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Excerpt from The American Metropolis, From Knickerbocker Days to the Present Time, Vol. 1 of 3: New York City Life in All Its Various Phases But not only will the objects proposed by the present volumes commend themselves to every intel ligent friend of the City, but the scheme of recital which the Author has adopted is itself a marked feature of the work. It will arrest the attention of his adult readers, and will be particularly grate ful to the tastes and instincts of the young peo ple, and.it is upon them, primarily, that we have to base our hopes for the future. Youths are not fond of disquisitions, but they like to be shown things, which is exactly what Mr. Moss does in these pages. An event taken apart from its local connections is almost as uninteresting a thing as a soul would be with no body for it to be at home in. The author of The American Metropolis not only describes What has occurred in the history of our City, but knits those events to the particular spot where they have transpired, thus clothing them with the garments of reality and putting them into local relation with the streets that we are to-day walking. His idea is a clever one, and can hardly fail of catching the attention and holding the in terest of the reading public, younger and older. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts Movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study.
Nineteenth-century press barons in New York City helped to invent the skyscraper. Early newspaper buildings in the country's media capital were designed to communicate both commercial and civic ideals, provide public space and prescribe discourse, and speak to class and mass in equal measure. Wallace illustrates how the media have continued to use the city as a space in which to inscribe and assert their power. She considers how architecture contributed to the power of the press, the nature of the reading public, the commercialization of media, and corporate branding in the media industry.
Private law enforcement and order maintenance have usually been seen as working against or outside of state authority. A History of Private Policing in the United States surveys private policing since the 1850s to the present, arguing that private agencies have often served as a major component of authority in America as an auxiliary of the state. Wilbur R. Miller defines private policing broadly to include self-defense, stand your ground laws, and vigilantism, as well as private detectives, security guards and patrols from gated community security to the Guardian Angels. He also covers the role of detective agencies in controlling labor organizing through spies, guards and strikebreakers. A History of Private Policing in the United States is an overview integrating various components of private policing to place its history in the context of the development of the American state.
To combat behavior they viewed as sexually promiscuous, politically undesirable, or downright criminal, social activists in Progressive-era New York employed private investigators to uncover the roots of society’s problems. New York Undercover follows these investigators—often journalists or social workers with no training in surveillance—on their information-gathering visits to gambling parlors, brothels, and meetings of criminal gangs and radical political organizations. Drawing on the hundreds of detailed reports that resulted from these missions, Jennifer Fronc reconstructs the process by which organizations like the National Civic Federation and the Committee of Fourteen generated the knowledge they needed to change urban conditions. This information, Fronc demonstrates, eventually empowered government regulators in the Progressive era and beyond, strengthening a federal state that grew increasingly repressive in the interest of pursuing a national security agenda. Revealing the central role of undercover investigation in both social change and the constitution of political authority, New York Undercover narrates previously untold chapters in the history of vice and the emergence of the modern surveillance state.
A chance encounter with Silver's career in South Africa set Charles van Onselen on a twenty five-year obsession: a journey to reconstruct the shadowy life and times of-in some ways to match wits with-a devious master criminal. From Russian Poland in the 1860s, where Silver was born Joseph Lis, to London in the 1880s, turn-of-the-century New York, Argentina, and Africa, van Onselen recaptures the dangerous demimonde of the Atlantic world. Silver's notoriety was found among the most confidential correspondence of a dozen countries; what those in law enforcement kept to themselves, however, was how their officers had attempted to use Silver as an informer to infiltrate syndicates built on vice, only to have him outwit them as he moved in the risky space between police and prostitutes. Such is the meticulousness of van Onselen's research that The Fox and the Flies is as rich in history as it is in the detail and drama of Silver's career, as layer after layer of his life and times are revealed. And it has an extraordinary pay-off, for van Onselen contends that Joseph Silver's darkest secret of all lay in London in the autumn of 1888 when, before he embarked on his legendary life of crime, he was, indeed, Jack the Ripper.