of a victorious enemy. Unlike most military officers who served in Vietnam, Schandler is convinced the war was unwinnable, no matter how long America stayed the course or how many resources were devoted to it. He is remarkably qualified to make these judgments as an infantry commander during the Vietnam War, a Pentagon policymaker, and a scholar who taught at West Point and National Defense University. His extensive personal interviews with North Vietnamese are drawn from his many trips to Hanoi after the war. Schandler provides not only a definitive analysis of the American failure in Vietnam but a crucial foundation for exploring the potential for success in the current guerrilla wars the United States is fighting in Iraq and Afghanistan.
“The book addresses chronologically the most striking reactions of the art world to the rise of military engagement in Vietnam then in Cambodia.” —Guillaume LeBot, Critique d’art The Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace. Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists’ groups including the Art Workers’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC’s Q. And Babies? A. And Babies and APC’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war’s end that criticized both the war and the form and content of traditional war memorials. “Accessible and informative.” —Art Libraries Society of North America
On May 25, 2012, President Obama announced that the United States would spend the next thirteen years – through November 11, 2025 – commemorating the 50th Anniversary of the Vietnam War, and the American soldiers, “more than 58,000 patriots,” who died in Vietnam. The fact that at least 2.1 million Vietnamese – soldiers, parents, grandparents, children – also died in that war will be largely unknown and entirely uncommemorated. And U.S. history barely stops to record the millions of Vietnamese who lived on after being displaced, tortured, maimed, raped, or born with birth defects, the result of devastating chemicals wreaked on the land by the U.S. military. The reason for this appalling disconnect of consciousness lies in an unremitting public relations campaign waged by top American politicians, military leaders, business people, and scholars who have spent the last sixty years justifying the U.S. presence in Vietnam. It is a campaign of patriotic conceit superbly chronicled by John Marciano in The American War in Vietnam: Crime or Commemoration?. A devastating follow-up to Marciano’s 1979 classic Teaching the Vietnam War (written with William L. Griffen), Marciano’s book seeks not to commemorate the Vietnam War, but to stop the ongoing U.S. war on actual history. Marciano reveals the grandiose flag-waving that stems from the “Noble Cause principle,” the notion that America is “chosen by God” to bring democracy to the world. Marciano writes of the Noble Cause being invoked unsparingly by presidents – from Jimmy Carter, in his observation that, regarding Vietnam, “the destruction was mutual,” to Barack Obama, who continues the flow of romantic media propaganda: “The United States of America … will remain the greatest force for freedom the world has ever known.” The result is critical writing and teaching at its best. This book will find a home in classrooms where teachers seek to do more than repeat the trite glorifications of U.S. empire. It will provide students everywhere with insights that can prepare them to change the world.