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Take a close-up look at far-out fabric designs from the 1960s in full, cool colors. All the orange, hot pink, and sky blue the era's most fertile imaginations could conjure. Featured are more than 300 striking swatches from top couture houses in Paris and Milan, bold flower prints on silk, cotton, and the acetates and polyesters that helped shape fashion's most eye-popping era.
A major American intellectual and “one of the right’s most gifted and astute journalists” (The New York Times Book Review) makes the historical case that the reforms of the 1960s, reforms intended to make the nation more just and humane, left many Americans feeling alienated, despised, misled—and ready to put an adventurer in the White House. Christopher Caldwell has spent years studying the liberal uprising of the 1960s and its unforeseen consequences and his conclusion is this: even the reforms that Americans love best have come with costs that are staggeringly high—in wealth, freedom, and social stability—and that have been spread unevenly among classes and generations. Caldwell reveals the real political turning points of the past half-century, taking you on a roller-coaster ride through Playboy magazine, affirmative action, CB radio, leveraged buyouts, iPhones, Oxycotin, Black Lives Matter, and internet cookies. In doing so, he shows that attempts to redress the injustices of the past have left Americans living under two different ideas of what it means to play by the rules. Essential, timely, hard to put down, The Age of Entitlement “is an eloquent and bracing book, full of insight” (New York magazine) about how the reforms of the past fifty years gave the country two incompatible political systems—and drove it toward conflict.
This is an historical narrative that describes and analyzes the changes and excitement of the 60s. The author sees the period as one that proved Americans can do better than they have done in the me-decade of the 80s. He proposes that it was a time that rejected complacency in order to recover a zeal for the pursuit of excellence, for the nation to re-awaken to a sense of national mission and ideals; and a time when artists, intellectuals and the young offered alternatives to what the nation had become. The book focuses on what this period meant in US history, and addresses current issues, bringing an historical perspective to bear on issues of race, ethnicity and gender, among others.
This book covers the 1960's as part of the definitive history of American cinema from its emergence in the 1800s to the present day.
This book charts the changing complexion of American culture in one of the most culturally vibrant of twentieth-century decades. It provides a vivid account of the major cultural forms of 1960s America - music and performance; film and television; fiction and poetry; art and photography - as well as influential texts, trends and figures of the decade: from Norman Mailer to Susan Sontag; from Muhammad Ali's anti-war protests to Tom Lehrer's stand-up comedy; from Bob Dylan to Rachel Carson; and from Pop Art to photojournalism. A chapter on new social movements demonstrates that a current of conservatism runs through even the most revolutionary movements of the 1960s and the book as a whole looks to the West and especially to the South in the making of the sixties as myth and as history.
In America in the Sixties, Greene goes beyond the clichés and synthesizes thirty years of research, writing, and teaching on one of the most turbulent decades of the twentieth century. Greene sketches the well-known players of the period—John F. Kennedy, Lyndon B. Johnson, Martin Luther King Jr., Malcolm X, and Betty Friedan—bringing each to life with subtle detail. He introduces the reader to lesser-known incidents of the decade and offers fresh and persuasive insights on many of its watershed events. Combining an engrossing narrative with intelligent analysis, America in the Sixties enriches our understanding of that pivotal era.
During the sixties, says Morris Dickstein, America seemed to be at the gates of Eden--verging on a new way of experiencing life, art, and culture. In this provocative book, he discusses how we reached the gates and why, in the end, they remained closed. Beginning with Allen Ginsberg and the Beat poets of the late fifties, Dickstein traces the rise of a new sensibility in American thought, writing, and music through lively and incisive analyses of such sixties icons as Kurt Vonnegut, Jr., Bob Dylan, Norman Mailer, Ralph Ellison, Joseph Heller, Paul Goodman, Norman O. Brown, and the Rolling Stones. Now, on the twentieth anniversary of the book's original publication, Dickstein has written a new introduction, reassessing the period's achievements and failures, and providing a fresh perspective on the ways that the sixties continue to influence our politics and culture.