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The tale of Demeter and Persephone, a central myth of Victorian women's culture, is used to interpret the life and work of a 19th-century Maine writer.
In Persephone in America, Alison Townsend deftly weaves autobiography with myth in this reinvention of the tale of Demeter and Persephone as seen from the modern woman’s perspective. Fraught with emotional honesty, this captivating collection of lyrical and narrative poems chronicles the struggles of the figurative Persephone in three parts—the abduction, descent to the underworld, and return. Townsend turns a shrewd eye to her own experiences, as well as to the lives of other women, to offer an unflinching yet deeply compassionate exploration of such themes as girlhood and the vulnerability of the motherless; the demons of depression, addiction, and abuse; as well as passion, aging, and celebration of the natural world. Although the poems traverse dark emotional territory at times, the picture that emerges ultimately is one of revelation and wisdom. Persephone in America is above all a journey of the soul, following the narrator as she explores what it means to be a woman in America, at times descending into darkness, only to emerge into redemption and realize “time’s sweet and invincible secret—that everything repeats—and we watch it.” Townsend’s candid portrait of female loss and discovery seeks to illuminate the truths inherent in myth, and the awakenings that hide in our darkest moments. Persephone, Pretending (Madison, Wisconsin) When the news says that the girl who had been missing almost four days, only to be found in a marshy area at the edge of our medium-sized city, was faking it all along, I wondered what made her do it. I'd seen her face—bright smile, dark eyes— on a flier masking-taped to a pillar at the airport the week before, felt the involuntary frisson of the curious, then only fear at the thought of a girl abducted in this place once voted "America's most livable city." She must have wanted something she couldn't name, that good girl with good grades who looks like so many girls in my own classes, but who keeps changing her story. It happened here; no, it happened there; no, I really just wanted to be alone. Then she turns her face away, tired of telling her tale, not sure what to make up next or where invention will take her. “Fictitious victimization disorder,” Time magazine claims, but I wonder what else, imagining her in the marsh, cold, unrepentant, powerless, her mind gone muddy with lack of sleep, no way out of this lie she almost believes, or the lies ahead, nothing but memory of the rope, duct tape, cough medicine, and knife she bought at the PDQ with her own cash, wanting to be taken by someone so badly, she takes us, she does it to herself.
In Persephone in America, Alison Townsend deftly weaves autobiography with myth in this reinvention of the tale of Demeter and Persephone as seen from the modern woman’s perspective. Fraught with emotional honesty, this captivating collection of lyrical and narrative poems chronicles the struggles of the figurative Persephone in three parts—the abduction, descent to the underworld, and return. Townsend turns a shrewd eye to her own experiences, as well as to the lives of other women, to offer an unflinching yet deeply compassionate exploration of such themes as girlhood and the vulnerability of the motherless; the demons of depression, addiction, and abuse; as well as passion, aging, and celebration of the natural world. Although the poems traverse dark emotional territory at times, the picture that emerges ultimately is one of revelation and wisdom. Persephone in America is above all a journey of the soul, following the narrator as she explores what it means to be a woman in America, at times descending into darkness, only to emerge into redemption and realize “time’s sweet and invincible secret—that everything repeats—and we watch it.” Townsend’s candid portrait of female loss and discovery seeks to illuminate the truths inherent in myth, and the awakenings that hide in our darkest moments. Persephone, Pretending (Madison, Wisconsin) When the news says that the girl who had been missing almost four days, only to be found in a marshy area at the edge of our medium-sized city, was faking it all along, I wondered what made her do it. I'd seen her face—bright smile, dark eyes— on a flier masking-taped to a pillar at the airport the week before, felt the involuntary frisson of the curious, then only fear at the thought of a girl abducted in this place once voted "America's most livable city." She must have wanted something she couldn't name, that good girl with good grades who looks like so many girls in my own classes, but who keeps changing her story. It happened here; no, it happened there; no, I really just wanted to be alone. Then she turns her face away, tired of telling her tale, not sure what to make up next or where invention will take her. “Fictitious victimization disorder,” Time magazine claims, but I wonder what else, imagining her in the marsh, cold, unrepentant, powerless, her mind gone muddy with lack of sleep, no way out of this lie she almost believes, or the lies ahead, nothing but memory of the rope, duct tape, cough medicine, and knife she bought at the PDQ with her own cash, wanting to be taken by someone so badly, she takes us, she does it to herself.
Over the course of the nineteenth century, the figure of Persephone rapidly evolved from what was essentially a decorative metaphor into a living goddess who embodied the most spiritual aspects of ancient Greek religion. In the first comprehensive survey of the Persephone myth in English and American literature of the nineteenth and early twentieth centuries, Margot Louis explores the transformation of the goddess to provide not only a basis for understanding how the study of ancient history informed the creation of a new spirituality but for comprehending the deep and bitter tensions surrounding gender that interacted with this process. Beginning with an overview of the most influential ancient texts on Persephone and references to Persephone in Chaucer, Shakespeare, Milton, and Romantic period writing, Louis shows that the earliest theories of matriarchy and patriarchal marriage emerged in the 1860s alongside the first English poems to explore Persephone's story. As scholars began to focus on the chthonic Mystery cults, and particularly on the Eleusinian Mysteries of Demeter and Persephone, poets and novelists explored the divisions between mother and daughter occasioned by patriarchal marriage. Issues of fertility and ritual resonate in Thomas Hardy's Tess of the d'Urbervilles and Willa Cather's My Antonia, while the first advance of a neo-pagan spirituality, as well as early feminist critiques of male mythography and of the Persephone myth, emerge in Modernist poems and fictions from 1908 to 1927. Informed by the latest research and theoretical work on myth, Margot Louis's fascinating study shows the development of Victorian mythography in a new light; offers original takes on Victorian representations of gender and values; exposes how differently male and female Modernists dealt with issues of myth, ritual, and ancient spirituality; and uncovers how deeply the study of ancient spirituality is entwined with controversies about gender.
Over the course of the nineteenth century, the figure of Persephone rapidly evolved from what was essentially a decorative metaphor into a living goddess who embodied the most spiritual aspects of ancient Greek religion. In the first comprehensive survey of the Persephone myth in English and American literature of the nineteenth and early twentieth centuries, Margot Louis explores the transformation of the goddess to provide not only a basis for understanding how the study of ancient history informed the creation of a new spirituality but for comprehending the deep and bitter tensions surrounding gender that interacted with this process. Beginning with an overview of the most influential ancient texts on Persephone and references to Persephone in Chaucer, Shakespeare, Milton, and Romantic period writing, Louis shows that the earliest theories of matriarchy and patriarchal marriage emerged in the 1860s alongside the first English poems to explore Persephone's story. As scholars began to focus on the chthonic Mystery cults, and particularly on the Eleusinian Mysteries of Demeter and Persephone, poets and novelists explored the divisions between mother and daughter occasioned by patriarchal marriage. Issues of fertility and ritual resonate in Thomas Hardy's Tess of the d'Urbervilles and Willa Cather's My Antonia, while the first advance of a neo-pagan spirituality, as well as early feminist critiques of male mythography and of the Persephone myth, emerge in Modernist poems and fictions from 1908 to 1927. Informed by the latest research and theoretical work on myth, Margot Louis's fascinating study shows the development of Victorian mythography in a new light; offers original takes on Victorian representations of gender and values; exposes how differently male and female Modernists dealt with issues of myth, ritual, and ancient spirituality; and uncovers how deeply the study of ancient spirituality is entwined with controversies about gender.
The tale of Demeter and Persephone, a central myth of Victorian women's culture, is used to interpret the life and work of a 19th-century Maine writer.
Hades, king of the Underworld, has his eyes on a potential bride--Persephone. When he forces her to live with him, Persephone's mother, the goddess of nature, is not happy. Soon, Earth falls into ruin. In order to set things right, the Greek gods and goddesses must make a compromise. Learn Persephone's story in this modern, graphic retelling of a classic Greek myth.
The Daughters of Zeus, Book One "Persephone is a fun, imaginative, smart retelling of my favorite myth, fusing modern culture with a rich world of magic." Amazon Top Reviewer, Molly Ringle, Author of Persephone's Orchard. One day Persephone is an ordinary high school junior working at her mom's flower shop in Athens, Georgia. The next she's fighting off Boreas, the brutal god of Winter, and learning that she's a bonafide goddess--a rare daughter of the now-dead Zeus. Her goddess mom whisks her off to the Underworld to hide until Spring. There she finds herself under the protection of handsome Hades, the god of the dead, and she's automatically married to him. It's the only way he can keep her safe. Older, wiser, and far more powerful than she, Hades isn't interested in becoming her lover, at least not anytime soon. But every time he rescues her from another of Boreas' schemes, they fall in love a little more. Will Hades ever admit his feelings for her? Can she escape the grasp of the god of Winter's minions? The Underworld is a very nice place, but is it worth giving up her life in the realm of the living? Her goddess powers are developing some serious, kick-butt potential. She's going to fight back. "I enjoyed Hades and Persephone's sweet romantic relationship. Persephone has her flaws, but she is likable and learns along the way. The author's writing is descriptive and entertaining. I am looking forward to the next book." Rebecca Foote @ Paranormal Muse "Everyone needs to check this book out, I can't rave enough about it, Bevis is definitely a new talent to keep an eye out for. I give this 5/5." Sarah Brown @ Head Stuck in a Book "I found this book to be a fun and fast-paced adventure through Greek mythology with a modern twist." Stephanie Ward @ A Dream Within a Dream "From the first paragraph, I was enthralled with this story. I read it all in one sitting and enjoyed every minute of it. What a great spin on a Greek myth! Move over Rick Riordan!" Amazon Top Reviewer, Rita Webb, Author of Daughter of the Goddess "This story will completely suck you in . . . This book is the first of a trilogy, and I can't wait to see what's in store for these amazing characters." Amazon Top Reviewer, Melissa Groeling, Author of Beauty Marks Kaitlin Bevis spent her childhood curled up with a book and a pen. If the ending didn't agree with her, she rewrote it. Because she's always wanted to be a writer, she spent high school and college learning everything she could to achieve that goal. After graduating college with a BFA and Masters in English, Kaitlin went on to write The Daughters of Zeus series. kaitlinbevis.com