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The term American Renaissance designates a period in our nation's history when the literary "classics" appeared--works "original" enough to mark a beginning for America's literary history. But the American Renaissance, Donald Pease argues in his introduction, does not belong to the nation's secular history so much as it denotes a rebirth from it: "Independent of the time kept by secular history, the American Renaissance keeps what we could call global Renaissance time--the sacred time a nation claims to renew, when it claims its cultural place as a great nation existing within a world of great nations. Providing each nation with the terms for cultural greatness denied to secular history, the renaissance' is not an occasion occurring within any specific historical time or place so much as it is a moment of cultural achievement that repeatedly demands to be reborn." The American Renaissance Reconsidered examines this demand for rebirth in terms other than those ordained by the American Renaissance itself. In the seven pieces collected here it is reborn, not outside of, but within America's secular history, as the authors examine anew the period of the American Renaissance -- and the period in which its history was written. Contributing authors are Eric J. Sundquist, Jane P. Tompkins, Louis A. Renza, Jonathan Arac, Donald E. Pease, Walter Benn Michaels, and Allen Grossman.
DIVOffers a revised view of the American Renaissance that shows (a) how the debates about political representatives as they developed around the framing and ratifications of the U.S. Constitution have structured the rhetoric of subsequent generations of writ/div
Examining the most frequently taught works by key writers of the American Renaissance, including Poe, Emerson, Fuller, Douglass, Hawthorne, Melville, Thoreau, Jacobs, Stowe, Whitman, and Dickinson, this engaging and accessible book offers the crucial historical, social, and political contexts in which they must be studied. Larry J. Reynolds usefully groups authors together for more lively and fruitful discussion and engages with current as well as historical theoretical debates on the area. The book includes essential biographical and historical information to situate and contextualize the literature, and incorporates major relevant criticism in each chapter. Recommended readings for further study, along with a list of works cited, conclude each chapter.
This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.
The American literary canon has undergone revision and expansion in recent years, and our notions of the 19th-century renaissance have been reevaluated. Mainstream anthologies have been revised to reflect the expanding literary canon, yet resources for readers have remained widely scattered. This book expands earlier definitions of the 19th-century American Renaissance as represented by canonical writers such as Emerson and Poe, covering writers who published popular fiction and dominated the literary marketplace of the day. Included is generous coverage of women writers and writers of color. The volume provides alphabetically arranged entries for more than 70 writers of the period, including Louisa May Alcott, Emily Dickinson, Frederick Douglass, Margaret Fuller, Nathaniel Hawthorne, Herman Melville, Harriet Beecher Stowe, Henry David Thoreau, Walt Whitman, and many more. Each entry was written by an expert contributor and includes a brief biography, a discussion of major works and themes, a survey of the writer's critical reception, and primary and secondary bibliographies.